Oct. 2 & 16. Open mike storytelling competition sponsored by The Moth, the NYC-based nonprofit storytelling organization that also produces a weekly public radio show. 10 storytellers are selected at random from among those who sign up to tell a 3-5 minute story on “Scandal” (Oct. 2) and “Disguises” (Oct. 16). The 3-person judging teams are recruited from the audience. Monthly winners compete in a semiannual Grand Slam. Space limited, so it’s smart to arrive early.
7:30-9 p.m. (doors open and sign-up begins at 6 p.m.), Greyline, 100 N. Ashley. $10. 764-5118. [map]
The Robertson Lecture is an endowed annual event of the LSA Residential College, and is a lasting gift of the first Dean of the RC, James Robertson. The lecturer is traditionally a notable alumna/us of the RC, someone impacting their chosen field(s) in ways congruent with the philosophy of the College. The 2018 Robertson Lecture will be delivered at the Keene Theater in East Quadrangle on October 19th by Nancy Blum, class of ’85, a Brooklyn-based artist who is known for her public art commissions and works on paper. In addition to graduating from the RC with majors in Psychology and Women’s Studies, she received an MSW from the U-M School of Social work and an MFA from Cranbrook Academy of Art. Her current work is installed primarily out of the gallery, not separated from the street but integrated into it, with a particular interest in sites of transit in cities and within hospital settings. Her recent commissions include medicinal wildflower windows at the San Francisco General Hospital acute care unit; large, graceful birds in flights of migration/immigration integrated into three light-rail stations in Minneapolis/St. Paul; and over-sized yellow flower sculptures sprouting from a rainwater filtration green space at a bus loop outside Philadelphia.
In her Robertson lecture, Nancy will share anecdotes about these and other works, and take us behind the scenes of her in-progress installation at the 28th Street 6 Train station in NYC. She’ll explore how her multiple interests take root in public art, and she’ll give us a sense for how she forged her own path as an artist – a journey, she says, that began at the Residential College, notably thanks to mentoring from her ceramics professor, Susan Crowell.
Following the Lecture, please join us for a reception for the artist at the RC Art Gallery, located on the first floor of East Quadrangle. Refreshments will be served. An exhibit of Nancy’s drawings will be on display at the same gallery through November 9th, (M-F 10am-5pm, free admission).
Participants write, direct, and perform their show in 24 hours from scratch), Performance. Free, but pay what you can.
Literati is thrilled to welcome poets Phillip Crymble and Sarah Messer who will be sharing with us some of their latest work.
About Not Even Laughter:
A clearance bin of corner-cut records, remaindered paperbacks, and canisters of faded film, Phillip Crymble’s first full-length collection strives to rescue, celebrate, and preserve the works and sensibilities of those whose ideas and visions and have been long overlooked by posterity. Crymble’s technical acumen, ear for music, and emotional sincerity are the adhesive agents that bring the vernacular ethnographies, high-brow ekphrastics, tender elegies, forlorn love lyrics, and acutely observed accounts of plain and seemingly unremarkable domestic experience together in this formidable debut.
Phillip Crymble is a disabled writer and scholar living in Atlantic Canada. A SSHRC doctoral fellow at UNB Fredericton, he holds a MFA from the University of Michigan and has published poems in The New York Quarterly, Michigan Quarterly Review, The Hollins Critic, The Literary Review of Canada, Poetry Ireland Review, The Forward Book of Poetry 2017, and elsewhere. In 2016, Not Even Laughter, his first full-length collection, was a finalist for both the New Brunswick Book Award and the Writer’s Federation of Nova Scotia’s J.M. Abraham Prize.
Poet and Nonfiction writer, Sarah Messer, has received fellowships and grants from the Provincetown Fine Arts Work Center, the Wisconsin Institute for Creative Writing, the NEA, the Michigan Council for Arts and Cultural Affairs, and the Mellon Foundation. In 2008-2009 she was a fellow in poetry at the Radcliffe Institute for Advanced Study (Bunting) at Harvard. She is the author of four books: a hybrid history/memoir, Red House (Viking), a book of translations, Having Once Paused: Poems of Zen Master Ikkyu (University of Michigan Press) and two poetry books, Bandit Letters (New Issues), and Dress Made of Mice (Black Lawrence Press). Her work has appeared in the Paris Review, the Kenyon Review, Gulf Coast, and Ploughshares, among others. For many years she taught as an Associate Professor in the MFA/BFA program at the University of North Carolina at Wilmington. In 2010, Messer co-founded One Pause Poetry, an on-line audio archive and reading series in Ann Arbor, Michigan. Currently she teaches Creative Writing in the Residential College at the University of Michigan, and is a cheese maker at White Lotus Farms.
ToastMasters at SweetWaters is an opportunity to practice your personal and/or professional speaking as well as Leadership in a fun friendly atmosphere.
The club is open to everyone. Attendees have the opportunity to speak, give and receive feedback about speaking, presentations and current events.
We typically have 2-4 prepared speeches followed by (Kind and constructive evaluations) to provide feedback and growth. Attendees will have an opportunity for impromptu speaking as well.
Sweetwaters Cafe, 123 W Washington. Free. chrisjriley@hotmail.com
Halloween-themed storytelling program by Ann Arbor Storytellers Guild members.
6-8 p.m., Serendipity Books, 113 Middle, Chelsea. Free. 475-7148.
Literati is thrilled to welcome author Meghan O’Gieblyn who will sharing her new essay collection Interior States. She will joined for a discussion about her work by writer and Literati bookseller Young Eun Yook.
About Interior States:
A fresh, acute, and even profound collection that centers around two core (and related) issues of American identity: faith, in general and the specific forms Christianity takes in particular; and the challenges of living in the Midwest when culture is felt to be elsewhere.
What does it mean to be a believing Christian and a Midwesterner in an increasingly secular America where the cultural capital is retreating to both coasts? The critic and essayist Meghan O’Gieblyn was born into an evangelical family, attended the famed Moody Bible Institute in Chicago for a time before she had a crisis of belief, and still lives in the Midwest, aka “Flyover Country.” She writes of her “existential dizziness, a sense that the rest of the world is moving while you remain still,” and that rich sense of ambivalence and internal division inform the fifteen superbly thoughtful and ironic essays in this collection. The subjects of these essays range from the rebranding (as it were) of Hell in contemporary Christian culture (“Hell”), a theme park devoted to the concept of intelligent design (“Species of Origin”), the paradoxes of Christian Rock (“Sniffing Glue”), Henry Ford’s reconstructed pioneer town of Greenfield Village and its mixed messages (“Midwest World”), and the strange convergences of Christian eschatology and the digital so-called Singularity (“Ghosts in the Cloud”). Meghan O’Gieblyn stands in relation to her native Midwest as Joan Didion stands in relation to California – which is to say a whole-hearted lover, albeit one riven with ambivalence at the same time.
MEGHAN O’GIEBLYN is a writer who was raised and still lives in the Midwest. Her essays have appeared in Harper’s Magazine, n+1, The Point, The New York Times, The Guardian, The New Yorker, Best American Essays 2017, and the Pushcart Prize anthology. She received a B.A. in English from Loyola University, Chicago and an MFA in Fiction from the University of Wisconsin-Madison. She lives in Madison, Wisconsin with her husband.
Young Eun Yook is a singer/writer born in Korea and New Jersey. She is a recipient of the Lucille Clifton memorial scholarship from Community of Writers at Squaw Valley and The Paul Mariani Fellowship at The Glen Workshop. You can find her work in the anthology, Goodbye Mexico: Poems of Remembrance and elsewhere. Young Eun received her MFA from the University of Michigan where she won The Meader Family Award and the Se-AH Haiam Scholarship. She is a Kundiman fellow.
Irina Khutsieva is RC Artist in Residence.
The theater world in Russia is lively as ever, with a range of styles and interests represented by innovative and original work. But that world is also under significant threat as the Russian state puts increasing pressure on theaters and especially directors. The substance of the great art of theater is communication, respect, reverence, and an unflagging belief in humanity. Theater thrives on humanity the way flowers feed on soil, sun, and water. It in turn produces the conditions for humanity to grow. Theater produces and nurtures community and brings people together. In her lecture, Irina Khutsieva will expound on the relationship between theater, state and society in today’s Russia.
Irina Khutsieva is a stage director and acting instructor in Moscow, Russia. Trained at “GITIS,” the Russian Academy of Theatrical Art, she has more than 30 years of experience in Russian theater. She now directs her own studio theater, the Chamber Theater, Moscow, founded in 2004. Khutsieva has staged more than 50 plays in Russia, Germany, and the U.S. She has worked at one of Russia’s most distinguished theater academies – the Shchepkin Higher Theatre Institute, associated with the State Academic Maly Theatre of Russia. She also has extensive experience teaching college drama majors. A specialist and practitioner of the Stanislavski Method, she incorporates the principles and traditions of Russian psychological theater and has also developed her own staging and teaching methods. In recent years, she has directed a major gala performance shown on Russian national TV and has run workshops for professional actors in regional towns throughout Russia.
Storytelling by Michigan veterans. Also, live entertainment by the Concordia University Choir & Band and others TBA.
7 p.m., Hill Auditorium. Free, but tickets required in advance at eventbrite.com (search for “Stories of Service”). (518) 481-0552.
Nov. 6 & 20. Open mike storytelling competition sponsored by The Moth, the NYC-based nonprofit storytelling organization that also produces a weekly public radio show. Each month 10 storytellers are selected at random from among those who sign up to tell a 3-5 minute story on themes of “Distance” (Nov. 6) & “Fear” (Nov. 20). The 3-person judging teams are recruited from the audience. Monthly winners compete in a semiannual Grand Slam. Seating limited, so it’s smart to arrive early.
7:30-9 p.m. (doors open and sign-up begins at 6 p.m.), Greyline, 100 N. Ashley. General admission tickets $10 in advance only at themoth.org beginning a week before each event. 764-5118.
