Literati is pleased to welcome Amy Thielen in support of her debut memoir, Give a Girl a Knife.
Before Amy Thielen frantically plated rings of truffled potatoes in some of New York City’s finest kitchens—for chefs David Bouley, Daniel Boulud, and Jean-Georges Vongerichten—she grew up in a northern Minnesota town, home to the nation’s largest French fry factory, with a mother whose generous cooking pulsed with joy, family drama, and an overabundance of butter.
Give a Girl a Knife, Amy Thielen’s coming-of-age account, pulses with energy, a cook’s eye for intimate detail, and a dose of dry Midwestern humor. Inspired by her grandmother’s tales of cooking on the family farm, Thielen moves with her artist husband to the rustic off-the-grid cabin he built in the woods in northern Minnesota. There, standing at the stove three times a day, she finds the seed of a growing food obsession that sends her on a wild ride through diverse kitchens and eras—from her mother’s 1970s suburban electric range to a turn-of-the-century farmhouse to a hot plate in an illegal warehouse squat—and finally to the sensory madhouse of New York’s top haute cuisine brigades. When she returns to her rural cabin, she comes face-to-face with her past and its veritable cellar of taste memories, discovering that good food can be made anywhere—and that beneath every foie gras sauce lies a rural foundation of potatoes and onions.
Give a Girl a Knife offers a fresh, vivid view into New York’s high-end restaurant scene before returning Thielen to her roots, where she realizes that the marrow running through her bones is not demi-glace at all, but gravy—honest, irresistible, and thick with the complications of home.
Amy Thielen is a chef, TV cook, and two-time James Beard Award–winning writer. She is the author of The New Midwestern Table (2013), hosted Heartland Table on Food Network, and worked for celebrated New York City chefs David Bouley, Jean-Georges Vongerichten, and Daniel Boulud before moving back home to the Midwest. Amy speaks widely about home cooking and contributes to radio programs and magazines, including Saveur, where she’s a contributing editor. She lives with her husband, visual artist Aaron Spangler, their son, his dog, and a bunch of chickens, in Park Rapids, Minnesota. She can be found athttp://www.amythielen.com/ and @amyrosethielen on Instagram and Twitter.
All invited to read and discuss their poetry or short stories. Bring about 6 copies of your work to share. Hosted by local poets and former college English teachers Joe Kelty and Ed Morin.
7-9 p.m., Crazy Wisdom, 114 S. Main. Free. 665-2757
Literati is pleased to welcome Keith Lesmeister in support of his debut short story collection, We Could’ve Been Happy Here. Keith will be joined in reading by Markin Jenkins, a graduate of the Helen Zell Writers’ Program, and Alexander Weinstein, author of Children of the New World.
In his first collection of short fiction, Keith Lesmeister plows out a distinctive vision of the contemporary Midwest. These stories peer into the lives of those at the margins-the broken, the resigned, the misunderstood. Hopeful and humorous, tender and tragic, these stories illuminate how we are shaped and buoyed by our intimate connections.
Keith Lesmeister was born in North Carolina, raised in Iowa, and received his M.F.A. from the Bennington Writing Seminars. His fiction has appeared in American Short Fiction, Slice, Meridian, Redivider, Gettysburg Review, and many other print and online publications. His nonfiction has appeared in Tin House Open Bar, River Teeth, The Good Men Project, and elsewhere. He currently lives in northeast Iowa where he teaches at Northeast Iowa Community College. We Could’ve Been Happy Here is his first book.
Alexander Weinstein is the Director of The Martha’s Vineyard Institute of Creative Writing and the author of the short story collection Children of the New World (Picador 2016). His fiction and translations have appeared in Cream City Review, Hayden’s Ferry Review, Notre-Dame Review, Pleiades, PRISM International, World Literature Today, and other journals. He is the recipient of a Sustainable Arts Foundation Award, and his fiction has been awarded the Lamar York, Gail Crump, Hamlin Garland, and New Millennium Prize. His stories have been nominated for Pushcart Prizes, and appear in the anthologies 2013 New Stories from the Midwest, and the 2014 & 2015 Lascaux Prize Stories. He is an Associate Professor of Creative Writing and a freelance editor, and leads fiction workshops in the United States and Europe.
Marlin M. Jenkins was born and raised in Detroit. A poetry graduate from University of Michigan’s MFA program, his work has been given homes by The Collagist, The Offing, The Journal, and Bennington Review, among others. He has worked with students in Detroit Public Schools through the Inside Out Literary Arts program and received a fellowship from the Vermont Studio Center. He is also a runner and a dancer.
Literati is pleased to welcome Desiree Cooper, Robin Gaines, Mardi Jo Link, and Mary Kay Zuravleff in celebration of their recent publications.
A 2015 Kresge Artist Fellow, Desiree Cooper is a former attorney, Pulitzer Prize-nominated journalist, and Detroit community activist. Her fiction and poetry have appeared in Callaloo, Detroit Noir, Best African American Fiction 2010, and Tidal Basin Review, among other online and print publications. Cooper was a founding board member of Cave Canem, a national residency for emerging black poets, and she is a Kimbilio fellow, a national residency for African American fiction writers. She is the author of the short story collection Know the Mother.
Robin Gaines is an award winning journalist and fiction writer. Her work has appeared in literary journals, newspapers, magazines and anthologies. Invincible Summers is her first novel. She lives in Michigan.
Mardi Jo Link has worked as a police and general assignment reporter, magazine editor, and freelance writer. She is a Heartland bestselling author of the critically acclaimed memoir Bootstrapper–which won the Great Lakes, Great Reads Booksellers’ Choice Award and the Michigan Notable Book Award–as well as When Evil Came to Good Hart, Isadore’s Secret, and The Drummond Girls. She lives with her family on a small farm in northern Michigan.
Mary Kay Zuravleff is also the author of Man Alive!, The Bowl Is Already Broken, which The New York Times praised as “a tart, affectionate satire of the museum world’s bickering and scheming,” and The Frequency of Souls, which the Chicago Tribune deemed “a beguiling and wildly inventive first novel.” Honors for her work include the American Academy’s Rosenthal Award and the James Jones First Novel Award, and she has been nominated for the Orange Prize. She lives in Washington, D.C., where she serves on the board of the PEN/Faulkner Foundation and is a cofounder of the D.C. Women Writers Group.
Literati is proud to present its first ever Exit Interview! In celebration of his recent retirement from the academy, Literati will host Laurence Goldstein for an evening of conversation and poetry. Laurence will be interviewed by local poet, Cody Walker, in addition to reading poems from his previous collections. We hope you might join us as we admire and continue to learn from one of the greats!
Laurence Goldstein is the author of The American Poet at the Movies: A Critical History (1994), four books of poems, including A Room in California (2005), and seven edited or co-edited volumes of cultural commentary. His latest book explores both the city where he spent his first 22 years and a vibrant American tradition of topographical verse. Poetry Los Angeles sets the agenda for twenty-first century studies of urban poetry in general, and the literature of Los Angeles in particular.
Cody Walker is the author of The Self-Styled No-Child (Waywiser, 2016) and Shuffle and Breakdown (Waywiser, 2008). His poems have appeared in The New York Times, The Yale Review, Slate, Salon, and The Best American Poetry (2015 and 2007); his essays have appeared online in The New Yorker and the Kenyon Review. The former Poet Populist of Seattle, he now lives with his family in Ann Arbor, where he directs the creative writing minor at the University of Michigan. His new collection, The Trumpiad (Waywiser, 2017), was released in April.
Literati is pleased to celebrate Sara Schaff’s debut story collection, Say Something Nice About Me.
In the twelve stories in this engrossing collection, Sara Schaff introduces us to characters at turning points in their lives; in doing so, she charts the way we take risks—or create illusions—in the face of the unknown. A newly blended family’s vacation is upended by one daughter’s mythmaking and another’s eagerness to believe her. A young couple on the verge of breaking up take one last trip together, only to have their reconciliation disrupted by uninvited guests. A woman faces accusations of theft by the very people who think they have saved her from a troubled past. In beautiful prose that is sometimes dark, sometimes humorous, Schaff’s stories grapple with class, sexuality, and relationships in ways that feel revelatory and yet deeply true. Awkward, flawed, and hopeful, these characters’ stories hum with the regrets and desires that drive us—sometimes closer to our goals, sometimes heartbreakingly further away.
“The stories in Sara Schaff’s collection intertwine in complex and fascinating patterns. They are all explorations of the meaning of human connection—what is a mother, a father, a child, a wife, a sister, a friend, a lover? How does it feel to wear the roles we choose to take on? The roles that are forced upon us? Say Something Nice About Me is a thoughtful and provoking book, the beginning to a great career!”—Dan Chaon
Sara Schaff‘s writing has appeared in FiveChapters, Hobart, Southern Indiana Review, Carve Magazine, The Rumpus and elsewhere. She graduated from Brown University, received her MFA from the University of Michigan, and has taught at Oberlin College, the University of Michigan, and in China, Colombia, and Northern Ireland, where she also studied storytelling.
Literati is pleased to welcome Anna Lena Phillips Bell and Monica Rico in support of their recent collections.
*
In her debut collection, Anna Lena Phillips Bell explores the foothills of the Eastern U.S., and the old-time Appalachian tunes and Piedmont blues she was raised to love. With formal dexterity—in ballads and sonnets, Sapphics and amphibrachs—the poems in Ornament traverse the permeable boundary between the body and the natural world.
“Ornament is a kind of tribute album. The poet, who is also a banjo player, pays tribute in many poems to the old-time music of the Carolinas, and like the music, her poems are marked by bursts of lyric beauty, deft storytelling, and haunting set pieces.”—Geoffrey Brock, author of Voices Bright Flags and judge
“Bell’s formal virtuosity and luscious wordplay have the lightest of touches. The poems feel as if a winged being brushed by, leaving her readers subtly changed. Whether she’s writing about slugs mating or wasps returning to a nest destroyed, she is in sync with the wild world, yet burnished by love.”—Molly Peacock, author of The Analyst
“Brilliantly melding influences from Blues and Appalachian music to Dickinson and Frost, the adept, bold poems of Ornament offer praise and homage to the beleaguered, beautiful environments of the American southeast and of a poet’s soul. This is the kind of carefully built and deeply understood poetry that engages experience in a transformation so thorough it becomes kinetic, changing our felt sense of how the world moves.”—Annie Finch, 1990 winner of the Robert Fitzgerald Prosody Award
*
The Twisted Mouth of the Tulip is Monica Rico’s debut chapbook. Praise for the book:
“How fine it is to have Monica Rico’s poems in the world. They are fierce, smart, fleshy and transcendent, animal and incarnate. Somewhere in Ms. Rico’s cloud of witnesses, Jim Harrison, hungry and hirsute, sits to the comida –a feast of gamy feeds, green shoots, buckets of wine and usquebaugh — tamales and cajeta, dulce de leche fresh from the word horde.”—Tom Lynch
“Monica Rico celebrates food and birds and the work her people do in Saginaw, Michigan. She celebrates the lives of Mexican Americans and then celebrates the influence of Jim Harrison. But there is also a beautiful and redemptive anger in her poems. “I am a simple little bird,” she writes, “brown and white like a sparrow/common enough that no one/will notice the nails/I’ve stomped into my shoes.” Watch out, reader! Monica Rico has walked into town! Her poems will tell you necessary things you didn’t know you needed.” – Keith Taylor
Reading by Siena Heights University English professor Saleem Peeradina, a Chelsea-based poet who recently published Final Cut and Heart’s Beast: New and Selected Poems.
7-9 p.m., Crazy Wisdom, 114 S. Main. Free. 665-2757
Literati is pleased to welcome Ryan White in support of his new book, Jimmy Buffett: A Good Life All the Way.
In Jimmy Buffett: A Good Life All the Way, acclaimed music critic Ryan White has crafted the first definitive account of Buffett’s rise from singing songs for beer to his emergence as a tropical icon and CEO behind the Margaritaville industrial complex, a vast network of merchandise, chain restaurants, resorts, and lifestyle products all inspired by his sunny but disillusioned hit “Margaritaville.”
Filled with interviews from friends, musicians, Coral Reefer Band members past and present, and business partners who were there, this book is a top-down joyride with plenty of side trips and meanderings from Mobile and Pascagoula to New Orleans, Key West, down into the islands aboard the Euphoria and the Euphoria II, and into the studios and onto the stages where the foundation of Buffett’s reputation was laid.
Buffett wasn’t always the pied piper of beaches, bars, and laid-back living. Born on the Gulf Coast, the son of a son of a sailing ship captain, Buffett scuffed around New Orleans in the late sixties, flunked out of Nashville (and a marriage) in 1971, and found refuge among the artists, dopers, shrimpers, and genuine characters who’d collected at the end of the road in Key West. And it was there, in those waning outlaw days at the last American exit, where Buffett, like Hemingway before him, found his voice and eventually brought to life the song that would launch Parrot Head nation.
And just where is Margaritaville? It’s wherever it’s five o’clock; it’s wherever there’s a breeze and salt in the air; and it’s wherever Buffett sets his bare feet, smiles, and sings his songs.
Ryan White, the author of Springsteen: Album by Album and Jimmy Buffett: A Good Life All the Way, has twice been named one of the top feature writers in the country by the Society for Features Journalism. He spent sixteen years at The Oregonian covering sports, music, and culture. He’s written for The Wall Street Journal, Sports Illustrated, The Sacramento Bee, The Dallas Morning News, and Portland Monthly. He lives in Portland, Oregon.
Literati is pleased to welcome Dustin M. Hoffman in support of his debut short-story collection, One-Hundred-Knuckled Fist. Dustin will be joined for this reading by Chris McCormick, author of Literati Cultura selection Desert Boys.
Rare voices in fiction, the lives of the working class consume this collection. Winner of the Prairie Schooner Book Prize in Fiction, One-Hundred-Knuckled Fist brings to life the narratives of midwestern blue-collar workers. In these sixteen stories, author Dustin M. Hoffman invites readers to peek behind the curtain of the invisible-but-ever-present “working stiff” as he reveals their lives in full complexity, offering their gruff voices—so often ignored—without censorship.
The characters at the heart of these stories work with their hands. They strive to escape invisibility. They hunt the ghost of recognition. They are painters, drywall finishers, carpenters, roofers, oil refinery inspectors, and hardscapers, all aching to survive the workday. They are air force firemen, snake salesmen, can pickers, ice-cream truck drivers, and Jamaican tour guides, seething forth from behind the scenes. They are the underemployed laborers, the homeless, the retired, the fired, the children born to break their backs. One-Hundred-Knuckled Fist initiates readers into the secret nightmares and surprising beauty and complexity of a sweat-stained, blue-collar world.
Dustin M. Hoffman is the author of the story collection One-Hundred-Knuckled Fist (University of Nebraska Press), winner of the 2015 Prairie Schooner Book Prize. He spent ten years painting houses in Michigan before getting his MFA in fiction from Bowling Green State University and his PhD in creative writing from Western Michigan University. His stories have appeared in Black Warrior Review, Phoebe, Puerto del Sol, Fourteen Hills, Witness, Quarterly West, The Journal, Gargoyle, Fifth Wednesday Journal, Indiana Review, and a bunch of other neat places. He lives in South Carolina and teaches creative writing and literature at Winthrop University.
*
Desert Boys is the winner of the 2017 Stonewall Book Award from the American Library Association. This series of powerful, intertwining stories illuminates Daley Kushner’s world – the family, friends and community that have both formed and constrained him, and his new life in San Francisco. Back home, the desert preys on those who cannot conform: an alfalfa farmer on the outskirts of town; two young girls whose curiosity leads to danger; a black politician who once served as his school’s confederate mascot; Daley’s mother, an immigrant from Armenia; and Daley himself, introspective and queer. Meanwhile, in another desert on the other side of the world, war threatens to fracture Daley’s most meaningful – and most fraught – connection to home, his friendship with Robert Karinger.
A luminous debut, Desert Boys by Chris McCormick traces the development of towns into cities, of boys into men, and the haunting effects produced when the two transformations overlap. Both a bildungsroman and a portrait of a changing place, the book mines the terrain between the desire to escape and the hunger to belong.
Chris McCormick was raised in the Antelope Valley. He earned his B.A. at the University of California, Berkeley, and his M.F.A. at the University of Michigan, where he was the recipient of two Hopwood Awards. His fiction and essays have appeared in the Atlantic, Tin House, Ploughshares, Lit Hub, and The Offing. He lives in Ann Arbor.
