This award-winning local writer reads from and discusses Tazia and Gemma, her new novel that spans 1911-1961, moving forward in time with the story of an unwed pregnant Italian immigrant and then backward with the story of her daughter’s search for her father. Writer Deepak Singh calls it a “moving story of racial and religious conflicts.” Light refreshments. Signing.
7 p.m., Nicola’s, Westgate shopping center. Free. 662-0600.
One MFA student of fiction and one of poetry, each introduced by a peer, will read their work. The Mark Webster Reading Series presents emerging writers in a warm and relaxed setting. We encourage you to bring your friends – a Webster reading makes for an enjoyable and enlightening Friday evening.
Readings by U-M creative writing grad students, including prose by Samantha Bares and poetry by Daniel Neff.
7 p.m., UMMA Auditorium, 525 S. State. Free. 764-6330
Participants write, direct, and perform their show in 24 hours from scratch), Performance. Free, but pay what you can.
Readings by 13 of the group’s most popular poets, including Marlin Jenkins, John Buckley, Cozine Welch, Chavonna Bigham, Ashwini Bhasi, Alex Kime, Dan Bigham, and others TBA.
7 p.m. Espresso Royale, 324 S. State. $5 suggested donation. facebook.com/AnnArborPoetry.
Literati is thrilled to welcome poets Phillip Crymble and Sarah Messer who will be sharing with us some of their latest work.
About Not Even Laughter:
A clearance bin of corner-cut records, remaindered paperbacks, and canisters of faded film, Phillip Crymble’s first full-length collection strives to rescue, celebrate, and preserve the works and sensibilities of those whose ideas and visions and have been long overlooked by posterity. Crymble’s technical acumen, ear for music, and emotional sincerity are the adhesive agents that bring the vernacular ethnographies, high-brow ekphrastics, tender elegies, forlorn love lyrics, and acutely observed accounts of plain and seemingly unremarkable domestic experience together in this formidable debut.
Phillip Crymble is a disabled writer and scholar living in Atlantic Canada. A SSHRC doctoral fellow at UNB Fredericton, he holds a MFA from the University of Michigan and has published poems in The New York Quarterly, Michigan Quarterly Review, The Hollins Critic, The Literary Review of Canada, Poetry Ireland Review, The Forward Book of Poetry 2017, and elsewhere. In 2016, Not Even Laughter, his first full-length collection, was a finalist for both the New Brunswick Book Award and the Writer’s Federation of Nova Scotia’s J.M. Abraham Prize.
Poet and Nonfiction writer, Sarah Messer, has received fellowships and grants from the Provincetown Fine Arts Work Center, the Wisconsin Institute for Creative Writing, the NEA, the Michigan Council for Arts and Cultural Affairs, and the Mellon Foundation. In 2008-2009 she was a fellow in poetry at the Radcliffe Institute for Advanced Study (Bunting) at Harvard. She is the author of four books: a hybrid history/memoir, Red House (Viking), a book of translations, Having Once Paused: Poems of Zen Master Ikkyu (University of Michigan Press) and two poetry books, Bandit Letters (New Issues), and Dress Made of Mice (Black Lawrence Press). Her work has appeared in the Paris Review, the Kenyon Review, Gulf Coast, and Ploughshares, among others. For many years she taught as an Associate Professor in the MFA/BFA program at the University of North Carolina at Wilmington. In 2010, Messer co-founded One Pause Poetry, an on-line audio archive and reading series in Ann Arbor, Michigan. Currently she teaches Creative Writing in the Residential College at the University of Michigan, and is a cheese maker at White Lotus Farms.
Reading by this Ann Arbor-based poet from Kerala (India), who writes poems about the connection between trauma and chronic pain and about her experiences as a genomic data analyst and poet. Her poem about the 2016 presidential election was nominated for a Pushcart prize. Preceded by an open mike.
7-8:30 p.m. Sweetwaters Coffee & Tea, 123 W. Washington. Free. 994-6663.
ToastMasters at SweetWaters is an opportunity to practice your personal and/or professional speaking as well as Leadership in a fun friendly atmosphere.
The club is open to everyone. Attendees have the opportunity to speak, give and receive feedback about speaking, presentations and current events.
We typically have 2-4 prepared speeches followed by (Kind and constructive evaluations) to provide feedback and growth. Attendees will have an opportunity for impromptu speaking as well.
Sweetwaters Cafe, 123 W Washington. Free. chrisjriley@hotmail.com
All adults and teens in grade 6 & up invited to learn about this nonprofit (also known as NaNoWriMo) encouraging teens and adults to write a 50,000-word novel by the end of November. Refreshments.
4-5 p.m., AADL Westgate. Free. 327-4200.
Halloween-themed storytelling program by Ann Arbor Storytellers Guild members.
6-8 p.m., Serendipity Books, 113 Middle, Chelsea. Free. 475-7148.
Irina Khutsieva is RC Artist in Residence.
The theater world in Russia is lively as ever, with a range of styles and interests represented by innovative and original work. But that world is also under significant threat as the Russian state puts increasing pressure on theaters and especially directors. The substance of the great art of theater is communication, respect, reverence, and an unflagging belief in humanity. Theater thrives on humanity the way flowers feed on soil, sun, and water. It in turn produces the conditions for humanity to grow. Theater produces and nurtures community and brings people together. In her lecture, Irina Khutsieva will expound on the relationship between theater, state and society in today’s Russia.
Irina Khutsieva is a stage director and acting instructor in Moscow, Russia. Trained at “GITIS,” the Russian Academy of Theatrical Art, she has more than 30 years of experience in Russian theater. She now directs her own studio theater, the Chamber Theater, Moscow, founded in 2004. Khutsieva has staged more than 50 plays in Russia, Germany, and the U.S. She has worked at one of Russia’s most distinguished theater academies – the Shchepkin Higher Theatre Institute, associated with the State Academic Maly Theatre of Russia. She also has extensive experience teaching college drama majors. A specialist and practitioner of the Stanislavski Method, she incorporates the principles and traditions of Russian psychological theater and has also developed her own staging and teaching methods. In recent years, she has directed a major gala performance shown on Russian national TV and has run workshops for professional actors in regional towns throughout Russia.
