The Michigan Quarterly Review launches its fall issue. Details and contributor bios to come. Stay tuned!
Author and former director of the Helen Zell Writers’ Program at The University of Michigan visits as part of our ongoing Fiction at Literati Series, in support of her new novel The Professor of Immortality. Eileen will be in-conversation with Literati bookseller and author Lillian Li. A book signing will follow. The event is free and open to the public.
About the book: Professor Maxine Sayers once found her personal and professional life so fulfilling that she founded the Institute of Future Studies, a program dedicated to studying the effects of technology on our culture and finding ways to prolong human life. But when her beloved husband dies, she is so devastated she can barely get out of bed. To make matters worse, her son, Zach, has abruptly quit his job in Silicon Valley and been out of contact for seven months. Maxine is jolted from her grief by her sudden suspicion that a favorite former student (and a former close friend of her son) might be a terrorist called the Technobomber and that Zach might either be involved in or become a victim of this extremist’s bombing. Deserting her teaching responsibilities, her ailing mother, and an appealing suitor, Maxine feels compelled to set out and search for her son in order to warn and protect him, even as she knows she should report her suspicions to the FBI to prevent greater carnage.
Eileen Pollack graduated with a BS in physics from Yale and earned an MFA in creative writing from the University of Iowa. She is the author of the novels The Bible of Dirty Jokes, A Perfect Life, Breaking and Entering, andParadise, New York, the short-story collections In the Mouth and The Rabbi in the Attic, and the nonfiction books The Only Woman in the Room: Why Science Is Still a Boys’ Club and Woman Walking Ahead: In Search of Catherine Weldon and Sitting Bull. She has received fellowships from the National Endowment for the Arts, the Michener Foundation, the Rona Jaffe Foundation, and the Massachusetts Arts Council. Her novella “The Bris” was chosen to appear in Best American Short Stories, edited by Stephen King; two other stories have been awarded Pushcart Prizes, and her essay “Pigeons” was selected by Cheryl Strayed for Best American Essays. Formerly the director of the MFA Program in Creative Writing at the University of Michigan, she now lives in New York City.
Lillian Li received her BA from Princeton and her MFA from the University of Michigan. She is the recipient of a Hopwood Award in Short Fiction, as well as Glimmer Train‘s New Writer Award. Her work has been featured in Guernica, Granta, and Jezebel. She is from the D.C. metro area and lives in Ann Arbor, Michigan. Number One Chinese Restaurant is her first novel.
One MFA student of fiction and one of poetry, each introduced by a peer, will read their work. The Mark Webster Reading Series presents emerging writers in a warm and relaxed setting. We encourage you to bring your friends–a Webster reading makes for an enjoyable and enlightening Friday evening.
This week’s reading features Karolina Letunova and Mariya Zilberman.
Born and raised in a Siberian coal town, Karolina Letunova writes fiction. She is working on her first novel.
Mariya Zilberman is an Ann Arbor-based poet. She immigrated to the United States from Minsk, Belarus and grew up in Maryland.
Skazat! is back, and have we got a season lined up for you! Join us at Sweetwaters Coffee & Tea Washington St. on September 24 to celebrate with fabulous poetry and tasty treats. Whether you’re a page poet, slammer, performance artist or refuse a label, we want to hear your new stuff on our open mic. We look forward to sharing great poetry (and great coffee) with you and invite you to join this free open mic and monthly reading series!
Sign up! 7:00 p.m.
7:15 p.m. – Open mic
8:00 p.m. – Featured Reader
This month’s feature: BRYAN THAO WORRA
We welcome poet and Ford School of Public Policy professor Molly Spencer in support of her collection, If the house, winner of the 2019 Brittingham Prize judged by Carl Philips. A book signing will follow. The event is free and open to the public.
Molly Spencer‘s poetry has appeared or is forthcoming in Blackbird, Copper Nickel, FIELD, The Georgia Review, Gettysburg Review, New England Review, Ploughshares, Prairie Schooner, and other journals. Her critical writing has appeared at Colorado Review, Kenyon Review Online, Tupelo Quarterly, and The Rumpus. She holds an MPA from the School of International and Public Affairs at Columbia University and an MFA from the Rainier Writing Workshop, and is a Poetry Editor at The Rumpus. Her collection, If the house, won the 2019 Brittingham Prize judged by Carl Phillips, and is forthcoming from the University of Wisconsin Press in October of 2019. A second collection, Relic and the Plum, won the 2019 Crab Orchard Open Competition judged by Allison Joseph, and will be out in September of 2020. Molly teaches at the University of Michigan’s Gerald R. Ford School of Public Policy.
This week’s reading features Annesha Sengupta and Bryan Byrdlong.
Annesha Sengupta is a writer from Richmond, VA.
Bryan Byrdlong is a Haitian/African-American writer from Chicago, Illinois. He recently graduated from Venderbilt University where he received an undergraduate English/Creative Writing degree. He currently studies and teaches English at the University of Michigan.
Crazy Wisdom Poetry Series hosted by Joe Kelty, Ed Morin, and David Jibson • Second and Fourth Wednesdays, 7-9 p.m. in the Crazy Wisdom Tea Room • Second Wednesdays are poetry workshop nights. All writers welcome to share and discuss their own poetry and short fiction. Sign up for new participants begins at 6:45 p.m.
Fourth Wednesdays have a featured reader for 50 minutes and then open mic for an hour. All writers welcome to share. Sign up begins at 6:45 p.m. Free. Contact Ed at 668-7523; email@example.com or cwpoetrycircle.tumblr.com.
Sweetland’s Writer to Writer series lets you hear directly from University of Michigan professors about their challenges, processes, and expectations as writers and also as readers of student writing. Each semester, Writer to Writer pairs one esteemed University professor with a Sweetland faculty member for a conversation about writing. For this installment, host Shelley Manis will speak with Professor Jennifer Proctor.
Writer to Writer sessions take place at the Literati bookstore and are broadcast live on WCBN radio. These conversations offer students a rare glimpse into the writing that professors do outside the classroom. You can hear instructors from various disciplines describe how they handle the same challenges student writers face, from finding a thesis to managing deadlines. Professors will also discuss what they want from student writers in their courses, and will take questions put forth by students and by other members of the University community. If there’s anything you’ve ever wanted to ask a professor about writing, Writer to Writer gives you the chance.
Jennifer Proctor is an Associate Professor of Journalism and Screen Studies at the University of Michigan-Dearborn and co-founder and director of the inclusive teaching initiative EDIT Media (Equity, Diversity, and Inclusion in Teaching Media). She is a filmmaker and media artist whose internationally recognized, award-winning found footage work examines the history of experimental film, Hollywood tropes, and the representation of women in cinema. Her recent work, in particular, seeks to blur boundaries between avant-garde film practices and the scholarly video essay. Her 2018 film “Nothing a Little Soap and Water Can’t Fix,” which examines the bathtub as a feminized domestic space, won the Cutters Archival Film Award at the Ann Arbor Film Festival, Top Grit at the Indie Grits Film Festival, and Best Experimental Film at the St. Francis College Women’s Film Festival, in addition to screening at more than forty film festivals around the world. Her recent video, “Am I Pretty?” appropriates the voices of tween girls from YouTube videos to explore the development of self-image and self-esteem in the modern era. In addition to screening at film festivals, including the Ann Arbor Film Festival, “Am I Pretty?” appears in a special issue on audiography in [in]Transition: The Journal of Videographic Film and Moving Image Studies.