Egalitarian Metropolis:

Urban Studies, Urban Design, & Social Justice in Detroit

Diego Rivera, Detroit Industry, North Wall, 1932-1933, Detroit Institute of Arts.

What does/can/should an egalitarian metropolis look like? And how does a focus on Detroit allow us to ask and answer these conceptual—and practical—questions in ways that draw on a variety of disciplines including architecture, history, urban planning, and the urban humanities?

This course offers an interdisciplinary perspective on urban studies, urban design, and the ways that concerns around social justice and equity can influence how we think about cities in the past, present, and future. Drawing on a range of faculty expertise in the College of Literature, Science, and the Arts and Taubman College of Architecture and Urban Planning, this team-taught course also incorporates the voices of practitioners and community members involved in current attempts to revitalize Detroit and “Detroit-like” cities in the United States and elsewhere. By “Detroit-like cities” we mean urban areas that have experienced negative population growth, deindustrialization, economic disinvestment, racial stratification, environmental injustices, and concomitant crises in housing, health care, policing, criminalization, and education. At the same time, Detroit and Detroit-like cities offer opportunities to conjoin critical humanistic inquiry, urban design, and policy solutions for building more equitable and sustainable cities.

This course is co-designed and co-taught as part of the Egalitarian Metropolis Project, which is a partnership between the Taubman College of Architecture and Urban Planning and the College of Literature, Science, and the Arts. It combines traditional course materials with a team-based orientation to teaching and learning.

Course Projects

Dawn of Detroit

Working in teams, you will draw on Tiya Miles’ book, The Dawn of Detroit: A Chronicle of Slavery and Freedom in the City of the Straits, to identify Detroit streets named for prominent families in early nineteenth-century Detroit whom Miles and others have recognized as enslavers. Since these street-names are widely known, their identification will help to communicate to a wider audience the impact of slavery on early Detroit. At the same time, we will identify possible re-naming opportunities drawn from Native Americans, formerly enslaved persons, and activists in the Underground Railroad. For this assignment, each team will be assigned a family/street to research with the aim of designing posters and writing proposed historical markers for renamed Detroit streets.

Detroit Future City Video Reflections

Watch the Detroit Future City video featured on the homepage of their website. Reflect on the video and then view it again. Following your second viewing do a little writing. What do you notice? How is DFC’s vision for the future of Detroit described – both verbally and in visual language? See if you can identify 3-5 key themes, ideas, and concepts that are being utilized. Also see if you can compare/contrast the video with the images presented in the materials we explored during our first class meeting.

Detroit Music Scene

Research and write a paper on some aspect of the Detroit music scene (750-1000 words + references). The paper can cover any aspect of the Detroit music scene and its impact. The topic is open. It might be a significant period, an historic site, a genre, a group, or an individual. The only restriction is that it should add to knowledge and not simply recount what has been discussed in class.

Final Research Project

The major deliverable of this class is an urban humanities research project that applies the knowledge gained over the semester to explore the impediments to an egalitarian metropolis as it might be realized in Detroit and imagine solutions that seek to address them. The urban humanities comprise an interdisciplinary field at the intersection of the humanities, urban planning, and design. It seeks to not only understand cities in a global context but intervene in them, interpret their histories, engage with them in the present, and speculate about their futures.