Literati is pleased to partner with the University of Michigan’s Sweetland Center for Writing and WCBN Radio for the latest installment of Word^2: Writer to Writer, a series which puts a UM professor and member of the Sweetland faculty in conversation about writing.
This month, Writer to Writer welcomes Clare Croft, a historian, theorist, and dramaturg working at the intersection of dance studies and performance studies. She specializes in 20th and 21st century American dance, cultural policy, feminist and queer theory, and critical race theory. In all of these areas, Croft considers how dance is a way of thinking and a mode for asking questions. What does it mean to acknowledge that people have bodies and that they use their bodies to make meaning, create community, and critique social structures?
Croft’s current book project, Funding Footprints: Dance and American Diplomacy (Oxford University Press), examines the history of U.S. State Department funding of international dance tours. Croft’s writing about dance has appeared in Dance Research Journal, Theatre Journal, and Theatre Topics, and is forthcoming in Dance Chronicle. From 2002-2005, Croft was a regular contributor to The Washington Post, and from 2005-2010, she covered dance, as well as theatre and musical theatre, for the Austin American-Statesman.
In 2010, Croft’s article, “Ballet Nations: The New York City Ballet’s 1962 U.S. State Department-Sponsored Tour of the Soviet Union,” received the American Society of Theatre Research’s Biennial Sally Banes Publication Prize, which recognizes the publication that best explores the intersections of theatre and dance/movement. Croft was also the 2007 recipient of the Society of Dance History Scholar’s Selma Jeanne Cohen Award. At the University of Michigan, Croft teaches courses in the BFA and MFA dance programs, as well as in the BFA interarts program.
Mar. 22: Readings by Jennifer Clark, a Kalamazoo poet who has a forthcoming 2nd collection Johnny Appleseed: The Slice and Times of John Chapman, and InsideOut Literary Arts Project (Detroit) interim director and Al-Mutanabbi Street Starts Here Detroit project coordinator Alise Alousi, whose work is featured in Inclined to Speak: An Anthology of Contemporary Arab American Poetry. Followed by a poetry and short fiction open mike.
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7-9 p.m., Crazy Wisdom, 114 S. Main. Free. 665-2757
Literati is pleased to welcome Margot Singer in support of her new novel, Underground Fugue. Margot will be joined in conversation by UM professor and author Eileen Pollack.
Set against the backdrop of the London tube bombings in 2005, Underground Fugue interweaves the stories of four characters who are dislocated by shock waves of personal loss, political violence, and, ultimately, betrayal. It’s April and Esther has left New York for London, partly to escape her buckling marriage, and partly to care for her dying mother; Lonia, Esther’s mother, is haunted by memories of fleeing Czechoslovakia on the eve of World War II; Javad, their next-door neighbor and an Iranian neuroscientist, struggles to connect with his college-aged son; and Amir, Javad’s son, is seeking both identity and escape in his illicit exploration of the city’s forbidden spaces. As Esther settles into life in London, a friendship develops among them. But when terrorists attack the London transit system in July, someone goes missing, and the chaos that follows both fractures the possibilities for the future, and reveals the deep fault lines of the past. With nuanced clarity and breathtaking grandeur, Margot Singer’s Underground Fugue is an elegant, suspenseful, and deeply powerful debut.
All invited to read and discuss their poetry or short stories. Bring about 6 copies of your work to share. Hosted by local poets and former college English teachers Joe Kelty and Ed Morin.
7-9 p.m., Crazy Wisdom, 114 S. Main. Free. 665-2757
Reading by Oakland University English professor John Hazard, a widely published poet whose most recent work is the Naming a Stranger, a collection of poems about ordinary people that, according to poet Faith Shearin, offers a world in which both the familiar and the unknown are delicately examined and named. Followed by a poetry and short fiction open mike. .
7-9 p.m., Crazy Wisdom, 114 S. Main. Free. 665-2757
All invited to read and discuss their poetry or short stories. Bring about 6 copies of your work to share. Hosted by local poets and former college English teachers Joe Kelty and Ed Morin.
7-9 p.m., Crazy Wisdom, 114 S. Main. Free. 665-2757
Readings by Joliet Junior College English professor Bill Yarrow, a widely published poet who edits the Blue Fifth Review, and Zilka Joseph, a local poet known for her vividly figured explorations of the natural world whose latest collection is Sharp Blue Search of Flame. Followed by a poetry and short fiction open mike.
Literati Bookstore is pleased to welcome acclaimed filmmaker Whit Stillman, in conversation with Literati bookseller Sam Krowchenko, in support of Love & Friendship: In Which Jane Austen’s Lady Susan Vernon Is Entirely Vindicated.
A sharp comedy of manners, and a fiendishly funny treat for Jane Austen and Whit Stillman fans alike Impossibly beautiful, disarmingly witty, and completely self-absorbed: Meet Lady Susan Vernon, both the heart and the thorn of Love & Friendship. Recently widowed with a daughter who’s coming of age as quickly as their funds are dwindling, Lady Susan makes it her mission to find them wealthy husbands–and fast. But when her attempts to secure their futures result only in the wrath of a prominent conquest’s wife and the title of ‘most accomplished coquette in England’, Lady Susan must rethink her strategy. Unannounced, she arrives at her brother-in-law’s country estate. Here she intends to take refuge – in no less than luxury, of course – from the colorful rumors trailing her, while finding another avenue to ‘I do’. Before the scandalizing gossip can run its course, though, romantic triangles ensue.
“A postmodern confection [that’s] very, very funny.”–Penelope Green, New York Times
“In the ever-booming Austen spinoff industry, where paeans to Mr. Darcy are the norm, rewriting a work of the master’s in the guise of one of her detractors makes for an eccentrically cheeky tribute.”–Alexandra Schwartz, New Yorker
“A merry comedy of pride, prejudice, and duplicity…. Silly, sly, eccentric characters and brisk chatter make for a diverting romp.”–Kirkus Reviews
“Lady Susan is finally getting some long overdue respect.”–Alexandra Alter, New York Times
Whit Stillman–winner of France’s Prix Fitzgerald for his prior novel–is the writer-director of five films, including Metropolitan, Barcelona, The Last Days of Disco, Damsels in Distress, and Love & Friendship, a mendacious representation of this story. At university, he was an editor of the Harvard Crimson, and he later worked in book publishing and journalism. His first novel, The Last Days of Disco, With Cocktails at Petrossian Afterwards, was also derived from a film story.
Sam Krowchenko is the host of Literati Bookstore’s podcast Shelf Talking. His work has appeared in Salon, Full Stop, and The Michigan Quartely Review. He is an MFA candidate at the Helen Zell Writers’ Program.
All invited to read and discuss their poetry or short stories. Bring about 6 copies of your work to share. Hosted by local poets and former college English teachers Joe Kelty and Ed Morin.
7-9 p.m., Crazy Wisdom, 114 S. Main. Free. 665-2757
Literati is proud to present its first ever Exit Interview! In celebration of his recent retirement from the academy, Literati will host Laurence Goldstein for an evening of conversation and poetry. Laurence will be interviewed by local poet, Cody Walker, in addition to reading poems from his previous collections. We hope you might join us as we admire and continue to learn from one of the greats!
Laurence Goldstein is the author of The American Poet at the Movies: A Critical History (1994), four books of poems, including A Room in California (2005), and seven edited or co-edited volumes of cultural commentary. His latest book explores both the city where he spent his first 22 years and a vibrant American tradition of topographical verse. Poetry Los Angeles sets the agenda for twenty-first century studies of urban poetry in general, and the literature of Los Angeles in particular.
Cody Walker is the author of The Self-Styled No-Child (Waywiser, 2016) and Shuffle and Breakdown (Waywiser, 2008). His poems have appeared in The New York Times, The Yale Review, Slate, Salon, and The Best American Poetry (2015 and 2007); his essays have appeared online in The New Yorker and the Kenyon Review. The former Poet Populist of Seattle, he now lives with his family in Ann Arbor, where he directs the creative writing minor at the University of Michigan. His new collection, The Trumpiad (Waywiser, 2017), was released in April.