Due to a fortunate confluence of water, geography and entrepreneurial vision, Detroit at the end of the 19th century was poised to experience unprecedented growth. Even before the Ford Motor Company was established in 1903, Detroit was a major industrial center and transportation hub. All this commercial activity and prosperity led to a building boom of incredible proportions at a time when the most popular architectural styles were Beaux Arts, Gothic Revival, Classical Revival, and Art Deco. Each of these styles typically required extensive ornamentation and because of this, Detroit became a treasure trove of architectural sculpture.
Jeff Morrison’s new book Guardians of Detroit: Architectural Sculpture in the Motor City documents these incredible features in a city that began as a small frontier fort and quickly grew to become a major metropolis and industrial titan. For this AADL presentation, Jeff will share more than 100 spectacular close-up pictures of architectural sculpture from throughout the city of Detroit. You will also learn about the symbolism behind the ornamentation and hear some of the untold stories of the artists, artisans, and architects involved in its creation, all drawn from the book.
Jeff Morrison is a historian and photographer who has been taking pictures since his parents gave him his first camera at age nine. He has a bachelor’s degree in history and art from Eastern Michigan University and over thirty years’ experience as a graphic artist. Jeff lives in Oxford, Michigan, with his lovely wife, Susie, and their wonder dog, Manfred.
This event includes a book signing and books will be on sale.
Tom Brzezina has had work in Chiron, Rusty Truck, Red Fez, Third Wednesday, Peninsula Poets, and The 5-2. His poems draw heavily upon drug experiences of his youth, the underbelly of society, and growing up in Detroit. He lives in Ann Arbor with his wife, dog, and way too many books.
Lynn Gilbert is a founding editor of Borderlands: Texas Poetry Review and currently associate editor of Third Wednesday in Ann Arbor. Her poems have been published in The Texas Observer, Kansas Quarterly, Exquisite Corpse, Southwestern American Literature, Peninsula Poets, and Water Music: The Great Lakes State Poetry Anthology, which she co-edited.
Crazy Wisdomn Bookstore and Tea Room, 114 S. Main St. Free. 7346652757.info@crazywisdom.net www.crazywisdom.net
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
“Beyond Solidarity” traces a genealogy of rebel care work. Without imposing a future, what political, cultural and social questions emerge when we center dignity in thinking beyond solidarity? Specifically with regards to the complimentary, contested and contradictory relationships between the university and the prison, who produces and benefits from the creation and production of knowledge? What is considered knowledge?
What is the role of Ethnic Studies in how we imagine and create a society not centered and organized around the idea that vengeance is justice, that punishment should only mean exile and imprisonment? What is the role of the university in the after-life of incarceration and the after-life of detention, for the communities that students come from, or in relation to policy or pedagogy? How does/can the university reproduce and undue the prison as a total institution? (Strike for print material)
Alan Eladio Gómez is a historian, Southwest Borderlands Scholar and associate professor of justice and social inquiry in the School of Social Transformation at Arizona State University. He is also an affiliated faculty member with the School of Transborder Studies and the Herberger Institute of Design and the Arts. Gómez is the author of The Revolutionary Imaginations of Greater Mexico: Chicana/o Radicalism, Solidarity Politics & Latin American Social Movements (University of Texas Press, 2016)
Each week will feature different Detroit-based speakers and guests who will explore the given topic and engage the students through a combination of formal remarks, presentations, and public discussion. Light dinner provided; free transportation from Ann Arbor to Detroit; public welcome and encouraged to attend.
Literati is excited to welcome the Creative Writing Sub-concentration seniors in the English Department at the University of Michigan for a night of poetry and prose readings!
Each year the Creative Writing Sub-concentration selects no more than 14 students who spend their senior year working with faculty to complete a creative thesis of poetry or fiction. These collections, the same size as many MFA theses, are first attempts to create book-length manuscripts, and to prepare the writers for their work in the future.
Readers include…
Reema Baydoun transferred to the University of Michigan as a sophomore, and has since spent her time in Ann Arbor studying English and caring for her cat. As an Arab-American poet, she often spends weekends in Dearborn for inspiration and good food.
RC student Ariel Everitt hails from a one-stoplight town in Northeast Michigan and is a junior studying English and Creative Writing at the University of Michigan, where they have been a research assistant in a biogerontology lab, become a peer writing consultant, and won a Hopwood Award. Their fiction tackles the boundaries between people and genres, applying dream logic to science and human connections wherever possible. Ariel plans to pursue an MFA in Creative Writing in the near future.
Madeleine Gaudin is a writer and future Elementary School teacher originally from Austin, Texas. Formerly the Managing Arts Editor at the Michigan Daily, she wrote about movies, music, books and the wonderful hellscape of the Internet for four years before turning her attention to ghost stories and fiction about the apocalypse.
Jenny Hong is a senior studying English with a Sub-concentration in Creative Writing (Poetry). She loves cooking, blogging, and binging TV series on lazy days—and also chatting with people around campus. She is sad that she will no longer be a student in May and enroll in workshops that will give her friendly nudges to write, but she’s also pretty excited for what’s next!
Kate Velguth is a senior studying English. She’s received four Hopwood Awards, and her fiction has appeared in The Washington Square Review, Pleiades, and elsewhere.” Her thesis, a collection of short stories, is entitled The World of Hidden Things. She hopes to teach English in South Korea next year.
Maxim Vinogradov is a local playwright, Michigan student, and is very excited to be reading at Literati! You may have seen his work in productions at Theatre Nova, Slipstream Theatre Initiative, Basement Arts, Outvisible Theatre Company, and others in Michigan, Ohio, and Indiana. He has had the pleasure of receiving two Hopwood Awards in Drama, two Wilde Awards, the National Partners of the American Theatre Playwriting Award from The Kennedy Center, and has spent this past summer in internships and residences with The Public Theater and O’Neill Theater Center. He’d love to thank the University of Michigan and Literati for this privilege, and hopes you enjoy his goofy writing!
Ellison Zak is a senior transfer student at the University of Michigan studying English, creative writing, and linguistics. Her thesis grapples with the secrets we all keep and the toll they can take on ourselves and our relationships. She spends her summers between school road tripping across the country and camping at national parks. More than anything else, she hopes to find employment after graduation.
n celebration of Literati Bookstore’s Sixth Anniversary, please join us for a reading of original poetry and prose by Literati Bookstore booksellers past and present!
A political drama by Beau Willimon, presented by RC Players. Farragut North tells the story of Stevie Bellamy, a young press secretary working for Morris, a candidate in the democratic presidential primary. . Keene Theater, East Quadrangle, 701 East University, Ann Arbor, MI 48109. Free.
Like the original Blue Beard, Heinrich Blaubart brings death to women he meets. Unlike the original Blue Beard, though, he doesn’t seek to do so; in fact, his fear of relationships makes him try to avoid women. Presented in German by students enrolled in RCHUMS 334: From the Page to the Stage. Surtitles will make it possible for even non-German speakers to follow the action on stage. April 6, 8pm-10pm and April 7, 2pm-4pm, Keene Theater. Non-perishable food items or donation at the door.
Music and lyrics by Lin-Manuel Miranda, presented by Room 6 Productions. A cautionary tale of a high school honors student who falls for a cute transfer girl. He goes to great lengths to oblige her request for marijuana in the hopes of winning her affection – only to find out that his crush is actually an undercover cop planted in the school to find drug dealers. Keene Theater, East Quadrangle, 701 East University, Ann Arbor, MI 48109. Free.
