This event is free and open to the public. There will be a catered reception to follow the lecture.
Mary Kathryn Nagle is an enrolled citizen of the Cherokee Nation. She currently serves as the Executive Director of the Yale Indigenous Performing Arts Program. She is also a partner at Pipestem Law, P.C., where she works to protect tribal sovereignty and the inherent right of Indian Nations to protect their women and children from domestic violence and sexual assault. Nagle has authored numerous briefs in federal appellate courts, including the United States Supreme Court. Nagle studied theater and social justice at Georgetown University as an undergraduate student, and received her J.D. from Tulane Law School where she graduated summe cum laude and received the John Minor Wisdom Award. She is a frequent speaker at law schools and symposia across the country. Her articles have been published in law review journals including the Harvard Journal of Law and Gender, Yale Law Journal (online forum), Tulsa Law Review, and Tulane Law Review, among others.
Nagle is an alumn of the 2012 PUBLIC THEATER Emerging Writers Group, where she developed her play “Manahatta” in PUBLIC STUDIO (May 2014). Productions include “Miss Lead” (Amerinda, 59E59, January 2014), and “Fairly Traceable” (Native Voices at the Autry, March 2017), “Sovereignty” (Arena Stage), “Manahatta” (Oregon Shakespeare Festival), and Return to Niobrara (Rose Theater). In 2019, Portland Center Stage will produce the world premiere of “Crossing Mnisose.”
Nagle has received commissions from Arena Stage (“Sovereignty”), the Rose Theater (“Return to Niobrara,” Omaha, Nebraska), Portland Center Stage (“Mnisose”), Denver Center for the Performing Arts, Yale Repertory Theatre (“A Pipe for February”), and Round House Theater.
The Berkhofer Lecture series (named for a former U-M professor and founder of the field of Native American studies) was established in 2014 by an alumni gift from the Dan and Carmen Brenner family of Seattle, Washington. In close consultation with the Brenners, Native American Studies decided to create a public lecture series featuring prominent, marquee speakers who would draw audiences from different communities (faculty and students, Ann Arbor and Detroit, and Michigan tribal communities as well as writers and readers of all persuasions). Native American students at U-M have consistently expressed their desire to make Native Americans more visible both on campus and off, and we believe that this lecture takes a meaningful step in that direction. Additionally, because of the statewide publicity it generates, we think it is already becoming another recruitment incentive for Native American students. It goes without saying that the speakers we are inviting provide tremendous value to the mission and work of Native American Studies at U-M.
Animals have played a crucial role in human history, and continue to do so until today. The interaction between humans and animals can affect the environment, and vice versa. In the ancient Egyptian Nile Valley, in addition to providing food, transportation, raw materials, companionship and entertainment, animals played a key role in religion. As such, they inspired divine iconography and language, and served both as manifestations as well as offerings to gods. Ultimately, in the twilight of Egypt’s pharaonic history, animals played a part in defining cultural identity and world-view. This talk will focus on a critical locus of this agency: animal mummies in ancient Egypt, and what they tell us not only about Egyptian culture, economy, and human-animal relationships, but also about Egypt’s changing environment.
Salima Ikram is Distinguished University Professor of Egyptology at The American University in Cairo, and has worked as an archaeologist in Turkey, Sudan, Greece and the United States. After double majoring in history and classical and near eastern archaeology at Bryn Mawr College, she received her MPhil in museology and Egyptian archaeology and PhD in Egyptian archaeology from Cambridge University. She previously directed the Animal Mummy Project, the North Kharga Darb Ain Amur Survey, Valley of the Kings KV10/KV63 Mission co-directed the Predynastic Gallery project and the North Kharga Oasis Survey. She has also participated in several other archaeological missions throughout Egypt. She has lectured on her work internationally, and publishes in both scholarly and popular journals. She also has an active media presence.
With the young republic in crisis, President Washington chose as general an aging brigadier whose private life was mired in scandal. Follow the story of General Anthony Wayne, drawn from his own passionate letters where he vividly confessed his deepest thoughts. Writer and historian Mary Stockwell was an Earhart Foundation Fellow at the Clements Library. Her book “Unlikely General: ‘Mad’ Anthony Wayne and the Battle for America” was published by Yale University Press in 2018. She has a B.A. in history from Mary Manse College and holds an M.A. and Ph.D. in history from the University of Toledo. Register online.
Literati is pleased to be partnering with Donia Human Rights Center at the University of Michigan to welcome Catharine MacKinnon at Rackham Amphitheatre. Literati will have copies of Professor MacKinnon’s latest book Butterfly Politics available for purchase.
Professor Catharine A. MacKinnon will address the politics and law of sexual harassment, focusing on its violation of equality rights, in light of the #MeToo movement, exploring those developments in light of the theory of her most recent book, “Butterfly Politics: Changing the World for Women.”
About Butterfly Politics:
Under certain conditions, the right small simple actions can produce large and complex “butterfly effects,” as the #MeToo movement has shown. Thirty years after Catharine A. MacKinnon won the U.S. Supreme Court case establishing sexual harassment in law, this timely collection captures MacKinnon in action: the creative and transformative activism of an icon. Butterfly Politics provides the grounding for #MeToo, explains its momentum, and proposes more legal interventions that could have further butterfly effects on women’s rights.
Catharine A. MacKinnon is Elizabeth A. Long Professor of Law at the University of Michigan Law School and the James Barr Ames Visiting Professor of Law (Long-Term) at Harvard Law School.
Reception for the artists. The show continues at the RC Art Gallery through the end of Winter term.
Each week will feature different Detroit-based speakers and guests who will explore the given topic and engage the students through a combination of formal remarks, presentations, and public discussion. Light dinner provided; free transportation from Ann Arbor to Detroit; public welcome and encouraged to attend.
DR. CHLOE PREEDY, UNIVERSITY OF EXETER
Hosted by the Animal Studies & Environmental Humanities RIW. Please RSVP to lageiger@umich.edu or cvfair@umich.edu
The Civil War began as a battle to save the union but it ended as a struggle to abolish slavery and usher in “a new birth of freedom.” No aspect of society was left unchanged by the years of war and its effects continue to resonate more than one hundred and fifty years later. Dr. Louis Masur is Distinguished Professor of American Studies and History at Rutgers University. A graduate of the University at Buffalo and Princeton University, he is a cultural historian who has written on a variety of topics. His most recent work is Lincoln’s Last Speech: Wartime Reconstruction & The Crisis of Reunion (2015), Lincoln’s Hundred Days: The Emancipation Proclamation and the War for the Union (2012), and The Civil War: A Concise History (2011). Register online.
Please join us as we celebrate the winners of the 2018-19 Hopwood Awards.
Following the announcement of the awards, there will be a lecture from Pulitzer Prize-winning author Hilton Als and a light reception. Free to attend and open to all!
Hilton Als began contributing to The New Yorker in 1989, writing pieces for ‘The Talk of the Town,’ he became a staff writer in 1994, theatre critic in 2002, and lead theater critic in 2012. Week after week, he brings to the magazine a rigorous, sharp, and lyrical perspective on acting, playwriting, and directing. With his deep knowledge of the history of performance—not only in theatre but in dance, music, and visual art—he shows us how to view a production and how to place its director, its author, and its performers in the ongoing continuum of dramatic art. His reviews are not simply reviews; they are provocative contributions to the discourse on theatre, race, class, sexuality, and identity in America.
Before coming to The New Yorker, Als was a staff writer for the Village Voice and an editor-at-large at Vibe. Als edited the catalogue for the 1994-95 Whitney Museum of American Art exhibition “Black Male: Representations of Masculinity in Contemporary American Art.” His first book, The Women, was published in 1996. His book, White Girls, a finalist for the National Book Critics Circle Award in 2014 and winner of the 2014 Lambda Literary Award for Non-fiction, discusses various narratives of race and gender. He is author of the introduction to the Penguin Classics edition of The Early Stories of Truman Capote. He is also guest editor for the 2018 Best American Essays (Mariner Books, October 2, 2018). He also wrote Andy Warhol: The Series, a book containing two previously unpublished television scripts for a series on the life of Andy Warhol.
In 1997, the New York Association of Black Journalists awarded Als first prize in both Magazine Critique/Review and Magazine Arts and Entertainment. He was awarded a Guggenheim for creative writing in 2000 and the George Jean Nathan Award for Dramatic Criticism for 2002-03. In 2016, he received Lambda Literary’s Trustee Award for Excellence in Literature, in 2017 Als won the Pulitzer Prize for Criticism, and in 2018 the Langston Hughes Medal.
In 2009, Als worked with the performer Justin Bond on “Cold Water,” an exhibition of paintings, drawings, and videos by performers, at La MaMa Gallery. In 2010, he co-curated “Self-Consciousness,” at the VeneKlasen/Werner gallery, in Berlin, and published “Justin Bond/Jackie Curtis.” In 2015, he collaborated with the artist Celia Paul to create “Desdemona for Celia by Hilton,” an exhibition for the Metropolitan Opera’s Gallery Met. In 2016, his debut art show “One Man Show: Holly, Candy, Bobbie and the Rest” opened at the Artist’s Institute. In 2017 he curated “Alice Neel, Uptown” at the David Zwirner Gallery in New York City.
Als is an associate professor of writing at Columbia University’s School of the Arts and has taught at Yale University, Wesleyan, and Smith College. He lives in New York City.
Join David Priess, author and former CIA insider, as he discusses his new book, “How to Get Rid of a President: History’s Guide to Removing Unpopular, Unable, or Unfit Chief Executives.”
To limit executive power, the founding fathers created fixed presidential terms of four years, giving voters regular opportunities to remove their leaders. Even so, Americans have often resorted to more dramatic paths to dis-empower the chief executive.
“How to Get Rid of a President” is a lively narrative showcasing various dark sides of the nation’s history: a stew of election dramas, national tragedies, and presidential departures mixed with party intrigue, personal betrayal, and backroom shenanigans.
In this briskly-paced and approachable sweep of history, Priess barnstorms through history, showing all the ways – from impeachment to death – that presidents have either left office prematurely or just barely avoided doing so. While the pomp and circumstance of presidential elections might draw more attention, the way that presidents are removed teaches us much more about our political order.
Free Admission. Free Parking. Book sales/signing and reception follow program.
