Literati is pleased to welcome Keith Lesmeister in support of his debut short story collection, We Could’ve Been Happy Here. Keith will be joined in reading by Markin Jenkins, a graduate of the Helen Zell Writers’ Program, and Alexander Weinstein, author of Children of the New World.
In his first collection of short fiction, Keith Lesmeister plows out a distinctive vision of the contemporary Midwest. These stories peer into the lives of those at the margins-the broken, the resigned, the misunderstood. Hopeful and humorous, tender and tragic, these stories illuminate how we are shaped and buoyed by our intimate connections.
Keith Lesmeister was born in North Carolina, raised in Iowa, and received his M.F.A. from the Bennington Writing Seminars. His fiction has appeared in American Short Fiction, Slice, Meridian, Redivider, Gettysburg Review, and many other print and online publications. His nonfiction has appeared in Tin House Open Bar, River Teeth, The Good Men Project, and elsewhere. He currently lives in northeast Iowa where he teaches at Northeast Iowa Community College. We Could’ve Been Happy Here is his first book.
Alexander Weinstein is the Director of The Martha’s Vineyard Institute of Creative Writing and the author of the short story collection Children of the New World (Picador 2016). His fiction and translations have appeared in Cream City Review, Hayden’s Ferry Review, Notre-Dame Review, Pleiades, PRISM International, World Literature Today, and other journals. He is the recipient of a Sustainable Arts Foundation Award, and his fiction has been awarded the Lamar York, Gail Crump, Hamlin Garland, and New Millennium Prize. His stories have been nominated for Pushcart Prizes, and appear in the anthologies 2013 New Stories from the Midwest, and the 2014 & 2015 Lascaux Prize Stories. He is an Associate Professor of Creative Writing and a freelance editor, and leads fiction workshops in the United States and Europe.
Marlin M. Jenkins was born and raised in Detroit. A poetry graduate from University of Michigan’s MFA program, his work has been given homes by The Collagist, The Offing, The Journal, and Bennington Review, among others. He has worked with students in Detroit Public Schools through the Inside Out Literary Arts program and received a fellowship from the Vermont Studio Center. He is also a runner and a dancer.
Every Thurs-Sun., June 8-25. U-M Residential College drama lecturer Kate Mendeloff directs students and local actors an alfresco production of Shakespeare’s culminating work, a visionary romance set on a magical island ruled by the enigmatic but benevolent sorcerer Prospero and his beautiful daughter Miranda. Prospero is in fact the exiled duke of Milan, who conjures a storm that shipwrecks his old enemies upon his island. He takes the opportunity to teach them a lesson before bestowing forgiveness, abandoning his magical powers, and preparing to return to the world. The Tempest is filled with verse and song (including the famous “Full fathom five”) and contains some of Shakespeare’s most gorgeously haunting poetry. The RC’s annual Shakespeare in the Arb productions have become a hugely popular local summer tradition. Director Mendeloff takes special care to make the shifting Arb environments an active force in the performance. Bring a blanket or portable chair to sit on; dress for the weather.
6:30 p.m., meet at the Peony Garden entrance at 1610 Washington Heights. $15 (students, seniors, & Friends of Matthaei Botanical Gardens & Nichols Arboretum, $10; kids under 5, free) at the gate only. Tickets go on sale at 5:30 p.m. Space limited; come early. 998-9540.
Every Thurs-Sun., June 8-25. U-M Residential College drama lecturer Kate Mendeloff directs students and local actors an alfresco production of Shakespeare’s culminating work, a visionary romance set on a magical island ruled by the enigmatic but benevolent sorcerer Prospero and his beautiful daughter Miranda. Prospero is in fact the exiled duke of Milan, who conjures a storm that shipwrecks his old enemies upon his island. He takes the opportunity to teach them a lesson before bestowing forgiveness, abandoning his magical powers, and preparing to return to the world. The Tempest is filled with verse and song (including the famous “Full fathom five”) and contains some of Shakespeare’s most gorgeously haunting poetry. The RC’s annual Shakespeare in the Arb productions have become a hugely popular local summer tradition. Director Mendeloff takes special care to make the shifting Arb environments an active force in the performance. Bring a blanket or portable chair to sit on; dress for the weather.
6:30 p.m., meet at the Peony Garden entrance at 1610 Washington Heights. $15 (students, seniors, & Friends of Matthaei Botanical Gardens & Nichols Arboretum, $10; kids under 5, free) at the gate only. Tickets go on sale at 5:30 p.m. Space limited; come early. 998-9540.
Every Thurs-Sun., June 8-25. U-M Residential College drama lecturer Kate Mendeloff directs students and local actors an alfresco production of Shakespeare’s culminating work, a visionary romance set on a magical island ruled by the enigmatic but benevolent sorcerer Prospero and his beautiful daughter Miranda. Prospero is in fact the exiled duke of Milan, who conjures a storm that shipwrecks his old enemies upon his island. He takes the opportunity to teach them a lesson before bestowing forgiveness, abandoning his magical powers, and preparing to return to the world. The Tempest is filled with verse and song (including the famous “Full fathom five”) and contains some of Shakespeare’s most gorgeously haunting poetry. The RC’s annual Shakespeare in the Arb productions have become a hugely popular local summer tradition. Director Mendeloff takes special care to make the shifting Arb environments an active force in the performance. Bring a blanket or portable chair to sit on; dress for the weather.
6:30 p.m., meet at the Peony Garden entrance at 1610 Washington Heights. $15 (students, seniors, & Friends of Matthaei Botanical Gardens & Nichols Arboretum, $10; kids under 5, free) at the gate only. Tickets go on sale at 5:30 p.m. Space limited; come early. 998-9540.
Every Thurs-Sun., June 8-25. U-M Residential College drama lecturer Kate Mendeloff directs students and local actors an alfresco production of Shakespeare’s culminating work, a visionary romance set on a magical island ruled by the enigmatic but benevolent sorcerer Prospero and his beautiful daughter Miranda. Prospero is in fact the exiled duke of Milan, who conjures a storm that shipwrecks his old enemies upon his island. He takes the opportunity to teach them a lesson before bestowing forgiveness, abandoning his magical powers, and preparing to return to the world. The Tempest is filled with verse and song (including the famous “Full fathom five”) and contains some of Shakespeare’s most gorgeously haunting poetry. The RC’s annual Shakespeare in the Arb productions have become a hugely popular local summer tradition. Director Mendeloff takes special care to make the shifting Arb environments an active force in the performance. Bring a blanket or portable chair to sit on; dress for the weather.
6:30 p.m., meet at the Peony Garden entrance at 1610 Washington Heights. $15 (students, seniors, & Friends of Matthaei Botanical Gardens & Nichols Arboretum, $10; kids under 5, free) at the gate only. Tickets go on sale at 5:30 p.m. Space limited; come early. 998-9540.
Every Thurs-Sun., June 8-25. U-M Residential College drama lecturer Kate Mendeloff directs students and local actors an alfresco production of Shakespeare’s culminating work, a visionary romance set on a magical island ruled by the enigmatic but benevolent sorcerer Prospero and his beautiful daughter Miranda. Prospero is in fact the exiled duke of Milan, who conjures a storm that shipwrecks his old enemies upon his island. He takes the opportunity to teach them a lesson before bestowing forgiveness, abandoning his magical powers, and preparing to return to the world. The Tempest is filled with verse and song (including the famous “Full fathom five”) and contains some of Shakespeare’s most gorgeously haunting poetry. The RC’s annual Shakespeare in the Arb productions have become a hugely popular local summer tradition. Director Mendeloff takes special care to make the shifting Arb environments an active force in the performance. Bring a blanket or portable chair to sit on; dress for the weather.
6:30 p.m., meet at the Peony Garden entrance at 1610 Washington Heights. $15 (students, seniors, & Friends of Matthaei Botanical Gardens & Nichols Arboretum, $10; kids under 5, free) at the gate only. Tickets go on sale at 5:30 p.m. Space limited; come early. 998-9540.
Every Thurs-Sun., June 8-25. U-M Residential College drama lecturer Kate Mendeloff directs students and local actors an alfresco production of Shakespeare’s culminating work, a visionary romance set on a magical island ruled by the enigmatic but benevolent sorcerer Prospero and his beautiful daughter Miranda. Prospero is in fact the exiled duke of Milan, who conjures a storm that shipwrecks his old enemies upon his island. He takes the opportunity to teach them a lesson before bestowing forgiveness, abandoning his magical powers, and preparing to return to the world. The Tempest is filled with verse and song (including the famous “Full fathom five”) and contains some of Shakespeare’s most gorgeously haunting poetry. The RC’s annual Shakespeare in the Arb productions have become a hugely popular local summer tradition. Director Mendeloff takes special care to make the shifting Arb environments an active force in the performance. Bring a blanket or portable chair to sit on; dress for the weather.
6:30 p.m., meet at the Peony Garden entrance at 1610 Washington Heights. $15 (students, seniors, & Friends of Matthaei Botanical Gardens & Nichols Arboretum, $10; kids under 5, free) at the gate only. Tickets go on sale at 5:30 p.m. Space limited; come early. 998-9540.
Every Thurs-Sun., June 8-25. U-M Residential College drama lecturer Kate Mendeloff directs students and local actors an alfresco production of Shakespeare’s culminating work, a visionary romance set on a magical island ruled by the enigmatic but benevolent sorcerer Prospero and his beautiful daughter Miranda. Prospero is in fact the exiled duke of Milan, who conjures a storm that shipwrecks his old enemies upon his island. He takes the opportunity to teach them a lesson before bestowing forgiveness, abandoning his magical powers, and preparing to return to the world. The Tempest is filled with verse and song (including the famous “Full fathom five”) and contains some of Shakespeare’s most gorgeously haunting poetry. The RC’s annual Shakespeare in the Arb productions have become a hugely popular local summer tradition. Director Mendeloff takes special care to make the shifting Arb environments an active force in the performance. Bring a blanket or portable chair to sit on; dress for the weather.
6:30 p.m., meet at the Peony Garden entrance at 1610 Washington Heights. $15 (students, seniors, & Friends of Matthaei Botanical Gardens & Nichols Arboretum, $10; kids under 5, free) at the gate only. Tickets go on sale at 5:30 p.m. Space limited; come early. 998-9540.
Literati is pleased to welcome Rebecca J. Kinney and Stephen M. Ward for a discussion of their recent books about Detroit and the people who form its heart.
What is the “new Detroit” that everyone keeps talking about? In Beautiful Wasteland: The Rise of Detroit as America’s Postindustrial Frontier, Rebecca J. Kinney reveals that the contemporary story of Detroit’s rebirth is an upcycled version of the American Dream, which has long imagined access to work, home, and upward mobility as race-neutral projects. She tackles key questions about the future of postindustrial America, and shows how the narratives of Detroit’s history are deeply steeped in material and ideological investments in whiteness.
Rebecca J. Kinney, who grew up in metropolitan Detroit, is assistant professor in the School of Cultural and Critical Studies at Bowling Green State University.
In Love and Struggle: The Revolutionary Lives of James and Grace Lee Boggs details both the personal and the political dimensions of the Boggses’ lives, highlighting the vital contributions these two figures made to black activist thinking. At once a dual biography of two crucial figures and a vivid portrait of Detroit as a center of activism, Ward’s book restores the Boggses, and the intellectual strain of black radicalism they shaped, to their rightful place in postwar American history.
Stephen Ward is associate professor in the Department of Afroamerican and African Studies (DAAS) and the Residential College at the University of Michigan. He is also a board member of the James and Grace Lee Boggs Center to Nurture Community Leadership in Detroit.
The authors will discuss how their fiction transforms home into character. How do writers use assumptions about familiar places to find the unexpected and surprising? When is a hometown the whole trouble, and also the last, best hope for change? The authors will also talk about how the unique landscape of the upper Midwest inspires their fiction.
Kelly Fordon’s work has appeared in The Florida Review, The Kenyon Review (KRO), Rattle and various other journals. She is the author of three poetry chapbooks. The first one, On the Street Where We Live, won the 2012 Standing Rock Chapbook Award and the latest one, The Witness, won the 2016 Eric Hoffer Award for the Chapbook and was shortlisted for the Grand Prize. Her novel-in-stories, Garden for the Blind, was chosen as a Michigan Notable Book, a 2016 Foreword Reviews’ INDIEFAB Finalist, a Midwest Book Award Finalist, an Eric Hoffer Finalist, and an IPPY Awards Bronze Medalist in the short story category. She works for The College for Creative Studies, Springfed Arts and The InsideOut Literary Arts Project in Detroit.
Laura Hulthen Thomas is the author of the short fiction collection, States of Motion, published by Wayne State University Press. Her short fiction and essays have appeared in a number of journals and anthologies, including The Cimarron Review, Nimrod International Journal, Epiphany and Witness. She received her MFA in fiction writing from Warren Wilson College. She currently heads the undergraduate creative writing program at the University of Michigan’s Residential College, where she teaches fiction and creative nonfiction.
