Literati is excited to welcome poet Sue William Silverman in celebration of her new poetry collection If the Girl Never Learns: Poems. Sue will be joined by fellow poets Keith Taylor, Elizabeth Schumhl, and Marc Sheehan who will be reading from their own work.
About If the Girl Never Learns:
From the opening lines, it’s clear The Girl at the center of these poems is damaged–which is another way to say she’s a survivor. If the Girl Never Learns moves from the personal to the mythic to the apocalyptic, because The Girl would do anything, even go to hell, to save her soul. So, she resists, takes action to overturn society’s suffocating ideal of Good Girldom. The poems’ sense of breathlessness reflects The Girl’s absolute need to control her own destiny, to outrun her past, while at the same time chasing a future she alone has envisioned and embodied. Because The Girl is, above all else, a badass.
Sue William Silverman’s first poetry collection is Hieroglyphics in Neon. She is also the author of four books of creative nonfiction. Her most recent book, The Pat Boone Fan Club: My Life as a White Anglo-Saxon Jew, was a finalist in Foreword Reviews’ INDIEFAB Book of the Year Award. Her memoir, Because I Remember Terror, Father, I Remember You, won the AWP Award, and Love Sick: One Woman’s Journey through Sexual Addiction is also a Lifetime TV original movie. Her craft book is Fearless Confessions: A Writer’s Guide to Memoir, and she teaches in the MFA in Writing Program at Vermont College of Fine Arts.
The poet Marc Sheehan is a life-long Michigan resident. He has earned degrees from Western Michigan University, Central Michigan University and the University of Michigan, where he received a Major Hopwood Award in Poetry. His honors also include grants from the Michigan Council for the Arts and Humanities, and the National Endowment for the Arts. He has served as Writer Center Coordinator at the Urban Institute for Contemporary Art in Grand Rapids, and has reviewed books for both the Lansing Capital Times and On the Town.
Elizabeth Schmuhl is a multidisciplinary artist whose work appears in Michigan Quarterly Review, The Rumpus, Paper Darts, PANK, Hobart, Pinwheel, and elsewhere. She has worked at various nonprofits, including the John F. Kennedy Center for Performing Arts, and currently works at the University of Michigan, Ann Arbor.
Keith Taylor has published many books over the years: collections of poetry, a collection of very short stories, co-edited volumes of essays and fiction, and a volume of poetry translated from Modern Greek.
Chamber Music, directed by Katri Ervamaa. Featuring music by Mozart, Bach, Beethoven, Dvorak, and others. April 20, 2pm and April 22, 6pm, Keene Theater. Free.
Chamber Music, directed by Katri Ervamaa. Featuring music by Mozart, Bach, Beethoven, Dvorak, and others. April 20, 2pm and April 22, 6pm, Keene Theater. Free.
Renaissance Drama presents, Commedia del’arte final performance directed by Martin Walsh. Featuring a period scenario about “Il cavadente” or “the tooth puller”, a bogus dentist that pulls the teeth out of the evil Pantelone. April 23, 1-2pm, North Courtyard if weather permits.
The Michigan Quarterly Review launches their Spring issue featuring poetry, fiction, and essays, from contemporary Iran. Featuring readings in Farsi and English from contributors Shahla Farghadani and Mason Jabbari, Guest Editor Kathryn Babyran, MQR Editor Khaled Mattawa, and MQR Staff Readers. Letterpress prints, specially designed for this issue by Wolverine Press, will also be available.
Reading by a local poet TBA. The program begins with open mike readings.
Second and Fourth Wednesdays, 7-9 p.m. in the Crazy Wisdom Tea Room • Second
Wednesdays are poetry workshop nights. All writers welcome to share and discuss
their own or favorite poetry. Sign up for new participants begins at 6:45 p.m.
Fourth Wednesdays have a featured reader for 50 minutes and then open mic for an
hour. All writers welcome. Sign up begins at 6:45 p.m. Free. Contact Ed at 668-7523;
eacmorso@sbcglobal.net or cwpoetrycircle.tumblr.com.
received the 2018 Lorine Niedecker Prize for Poetry from the Council for
Wisconsin Writers. His work appears in Stoneboat, Blue Collar Review, and
Gyroscope Review. His book titles are Who Are We Then? and A Tar Pit to Dye In.
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
University of Michigan Professor George Bornstein, Ph. D., discusses topics surrounding his essay in Irish Questions and Jewish Questions.
Ticket Information:
No tickets.
Event Details
Seating at the event will be first-come first-served. This event will be a standing-room crowd, so if you require a seat for medical reasons, please contact us in advance to make arrangements.
About the Book
The Irish and the Jews are two of the classic outliers of modern Europe. Both struggled with their lack of formal political sovereignty in the nineteenth-century. Simultaneously European and not European, both endured a bifurcated status, perceived as racially inferior and yet also seen as a natural part of the European landscape. Both sought to deal with their subaltern status through nationalism; both had a tangled, ambiguous, and sometimes violent relationship with Britain and the British Empire; and both sought to revive ancient languages as part of their drive to create a new identity. The career of Irish politician Robert Briscoe and the travails of Leopold Bloom are just two examples of the delicate balancing of Irish and Jewish identities in the first half of the twentieth century. Irish Questions and Jewish Questions explores these shared histories, covering several centuries of the Jewish experience in Ireland, as well as events in Israel–Palestine and North America. The authors examine the leading figures of both national movements to reveal how each had an active interest in the successes, and failures, of the other. Bringing together leading and emerging scholars from the fields of Irish studies and Jewish studies, this volume captures the most recent scholarship on their comparative history with nuance and remarkable insight.
About the Author
George Bornstein taught English Literature at Michigan for over forty years, during which time he wrote or edited twenty volumes and won a teaching award. He currently works on Jewish-Irish connections, as in the present article from the new book “Irish Questions and Jewish Questions” (Syracuse University Press) from which the current autobiographical talk is drawn.
