Calendar

Literati is excited to welcome author kim d. hunter who will be sharing his new story collection, The Official Report on Human Activity.

About The Official Report on Human Activity:
The Official Report on Human Activity by kim d. hunter, which is neither official nor a report, is a collection of long stories that are linked by reoccurring characters and their personal struggles in societies rife with bigotry, in which media technology and capitalism have run amok. These stories approach the holy trinity of gender, race, and class at a slant. They are concerned with the process and role of writing intertwined with the roles of music and sound.

The four stories range from the utterly surreal-a factory worker seeking recognition for his writing gives birth to a small black elephant with a mysterious message on its hide-to the utterly real-a nerdy black teen’s summer away from home takes a turn when he encounters half-white twins on the run from the police. Prominently known as a Detroit poet, hunter creates illusions and magic while pulling back the curtain to reveal humanity-the good, bad, and absurd. Readers will find their minds expanded and their conversations flowing after finishing The Official Report on Human Activity.

The Official Report on Human Activity is sure to appeal to readers of literary fiction, particularly those interested in postmodernism and social justice.

kim d. hunter has published two collections of poetry: borne on slow knives and edge of the time zone. His poetry appears in Rainbow Darkness, What I Say, Black Renaissance Noire, 6X6 #35, and elsewhere. He received a 2012 Kresge Artist Fellowship in the Literary Arts and he works in Detroit providing media support to social justice groups.

This year’s Rasa Festival reading features poets Samiah Haque, Ashwini Bhasi, Zilka Joseph, and Inam Kang.

Samiah Haque speaks in fluid tones, with an acute clarity of voice. Her hobbies include jaywalking, whistling in the company of passers-by, and skipping to the lou. Recently, she has taken to advising young soldiers on the subject of hygiene and proper table manners. She lives in a swollen field outside of Madrid.

Ashwini Bhasi lives in Ann Arbor, Michigan and writes poems to make sense of the mind-body connection of trauma and chronic pain, life in India, and the duality of her experiences as a data analyst and poet. Her poems have appeared or are forthcoming in Room Magazine, Rogue Agent, Bear River Review, Yellow Chair Review, The Feminist Wire, and Driftwood Press among others. Her poem about the 2016 presidential election was nominated for a Pushcart prize.

Zilka Joseph teaches creative writing and is an independent editor and manuscript coach. Her chapbooks, Lands I Live In and What Dread, were nominated for a PEN America and a Pushcart award, respectively. She was awarded a Zell Fellowship, a Hopwood Prize, and the Elsie Choy Lee Scholarship (Center for the Education of Women) from the University of Michigan.

Inam Kang is a Pakistani-born Muslim poet, student, curator and researcher currently living in Cleveland, OH as an MS candidate in Medical Physiology at Case Western Reserve University. He is also a former Ann Arbor Poetry & Slam finalist. Currently, he is a co-curator for the POC-centered reading and dialogue series FRUIT in Ann Arbor, MI. His work can be found or is forthcoming in Freezeray Poetry and Tinderbox Poetry Journal, among others.

Literati is exited to host poet Elizabeth Schmuhl, an RC Creative Writing alum, who will be reading from her new collection Premonitions. Keith Taylor will give an introduction to the reading and lead a Q&A discussion aftewards.

About Premonitions:
Visceral and brimming with vitality, the poems in Premonitions reverberate with the voice of a woman on a secluded farm, confronting her emotional and physical isolation. Drawing on her own experience as a daughter of a third-generation fruit farmer, Elizabeth Schmuhl gives readers a fresh and powerful perspective on what it means to be alive.

Layering one upon another, the poems blur boundaries and create a volatile state out of which the remarkable and unexpected occur. Embracing chaos, change, and unpredictability, these poems are energetically charged and infused with succinct, imagistic language. They reach beyond the constraints assigned to the female form and examine a place where time, the body, sexuality, and the natural world are not fixed. At times surreal, at others painfully real, the poems in Premonitions are the expression of a human life that merges and melds with the world around it, acting and reacting, loving and despairing, disintegrating and rebuilding. The speaker travels fluidly between strata of the natural world and her own body. Adding to the complexity of her poems, Schmuhl creates additional layers of meaning as the poems and their titles relate to the author’s synesthesia, a sensory phenomenon through which letters and numbers are experienced as colors and emotions.

Premonitions will turn the reader inward, encouraging the examination of the small details of life and a growing acceptance of the perpetual turmoil and uncertainty of existence despite our own desire to find a firm footing. This volume will be prized by lovers of contemporary poetry and literature alike.

Elizabeth Schmuhl is a multidisciplinary artist whose work appears in Michigan Quarterly Review, The Rumpus, Paper Darts, PANK, Hobart, Pinwheel, and elsewhere. She has worked at various nonprofits, including the John F. Kennedy Center for Performing Arts, and currently works at the University of Michigan, Ann Arbor.

Keith Taylor has published many books over the years: collections of poetry, a collection of very short stories, co-edited volumes of essays and fiction, and a volume of poetry translated from Modern Greek.

7 p.m., Literati, 124 E. Washington. Free. 585-5567

This local poet reads from Love Dream with Television, her debut collection, written in Tucson, Arizona, that “wonders through the ways in which television, film, advertising, sporting events, and celebrity culture weave their ways into our lived experiences,” says Ensor. “Tucson and its queers have pushed me to be more in my body, more in conversation with place and spirit and alchemy.” Signing.
7 p.m., Literati, 124 E. Washington. Free. 585-5567

Literati is proud to welcome authors and faculty members at the University of Michigan Shachar Pinsker and Sara Blair who will be sharing and discussing their new books A Rich Brew: How Cafes Created Modern Jewish Culture and How the Other Half Looks: The Lower East Side and the Afterlives of Images.

About A Rich Brew:
A fascinating glimpse into the world of the coffeehouse and its role in shaping modern Jewish culture. Unlike the synagogue, the house of study, the community center, or the Jewish deli, the café is rarely considered a Jewish space. Yet, coffeehouses profoundly influenced the creation of modern Jewish culture from the mid-nineteenth to mid-twentieth centuries. With roots stemming from the Ottoman Empire, the coffeehouse and its drinks gained increasing popularity in Europe. The “otherness,” and the mix of the national and transnational characteristics of the coffeehouse perhaps explains why many of these cafés were owned by Jews, why Jews became their most devoted habitués, and how cafés acquired associations with Jewishness. Examining the convergence of cafés, their urban milieu, and Jewish creativity, Shachar M. Pinsker argues that cafés anchored a silk road of modern Jewish culture. He uncovers a network of interconnected cafés that were central to the modern Jewish experience in a time of migration and urbanization, from Odessa, Warsaw, Vienna, and Berlin to New York City and Tel Aviv. A Rich Brew explores the Jewish culture created in these social spaces, drawing on a vivid collection of newspaper articles, memoirs, archival documents, photographs, caricatures, and artwork, as well as stories, novels, and poems in many languages set in cafés. Pinsker shows how Jewish modernity was born in the café, nourished, and sent out into the world by way of print, politics, literature, art, and theater. What was experienced and created in the space of the coffeehouse touched thousands who read, saw, and imbibed a modern culture that redefined what it meant to be a Jew in the world.

About How the Other Half Looks:
How New York’s Lower East Side inspired new ways of seeing America

New York City’s Lower East Side, long viewed as the space of what Jacob Riis notoriously called the “other half,” was also a crucible for experimentation in photography, film, literature, and visual technologies. This book takes an unprecedented look at the practices of observation that emerged from this critical site of encounter, showing how they have informed literary and everyday narratives of America, its citizens, and its possible futures.

Taking readers from the mid-nineteenth century to the present, Sara Blair traces the career of the Lower East Side as a place where image-makers, writers, and social reformers tested new techniques for apprehending America–and their subjects looked back, confronting the means used to represent them. This dynamic shaped the birth of American photojournalism, the writings of Stephen Crane and Abraham Cahan, and the forms of early cinema. During the 1930s, the emptying ghetto opened contested views of the modern city, animating the work of such writers and photographers as Henry Roth, Walker Evans, and Ben Shahn. After World War II, the Lower East Side became a key resource for imagining poetic revolution, as in the work of Allen Ginsberg and LeRoi Jones, and exploring dystopian futures, from Cold War atomic strikes to the death of print culture and the threat of climate change.

How the Other Half Looks reveals how the Lower East Side has inspired new ways of looking–and looking back–that have shaped literary and popular expression as well as American modernity.

Shachar M. Pinsker is Associate Professor of Hebrew Literature and Culture at the University of Michigan. He is the author of Literary Passports: The Making of Modernist Hebrew Fiction in Europe.

Sara Blair is the Patricia S. Yaeger Collegiate Professor of English and a faculty associate in the Department of American Culture and the Frankel Center for Judaic Studies at the University of Michigan. Her books includeHarlem Crossroads: Black Writers and the Photograph in the Twentieth Century (Princeton) and Trauma and Documentary Photography of the FSA.