Creative Writing Faculty read from their works:
Lolita Hernandez, Lecturer, RC Creative Writing and Literature
Laura Kasischke, RC ’84, Lecturer, RC Creative Writing and Literature Christopher Matthews, Lecturer, RC Creative Writing and Literature
Ken Mikolowski, Lecturer Emeritus, RC Creative Writing and Literature
Laura Thomas, RC ’88, Lecturer and Program Head, RC Creative Writing and Literature
Nov. 17 & 18. RC students perform Theresa Rebeck’s 2011 Broadway drama about 4 young writers, their professor, and the tensions and romances that develop as they attend a 10-week intensive writing seminar.
8 p.m., Keene Theatre, East Quad, 701 East University. Free; donations welcome. 763-0176.
Nov. 17 & 18. RC students perform Theresa Rebeck’s 2011 Broadway drama about 4 young writers, their professor, and the tensions and romances that develop as they attend a 10-week intensive writing seminar.
8 p.m., Keene Theatre, East Quad, 701 East University. Free; donations welcome. 763-0176.
Literati is thrilled to partner with Current Magazine for an evening of Poetry and Fiction!
Come celebrate the submissions and winners of Current Magazine’s Poetry and Fiction contest.
Meet Current’s editor and contributors, and hear readings from the winners. Special guests Molly Raynor and Anthony Zick will be reading their work as well. If time permits there will be an open mic at the end.
Have you ever pulled a ratatouille and found a rat on your head? Do you ever question the larger impact of a cup of coffee? Have you gotten fed up with constantly being kidnapped? Ever daydream about America’s history if women were the founders?
Do you enjoy question leads that ultimately serve as clickbait in order to intrigue potential audience members?
Then we are the place for you! RC Players is hosting our semi-annual comedic Evening of Scenes performance Friday, Jan. 26 and Saturday, Jan. 27 at 8 p.m. in the Keene Theater, located in the basement of our dear East Quad. As always, our production is as free as the wind beneath my wings!
Tell your friends, tell your neighbors, tell your parents, tell your dogs and cats and lizards and rats (they can find themselves in the subject matter of one of the scenes)! Feel free to share this event, or invite people who would love a good laugh in a theater.
Have you ever pulled a ratatouille and found a rat on your head? Do you ever question the larger impact of a cup of coffee? Have you gotten fed up with constantly being kidnapped? Ever daydream about America’s history if women were the founders?
Do you enjoy question leads that ultimately serve as clickbait in order to intrigue potential audience members?
Then we are the place for you! RC Players is hosting our semi-annual comedic Evening of Scenes performance Friday, Jan. 26 and Saturday, Jan. 27 at 8 p.m. in the Keene Theater, located in the basement of our dear East Quad. As always, our production is as free as the wind beneath my wings!
Tell your friends, tell your neighbors, tell your parents, tell your dogs and cats and lizards and rats (they can find themselves in the subject matter of one of the scenes)! Feel free to share this event, or invite people who would love a good laugh in a theater.
Literati is thrilled to welcome poet Diane Seuss who will be reading from her new collection Still Life with Two Dead Peacocks and a Girl. Diane will be joined by fellow poet Laura Kasischke for conversation after the reading.
About Still Life with Two Dead Peacocks and a Girl:
Still Life with Two Dead Peacocks and a Girl takes its title from Rembrandt’s painting, a dark emblem of femininity, violence, and the viewer’s own troubled gaze. In Diane Seuss’s new collection, the notion of the still life is shattered and Rembrandt’s painting is presented across the book in pieces–details that hide more than they reveal until they’re assembled into a whole. With invention and irreverence, these poems escape gilded frames and overturn traditional representations of gender, class, and luxury. Instead, Seuss invites in the alienated, the washed-up, the ugly, and the freakish–the overlooked many of us who might more often stand in a Walmart parking lot than before the canvases of Pollock, O’Keeffe, and Rothko. Rendered with precision and profound empathy, this extraordinary gallery of lives in shards shows us that “our memories are local, acute, and unrelenting.”
Diane Seuss is the author of three previous poetry collections, including Four-Legged Girl, a finalist for the Pulitzer Prize, and Wolf Lake, White Gown Blown Open, winner of the Juniper Prize. She lives in Michigan.
Laura Kasischke is a poet and novelist whose fiction has been made into several feature-length films. Her book of poems, Space, in Chains, won the National Book Critics Circle Award. She currently teaches at the University of Michigan and lives in Chelsea, Michigan.
Join us for a celebration of authors, books, art, and bratwurst.
Booktoberfest will feature industry experts from around the country, offering advice and insight for authors, as well as fun and educational activities for the whole family.
Authors can even pitch their books to a panel of experts for a chance to win a publishing package from Thomson-Shore! (Must sign up for the pitch contest ahead of time by visiting thomsonshore.com/booktoberfest.)
Enjoy a day of music, food, and fun, while learning about the ever-changing world of publishing and bookmaking. A portion of proceeds will benefit 826 Michigan.
About Half-Gods:
A startlingly beautiful debut, Half Gods brings together the exiled, the disappeared, the seekers. Following the fractured origins and destines of two brothers named after demigods from the ancient epic the Mahabharata, we meet a family struggling with the reverberations of the past in their lives. These ten interlinked stories redraw the map of our world in surprising ways: following an act of violence, a baby girl is renamed after a Hindu goddess but raised as a Muslim; a lonely butcher from Angola finds solace in a family of refugees in New Jersey; a gentle entomologist, in Sri Lanka, discovers unexpected reserves of courage while searching for his missing son.
By turns heartbreaking and fiercely inventive, Half Gods reveals with sharp clarity the ways that parents, children, and friends act as unknowing mirrors to each other, revealing in their all-too human weaknesses, hopes, and sorrows a connection to the divine.
Akil Kumarasamy is a writer from New Jersey. Her fiction has appeared in Harper’s Magazine, American Short Fiction, Boston Review, and elsewhere. She received her MFA from the University of Michigan and has been a fiction fellow at the Fine Arts Work Center in Provincetown and the University of East Anglia. Half Gods is her first book.
About Little Wonder:
Kat Gardiner’s debut collection of microfiction, Little Wonder, springs from the year she spent in Anacortes, Washington. Young and idealistic, she and her husband moved to town to open a café and music venue in the hopes of finding a home there.
The experiment lasted exactly one year.
In interconnected fragments, Little Wonder reads like a series of love notes to a former self. Characters navigate frustration, loss, heartbreak, but they also come into new versions of themselves. Little Wonder sheds light on the idea that joy and pain are often two sides of the same coin — and that being alive in this world can necessitate embracing both.
“I can see the sun sinking down over Anacortes at the end of every page. Little Wonder has the ache of Raymond Carver, the honesty, the vulnerability. It’s so melancholic and honest and beautiful.” — Kyle Field (Little Wings)
Born in Oklahoma, raised in the Pacific Northwest, and based in Detroit, Kat Gardiner carries a restlessness through her writing that’s been honed by a lifelong search for roots. Her debut collection of short fiction, Little Wonder, springs from the year Gardiner spent in Anacortes, Washington, during her early twenties. Young and idealistic, she opened a coffee shop and music venue with her husband in the hopes of finding a home in the city’s artistic community. The experiment lasted exactly one year. Gardiner closed the coffee shop and moved away from Anacortes, ending a stressful and dreamlike chapter in her life.
Gardiner studied creative writing at Bennington College in Vermont, and later took workshops with Tom Spanbauer, the creator of the technique known as Dangerous Writing, in Portland, Oregon. In developing her craft, she found herself drawn to microfiction, citing Lydia Davis as a touchstone. “There’s something powerful in succinct details,” Gardiner says. Writing in short, interconnected fragments enabled her to revisit the year spent in Anacortes with a new sense of perspective. Little Wonder reads like a series of love notes to a former self, or a collection of Polaroids made golden with age. Gardiner’s characters navigate frustration, loss, and heartbreak, but they also come into new versions of themselves, a transformation they may not recognize in the moment. Through poignant vignettes furnished generously with detail, Gardiner looks into what it means to enter the world and realize that the world is not nearly as amenable to change as an optimistic young person might think. “It’s been liberating to make art out of both the painful and the joyous parts of that experience,” she says. With Little Wonder, she’s shed light on the idea that joy and pain are often two sides of the same coin — and that being alive in this world can necessitate embracing both.
