This lecture asks how the spatial politics of migration have been inflected by histories of colonialism. Using the example of the Anglo-Caribbean island of Barbados and its majority African-descended population, Osayimwese examines migration to the Global North as a response to the inequitable structure of plantation society. She shows that migration fundamentally transformed the structure of Barbadian society by enabling property acquisition through remittances. The remittance landscape that ensued, however, encompassed both land and houses on the island and property purchased in receiving countries, which remain connected by particular Afro-Caribbean approaches to land ownership and modes of dwelling.
Itohan Osayimwese is an architectural and urban historian. She is assistant professor of history of art and architecture at Brown University. She engages with theories of modernity, postcoloniality, and globalization to analyze German colonial architecture, urban design, and visual culture; modern architecture in Germany; African and African diaspora material cultural histories; and the architecture of development in Africa. Another research interest is the architectural and urban lives of religious cults.
“Beyond Solidarity” traces a genealogy of rebel care work. Without imposing a future, what political, cultural and social questions emerge when we center dignity in thinking beyond solidarity? Specifically with regards to the complimentary, contested and contradictory relationships between the university and the prison, who produces and benefits from the creation and production of knowledge? What is considered knowledge?
What is the role of Ethnic Studies in how we imagine and create a society not centered and organized around the idea that vengeance is justice, that punishment should only mean exile and imprisonment? What is the role of the university in the after-life of incarceration and the after-life of detention, for the communities that students come from, or in relation to policy or pedagogy? How does/can the university reproduce and undue the prison as a total institution? (Strike for print material)
Alan Eladio Gómez is a historian, Southwest Borderlands Scholar and associate professor of justice and social inquiry in the School of Social Transformation at Arizona State University. He is also an affiliated faculty member with the School of Transborder Studies and the Herberger Institute of Design and the Arts. Gómez is the author of The Revolutionary Imaginations of Greater Mexico: Chicana/o Radicalism, Solidarity Politics & Latin American Social Movements (University of Texas Press, 2016)
Each week will feature different Detroit-based speakers and guests who will explore the given topic and engage the students through a combination of formal remarks, presentations, and public discussion. Light dinner provided; free transportation from Ann Arbor to Detroit; public welcome and encouraged to attend.
Marcin Wodzinski has produced the first cartographic reference book on Hasidism, one of the modern era’s most vibrant and important mystical movements. In this lecture, he will discuss Hasidism’s emergence and expansion in Eastern Europe; its spread to the New World; and its remarkable postwar rebirth. Wodzinski’s innovative mapping allows him to show to what extent Hasidism dominated the Eastern European Jewry, which Hasidic dynasties were strongest and why, and how the Hasidim resurrected in the Post-Holocaust era.
Marcin Wodziński (b. 1966) was born and raised in Silesia, Poland. He currently works at the Department of Jewish Studies, University of Wrocław, Poland, where he is professor of Jewish history and literature. His research focuses on the history and culture of East European Jews in modern times, especially the Haskalah and Hasidism. Of his recent publications, he is most proud of “Historical Atlas of Hasidism” (2018) and “Hasidism: Key Questions” (2018).
The Jewish Federation of Greater Ann Arbor and Jewish Community Center of Greater Ann Arbor are proud to present ISIS: The Day After – A Look from Within, a lecture by renowned Israeli war correspondent and documentarian, Itai Anghel. One of the most prominent TV journalists in Israel, Mr. Anghel is known for his unique field-work and in-depth documentaries. In his lecture, he presents rare encounters with ISIS fighters, dynamic and updated maps of the region and exclusive pieces of his documentaries to help his audience understand the process that led to the rise and fall of the Islamic State and other Jihadists elements in the region. Wednesday, April 3 at 7pm. Jewish Community Center of Greater Ann Arbor, 2935 Birch Hollow Dr., Ann Arbor, 48108. Free admission. Register at jewishannarbor.org or email events@jewishannarbor.org.
This event brings together Michigan Supreme Court Chief Justice Bridget McCormack, legal scholar and practitioner Len Niehoff, and acclaimed actor John de Lancie to explore the work of the courts and the law; how the human impulse for narrative performance and drama informs the inner workings of the courtroom; and how the courtroom is represented on stage and screen.
Chief Justice Bridget McCormack joined the Michigan Supreme Court in January 2013, and became chief justice in January 2019. As the chief justice, McCormack has promoted statewide initiatives devoted to improving the courts’ service to the public, and in particular delivering on a promise that courts are independent, accessible, engaged with their communities, and efficient. Len Niehoff is a nationally prominent law practitioner, professor, and scholar in three fields: media law and the First Amendment; higher education law; and trial and appellate litigation. Niehoff is working on a book about the Salem witch trials. John de Lancie is best known for his role as “Q” on Star Trek: The Next Generation, however, his credits are numerous and include The Hand that Rocks the Cradle, The Fisher King, Breaking Bad, and The West Wing. He was recently in a national tour of the “Scopes Monkey Trial” with Ed Asner where he played Clarence Darrow, and is the first recipient of the Clarence Darrow Award. De Lancie is currently at work on a play about the 2005 Kitzmiller vs. Dover School District trial.
Presented in partnership with University of Michigan Museum of Art (UMMA). This event heralds Witness Lab, a project by Roman J. Witt Artist in Residence Courtney McClellan. This courtroom installation is activated from February 15 through May 17, 2020, in UMMA’s Stenn Gallery.
Jonathan M. Metzl, MD, PhD, Frederick B. Rentschler II Professor of Sociology and Medicine, Health, and Society; Director, Center for Medicine, Health, and Society; Professor of Psychiatry; Vanderbilt University
In the era of Donald Trump, many lower- and middle-class white Americans are drawn to politicians who pledge to make their lives great again. But, the policies that result actually place white Americans at ever-greater risk of sickness and death.
Physician Jonathan M. Metzl’s quest to understand the health implications of “backlash governance” leads him across America’s heartland. Interviewing a range of everyday Americans, he examines how racial resentment fueled pro-gun laws in Missouri, resistance to the Affordable Care Act in Tennessee, and cuts to schools and social services in Kansas. And he shows these policies’ costs: increasing deaths by gun suicide, rising dropout rates, and falling life expectancies. White Americans, Metzl argues, must reject the racial hierarchies that promise to aid them but in fact lead our nation to demise.
Sarah Vowell is the New York Times bestselling author of seven nonfiction books on American history and culture. By examining the connections between the American past and present, she offers personal, often humorous accounts of everything from presidents and their assassins to colonial religious fanatics, as well as thoughts on utopian dreamers, pop music, and the odd cranky cartographer. Her most recent book is titled Lafayette in the Somewhat United States.
Vowell was a contributing editor for the public radio show This American Lifefrom 1996–2008, where she produced numerous commentaries and documentaries and toured the country in many of the program’s live shows. She was one of the original contributors to McSweeney’s, also participating in many of the quarterly’s readings and shows. She has been a columnist for Salon.com, Time, and San Francisco Weekly, and is a contributing op-ed writer for the New York Times. She is an active advisory board member of 826NYC, a nonprofit tutoring and writing center for students aged 6-18 in Brooklyn, along with its sister organization in Los Angeles, 826LA.
Co-presented with the Ann Arbor District Library and the University of Michigan Library.
Each week will feature different Detroit-based speakers and guests who will explore the given topic and engage the students through a combination of formal remarks, presentations, and public discussion. Light dinner provided; free transportation from Ann Arbor to Detroit; public welcome and encouraged to attend.
This event is free and open to the public. There will be a catered reception to follow the lecture.
Mary Kathryn Nagle is an enrolled citizen of the Cherokee Nation. She currently serves as the Executive Director of the Yale Indigenous Performing Arts Program. She is also a partner at Pipestem Law, P.C., where she works to protect tribal sovereignty and the inherent right of Indian Nations to protect their women and children from domestic violence and sexual assault. Nagle has authored numerous briefs in federal appellate courts, including the United States Supreme Court. Nagle studied theater and social justice at Georgetown University as an undergraduate student, and received her J.D. from Tulane Law School where she graduated summe cum laude and received the John Minor Wisdom Award. She is a frequent speaker at law schools and symposia across the country. Her articles have been published in law review journals including the Harvard Journal of Law and Gender, Yale Law Journal (online forum), Tulsa Law Review, and Tulane Law Review, among others.
Nagle is an alumn of the 2012 PUBLIC THEATER Emerging Writers Group, where she developed her play “Manahatta” in PUBLIC STUDIO (May 2014). Productions include “Miss Lead” (Amerinda, 59E59, January 2014), and “Fairly Traceable” (Native Voices at the Autry, March 2017), “Sovereignty” (Arena Stage), “Manahatta” (Oregon Shakespeare Festival), and Return to Niobrara (Rose Theater). In 2019, Portland Center Stage will produce the world premiere of “Crossing Mnisose.”
Nagle has received commissions from Arena Stage (“Sovereignty”), the Rose Theater (“Return to Niobrara,” Omaha, Nebraska), Portland Center Stage (“Mnisose”), Denver Center for the Performing Arts, Yale Repertory Theatre (“A Pipe for February”), and Round House Theater.
The Berkhofer Lecture series (named for a former U-M professor and founder of the field of Native American studies) was established in 2014 by an alumni gift from the Dan and Carmen Brenner family of Seattle, Washington. In close consultation with the Brenners, Native American Studies decided to create a public lecture series featuring prominent, marquee speakers who would draw audiences from different communities (faculty and students, Ann Arbor and Detroit, and Michigan tribal communities as well as writers and readers of all persuasions). Native American students at U-M have consistently expressed their desire to make Native Americans more visible both on campus and off, and we believe that this lecture takes a meaningful step in that direction. Additionally, because of the statewide publicity it generates, we think it is already becoming another recruitment incentive for Native American students. It goes without saying that the speakers we are inviting provide tremendous value to the mission and work of Native American Studies at U-M.
