Pishtaq

Categorized as Terms

Pishtaq

Leslee Michelsen

Related Terms:

  • Caravanserai (inn for caravans, merchants and their wares) 
  • Chatri (small, elevated dome-shaped pavilions)
  • Iwan (three-sided, vaulted structure) 
  • Madrasa (establishment of learning, particularly of the Islamic sciences) 
  • Muqarnas (ornamental molding) 

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Related Khamseen Videos:

Yael Rice, “Jahangir’s Dream,” Khamseen: Islamic Art History Online, published 16 October 2020.

Denise-Marie Teece, “Monsoon Winds and Ming Porcelains: Collecting and Displaying Chinese Ceramics at the Mughal Court,” Khamseen: Islamic Art History Online, published 10 March 2022.

References:

Blair, Sheila S. “Pishtaq”, The Grove Encyclopedia of Islamic Art and Architecture, Jonathan M. Bloom and Sheila S. Blair (eds), Oxford Islamic Studies Online.  

Hillenbrand, Robert. Islamic Architecture. Edinburgh: Edinburgh University Press, 1999.

Golombek, Lisa and Ebba Koch. “The Mughals, Uzbeks, and the Timurid Legacy”, A Companion to Islamic Art and Architecture, Finbarr Barry Flood and Gülru Neçipoğlu (eds), Hoboken: John Wiley & Sons, 2017, 811–845.

Knobloch, Edgar. Monuments of Central Asia. London: I.B. Tauris, 2001.

Michelsen, Leslee Katrina. “Iran and Central Asia, 651–1250”, Sir Banister Fletcher’s A Global History of Architecture, London: RIBA/Bloomsbury, 2020, 558–78.

Citation:

Leslee Michelsen, “Pishtaq,” Khamseen: Islamic Art History Online, published 24 October 2023.

Leslee Katrina Michelsen (Ph.D., University of Pennsylvania) is the Director of the National Museum of American Diplomacy at the US Department of State. From 2017-2023 she served as the Senior Curator of Collections and Exhibitions at the Shangri La Museum of Islamic Art, Culture & Design in Honolulu. She also was Head of the Curatorial and Research Section at the Museum of Islamic Art in Doha, Qatar, from 2011-2016, and has worked on numerous cultural heritage and archaeology projects throughout Central Asia, South Asia, and East Africa. She is a specialist of materiality and making in mediums ranging from architecture to ceramics and textiles, as well as in contemporary museology and cultural heritage. She co-founded the first MA program in Museum Studies in Uzbekistan, which was dedicated to diversifying the global field of curatorial, interpretation, and collections specialists. She is on the Board of Directors of ICOM-US, where she is also the Co-Chair of the Programs Committee, and she also serves as a peer reviewer for the American Alliance of Museums.