Anishinaabe Theatre Exchange artists will be in residence at the University of Michigan campus from February 16-23, 2019, culminating in two performances of the new play by Carolyn Dunn, Three Sisters. The Anishinaabe Theatre Exchange uses theatre to activate networks with Native communities in the Great Lakes region. The group is a consortium of people from various backgrounds working to promote dialogue about Indigenous culture and issues.
In this brand new tragicomedy by Carolyn Dunn, three sisters, long estranged from family, community, and one another, return home to the Tunica-Biloxi Reservation lands in Louisiana at the behest of their dying aunt as she makes preparations for her final journey home. Family tensions, simmering secrets, death and grieving all intersect with the loss of tradition, culture, spiritual formation, and love. Poet, playwright, and scholar Carolyn Dunn was born in Southern California and is of Cherokee, Muscogee Creek, Seminole, Cajun, French Creole, and Tunica-Biloxi descent. Her scholarly work focuses on American Indian women’s literature and American Indian identity, and her play The Frybread Queen was produced by the Montana Repertory Theater in Missoula, Montana, and Native Voices at the Autry in Los Angeles. Her collections of poetry include Outfoxing Coyote (2001) and Echolocation: Poems and Stories from Indian Country L.A. (2013).
Thursday, February 21 at 7:30pm (doors at 7pm)
Three Sisters
Light Box Detroit | 8641 Linwood St
Friday, February 22 at 7:30pm (doors at 7pm)
Three Sisters
East Quad Keene Theater | 701 E. University Ave. Ann Arbor
All events are free and open to the public. Visit www.lsa.umich.edu/world-performance for more info.
If you are a person with a disability who requires an accommodation to participate in this event, please contact Center for World Performance Studies, at 734-936-2777, at least one week in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the University to arrange.
This residency is co-sponsored by the U-M Residential College, CEW+, Institute for Research on Women & Gender, SMTD Department of Theatre & Drama, Institute for Humanities, SMTD Office of Diversity, Equity & Inclusion and Department of American Culture.
Feb. 14, 16, 22, & 23 (different programs). U-M students and faculty perform staged readings of works by this acclaimed English playwright in honor of her 80th birthday. Tonight: Top Girls (7 p.m.), the groundbreaking 1982 indictment of Thatcherism and the idea that women’s professional success hinges on their mimicry of “masculine” behavior. Following the female head of a London employment agency, the play underlines the social and emotional costs women pay to move up the corporate ladder. Also, 1994 play The Skriker (9 p.m.), a 90-minute hallucinogenic fairy tale about a shapeshifting, doom-wreaking fairy who befriends, manipulates, seduces, and entraps 2 teen moms, one pregnant and one who’s killed her own baby.
7 & 9 p.m., U-M Walgreen Drama Center Newman Studio, 1226 Murfin. Free. 764-5350
Feb. 14, 16, 22, & 23 (different programs). U-M students and faculty perform staged readings of works by this acclaimed English playwright in honor of her 80th birthday. Today: the 2017 play Escaped Alone (3 p.m.),a brisk 55-minute surrealist set piece in which 4 British women share tea in a tranquil garden and discuss the end of the world. Also: The 1979 play Cloud Nine (7 p.m.), a racy, merrily merciless spoof of the moral pretensions of imperial Britain. Set in colonial Africa in 1880, the first act is a nonstop flurry of sexual liaisons involving a British functionary, his wife, his son and daughter, an explorer, a woman dressed in a riding habit, and an all-knowing black servant. The second act is set in 1980s London (though the characters have aged a mere 25 years) and blends farce and pathos in a surprising denouement. The 2009 play Seven Jewish Children (10:30 p.m.) is a 10-minute drama where 7 unnamed characters discuss how to teach their children about complex events in Jewish history, from the Holocaust to the creation of Israel to violence in Gaza. Also today, U-M theater studies professor Leigh Woods gives a lecture on “Caryl Churchill at 80” (5 p.m.) at Mendelssohn Theatre.
Various times, U-M Walgreen Drama Center Newman Studio, 1226 Murfin. Free.. 764-5350
Feb. 23 & 24 (different programs). Performances for adults (Sat.) & families (Sun.) by 3 top storytellers from around the country. Headliner is Hand Christian Andersen Storytelling Center (NYC) director Laura Simms, an internationally celebrated veteran storyteller whose repertoire includes both traditional tales and personal narratives. Also, playwright and performance artist Edgar Oliver, a celebrated NYC raconteur best known for his mesmerizing one-man show about his childhood in Savannah with his songster and his mentally ill mother, and Ivory D. Williams, a veteran Detroit storyteller known for his engaging, interactive renditions of traditional African and African American tales.
7:30 p.m. (Sat.) & 1 p.m. (Sun.), The Ark, 316 S. Main. Tickets $20 (Sat.) & $10 (Sun. family concert) in advance at the Michigan Union Ticket Office (mutotix.com) & theark.org, and at the door. To charge by phone, call 763-TKTS.
Feb. 23 & 24 (different programs). Performances for adults (Sat.) & families (Sun.) by 3 top storytellers from around the country. Headliner is Hand Christian Andersen Storytelling Center (NYC) director Laura Simms, an internationally celebrated veteran storyteller whose repertoire includes both traditional tales and personal narratives. Also, playwright and performance artist Edgar Oliver, a celebrated NYC raconteur best known for his mesmerizing one-man show about his childhood in Savannah with his songster and his mentally ill mother, and Ivory D. Williams, a veteran Detroit storyteller known for his engaging, interactive renditions of traditional African and African American tales.
7:30 p.m. (Sat.) & 1 p.m. (Sun.), The Ark, 316 S. Main. Tickets $20 (Sat.) & $10 (Sun. family concert) in advance at the Michigan Union Ticket Office (mutotix.com) & theark.org, and at the door. To charge by phone, call 763-TKTS.
Kate Mendeloff directs U-M drama students in Aristophanes’ bawdy masterpiece of classical Greek comedy about war-weary Athenian wives who decide to withhold their favors from their husbands until the warring ceases. Both sides suffer from the sexual strike, and the dramatic question becomes which side will give in first, and on what terms.
7:30 p.m., Keene Theatre, East Quad, 701 East University. Free. 647-4354.
Open mike storytelling competition sponsored by The Moth, the NYC-based nonprofit that also produces a weekly public radio show. Ten storytellers are selected at random to tell a 3-5 minute story–this month’s themes are “Envy” (Mar. 5) & “Ruse” (Mar 19)–judged by a 3-person team recruited from the audience. Monthly winners compete in a semiannual Grand Slam. Seating limited, so arrive early.
7:30-9 p.m. (doors open and sign-up begins at 6 p.m.), Greyline, 100 N. Ashley. General admission tickets $10 in advance only at themoth.org beginning a week before each event. 764-5118.
Student monologues and exceprts from creative works.
Keene Theater, East Quadrangle, 701 East University, Ann Arbor, MI 48109. Free.
Seven short farces about language and relationships, directed by students from RC Hums 482, and acted by students in RC Hums 281, all by master comic playwright, David Ives.
Jill Dougherty (BA Russian ’70), former foreign affairs correspondent, CNN
Lots of countries lie.
Some call it “winning hearts and minds,” others call it “strategic communications,” still others call it “softening the battlefield.” However it’s described, propaganda is a key component of international relations, a tool employed both by diplomats and warriors. Russia has used propaganda since the 1917 Russian Revolution both to mold the minds of its own citizens and to spread the gospel of Marxism-Leninism around the world. Today’s Russia uses a well-honed media strategy to craft public opinion at home—and to promote the country’s public image abroad.
But the Kremlin also uses propaganda—now turbo-charged by digital advances like artificial intelligence, machine learning and big-data analytics—as a tool of war, a less-costly form of conflict than shedding blood, to undermine and weaken foes.
Jill Dougherty, former CNN Moscow Bureau Chief, examines how Russia uses information, and disinformation, to achieve its strategic objectives.
Jill Dougherty served as CNN correspondent for three decades, reporting from more than 50 countries. She is a Global Fellow at the Wilson Center in Washington, D.C. and a CNN Contributor who provides expert commentary on Russia and the post-Soviet region. Ms. Dougherty joined CNN in 1983, and was appointed Moscow Bureau Chief in 1997. During nearly a decade in that post, she covered the presidencies of Boris Yeltsin and Vladimir Putin, Russia’s post-Soviet economic transition, terrorist attacks, the conflict in Chechnya, Georgia’s Rose Revolution and Ukraine’s Orange Revolution. After a long career with CNN, Ms. Dougherty pursued academic interests, most recently as a Distinguished Visiting Practitioner at the University of Washington’s Evans School of Public Policy and Governance. An alumna of the University of Michigan, she has a B.A. in Slavic languages and literature, a certificate of language study from Leningrad State University, and a master’s degree from Georgetown University. In addition to writing for CNN.com, her articles on international issues have appeared in the “Washington Post,” “Huffington Post,” and “The Atlantic,” among other publications. Jill Dougherty is also a member of track-two diplomatic initiatives seeking to improve the U.S.-Russia relationship.
