Oct. 2 & 16. Open mike storytelling competition sponsored by The Moth, the NYC-based nonprofit storytelling organization that also produces a weekly public radio show. 10 storytellers are selected at random from among those who sign up to tell a 3-5 minute story on “Scandal” (Oct. 2) and “Disguises” (Oct. 16). The 3-person judging teams are recruited from the audience. Monthly winners compete in a semiannual Grand Slam. Space limited, so it’s smart to arrive early.
7:30-9 p.m. (doors open and sign-up begins at 6 p.m.), Greyline, 100 N. Ashley. $10. 764-5118. [map]
Talk by environmental journalist Ibrahim Abdul-Matin, a New York City policy advisor who wrote Green Deen: What Islam Teaches about Protecting the Planet.
5:30 p.m., Rackham Amphitheatre (4th floor). Free. 936-3518
ToastMasters at SweetWaters is an opportunity to practice your personal and/or professional speaking as well as Leadership in a fun friendly atmosphere.
The club is open to everyone. Attendees have the opportunity to speak, give and receive feedback about speaking, presentations and current events.
We typically have 2-4 prepared speeches followed by (Kind and constructive evaluations) to provide feedback and growth. Attendees will have an opportunity for impromptu speaking as well.
Sweetwaters Cafe, 123 W Washington. Free. chrisjriley@hotmail.com
Oct. 2 & 16. Open mike storytelling competition sponsored by The Moth, the NYC-based nonprofit storytelling organization that also produces a weekly public radio show. 10 storytellers are selected at random from among those who sign up to tell a 3-5 minute story on “Scandal” (Oct. 2) and “Disguises” (Oct. 16). The 3-person judging teams are recruited from the audience. Monthly winners compete in a semiannual Grand Slam. Space limited, so it’s smart to arrive early.
7:30-9 p.m. (doors open and sign-up begins at 6 p.m.), Greyline, 100 N. Ashley. $10. 764-5118. [map]
Talk by local novelist Lillian Li.
6-8 p.m., AADL Downtown multipurpose rm. Free. 327-4200
The Robertson Lecture is an endowed annual event of the LSA Residential College, and is a lasting gift of the first Dean of the RC, James Robertson. The lecturer is traditionally a notable alumna/us of the RC, someone impacting their chosen field(s) in ways congruent with the philosophy of the College. The 2018 Robertson Lecture will be delivered at the Keene Theater in East Quadrangle on October 19th by Nancy Blum, class of ’85, a Brooklyn-based artist who is known for her public art commissions and works on paper. In addition to graduating from the RC with majors in Psychology and Women’s Studies, she received an MSW from the U-M School of Social work and an MFA from Cranbrook Academy of Art. Her current work is installed primarily out of the gallery, not separated from the street but integrated into it, with a particular interest in sites of transit in cities and within hospital settings. Her recent commissions include medicinal wildflower windows at the San Francisco General Hospital acute care unit; large, graceful birds in flights of migration/immigration integrated into three light-rail stations in Minneapolis/St. Paul; and over-sized yellow flower sculptures sprouting from a rainwater filtration green space at a bus loop outside Philadelphia.
In her Robertson lecture, Nancy will share anecdotes about these and other works, and take us behind the scenes of her in-progress installation at the 28th Street 6 Train station in NYC. She’ll explore how her multiple interests take root in public art, and she’ll give us a sense for how she forged her own path as an artist – a journey, she says, that began at the Residential College, notably thanks to mentoring from her ceramics professor, Susan Crowell.
Following the Lecture, please join us for a reception for the artist at the RC Art Gallery, located on the first floor of East Quadrangle. Refreshments will be served. An exhibit of Nancy’s drawings will be on display at the same gallery through November 9th, (M-F 10am-5pm, free admission).
Participants write, direct, and perform their show in 24 hours from scratch), Performance. Free, but pay what you can.
ToastMasters at SweetWaters is an opportunity to practice your personal and/or professional speaking as well as Leadership in a fun friendly atmosphere.
The club is open to everyone. Attendees have the opportunity to speak, give and receive feedback about speaking, presentations and current events.
We typically have 2-4 prepared speeches followed by (Kind and constructive evaluations) to provide feedback and growth. Attendees will have an opportunity for impromptu speaking as well.
Sweetwaters Cafe, 123 W Washington. Free. chrisjriley@hotmail.com
Halloween-themed storytelling program by Ann Arbor Storytellers Guild members.
6-8 p.m., Serendipity Books, 113 Middle, Chelsea. Free. 475-7148.
Irina Khutsieva is RC Artist in Residence.
The theater world in Russia is lively as ever, with a range of styles and interests represented by innovative and original work. But that world is also under significant threat as the Russian state puts increasing pressure on theaters and especially directors. The substance of the great art of theater is communication, respect, reverence, and an unflagging belief in humanity. Theater thrives on humanity the way flowers feed on soil, sun, and water. It in turn produces the conditions for humanity to grow. Theater produces and nurtures community and brings people together. In her lecture, Irina Khutsieva will expound on the relationship between theater, state and society in today’s Russia.
Irina Khutsieva is a stage director and acting instructor in Moscow, Russia. Trained at “GITIS,” the Russian Academy of Theatrical Art, she has more than 30 years of experience in Russian theater. She now directs her own studio theater, the Chamber Theater, Moscow, founded in 2004. Khutsieva has staged more than 50 plays in Russia, Germany, and the U.S. She has worked at one of Russia’s most distinguished theater academies – the Shchepkin Higher Theatre Institute, associated with the State Academic Maly Theatre of Russia. She also has extensive experience teaching college drama majors. A specialist and practitioner of the Stanislavski Method, she incorporates the principles and traditions of Russian psychological theater and has also developed her own staging and teaching methods. In recent years, she has directed a major gala performance shown on Russian national TV and has run workshops for professional actors in regional towns throughout Russia.
