Party to celebrate the release of Harry Potter and the Cursed Child, J.K. Rowling’s play that is set 16 years after the last Harry Potter novel.
For the second year running, Literati is pleased to help celebrate MGoBlog’s Hail To The Victors guide –an independent, definitive, in-depth guide to the upcoming Michigan Football Season–with an event in its honor. The evening will again feature a presentation from the issue’s contents, and additional copies will be available for sale. This year’s event will take place at Circus Bar & Billiards. Purchase a drink from their full bar, grab a bowl of free popcorn, revel in the football previewing. Free and open to the public. 7pm.
Featured in Hail To The Victors 2016:
- MGoBlog’s Brian Cook writes a team preview covering about a third of the book, offers an opinion on the overall state of the offense, defense, and special teams, and then plunks down a prediction that will no longer be roundly mocked because Michigan’s coaching staff is no good. Probably.
- Ace Anbender surveys the opposition with savage intent. Buckeye Grove’s Ross Fulton rounds out the Ohio State preview; Ross’s in-depth knowledge of the Buckeyes and surprising sanity are an excellent combination.
- Adam Schnepp sits down with tight end Jake Butt and discusses Harbaugh, the NFL, his decision to avoid it, and many other topics. Michael Elkon on expectations in year two of Harbaugh.
- SBNation’s Ian Boyd on John O’Korn and how he fits into Harbaugh’s passing game. Steve Sharik on Don Brown’s dudes and what he plans to accomplish with them.
- Seth Fisher and Mel Newman on when Texas A&M tried to buy Bo… and failed. John Kryk on The Guarantee, 30 years later. Steve Sapardanis on the Six Penny Defense, or when Bo invented the dime package. Craig Ross on how Michigan more or less invented all of football, from the forward pass to platoons.
Debra H. Goldstein has been described as a judge, author, litigator, wife, step-mom, mother of twins, civic volunteer and loyal University of Michigan alumna. Maze in Blue, her debut novel, received a 2012 Independent Book Publisher (IPPY) Award and was reissued as a May 2014 selection by Harlequin Worldwide Mysteries. Her short stories and non-fiction essays include Thanksgiving in Moderation, Who Dat? Dat the Indian Chief!, Legal Magic, Malicious Mischief, Grandma’s Garden, The Rabbi’s Wife Stayed Home, and Maybe I Should Hug You. Goldstein’s latest book, Should Have Played Poker, was published in April. It’s a mystery about a corporate lawyer whose mother reappears after a 26-year absence. When her mother is murdered a few hours later, the lawyer, against police advice, tries to figure out who did it. Signing.
Random House, Penguin, Macmillan, and Harper Collins publishing house representatives discuss their best new titles from late summer and upcoming releases.
Literati is thrilled to welcome our friends at harlequin creature back to the store for the launch of their latest, greatest issues.
About the journal: 2016 marks five years of harlequin creature, and to celebrate, we’re launching a special double issue. please join us for the launch of issues 8/9 with an evening of readings. issue 8, “not a metaphor,” was curated by a group of guest editors from across the country, including JP Howard & Casey Rocheteau (poetry), Ginger Buswell (prose), & Alisha Wessler (art). it includes the poetry of Tara Betts, Destiny O. Birdsong, Amber Flame, Micaela Foley, Alexis Pauline Gumbs, Amanda Johnston, Stacey Knecht, and Pamela L. Laskin, prose by Emily Hunt and Meg Whiteford, and art by Matt Neff. cover design by Kayla Romberger. issue 9, “sitting between chairs,” is dedicated to translation and was shaped by guest editors Kristin Dickinson, Emily Goedde, and Anne Posten, and features translations from a wide range of languages, including serbian, welsh, portugese, ukrainian and hungarian.
RC Creative Writing alumna Carrie Smith joins our book club to talk about and sign her new novel Forgotten City. Everyone is welcome.
Literati is thrilled to partner with Current Magazine for an evening of Poetry and Fiction!
Come celebrate the submissions and winners of Current Magazine’s Poetry and Fiction contest.
Meet Current’s editor and contributors, and hear readings from the winners. Special guests Molly Raynor and Anthony Zick will be reading their work as well. If time permits there will be an open mic at the end.
Join us for a celebration of authors, books, art, and bratwurst.
Booktoberfest will feature industry experts from around the country, offering advice and insight for authors, as well as fun and educational activities for the whole family.
Authors can even pitch their books to a panel of experts for a chance to win a publishing package from Thomson-Shore! (Must sign up for the pitch contest ahead of time by visiting thomsonshore.com/booktoberfest.)
Enjoy a day of music, food, and fun, while learning about the ever-changing world of publishing and bookmaking. A portion of proceeds will benefit 826 Michigan.
About Half-Gods:
A startlingly beautiful debut, Half Gods brings together the exiled, the disappeared, the seekers. Following the fractured origins and destines of two brothers named after demigods from the ancient epic the Mahabharata, we meet a family struggling with the reverberations of the past in their lives. These ten interlinked stories redraw the map of our world in surprising ways: following an act of violence, a baby girl is renamed after a Hindu goddess but raised as a Muslim; a lonely butcher from Angola finds solace in a family of refugees in New Jersey; a gentle entomologist, in Sri Lanka, discovers unexpected reserves of courage while searching for his missing son.
By turns heartbreaking and fiercely inventive, Half Gods reveals with sharp clarity the ways that parents, children, and friends act as unknowing mirrors to each other, revealing in their all-too human weaknesses, hopes, and sorrows a connection to the divine.
Akil Kumarasamy is a writer from New Jersey. Her fiction has appeared in Harper’s Magazine, American Short Fiction, Boston Review, and elsewhere. She received her MFA from the University of Michigan and has been a fiction fellow at the Fine Arts Work Center in Provincetown and the University of East Anglia. Half Gods is her first book.
About Little Wonder:
Kat Gardiner’s debut collection of microfiction, Little Wonder, springs from the year she spent in Anacortes, Washington. Young and idealistic, she and her husband moved to town to open a café and music venue in the hopes of finding a home there.
The experiment lasted exactly one year.
In interconnected fragments, Little Wonder reads like a series of love notes to a former self. Characters navigate frustration, loss, heartbreak, but they also come into new versions of themselves. Little Wonder sheds light on the idea that joy and pain are often two sides of the same coin — and that being alive in this world can necessitate embracing both.
“I can see the sun sinking down over Anacortes at the end of every page. Little Wonder has the ache of Raymond Carver, the honesty, the vulnerability. It’s so melancholic and honest and beautiful.” — Kyle Field (Little Wings)
Born in Oklahoma, raised in the Pacific Northwest, and based in Detroit, Kat Gardiner carries a restlessness through her writing that’s been honed by a lifelong search for roots. Her debut collection of short fiction, Little Wonder, springs from the year Gardiner spent in Anacortes, Washington, during her early twenties. Young and idealistic, she opened a coffee shop and music venue with her husband in the hopes of finding a home in the city’s artistic community. The experiment lasted exactly one year. Gardiner closed the coffee shop and moved away from Anacortes, ending a stressful and dreamlike chapter in her life.
Gardiner studied creative writing at Bennington College in Vermont, and later took workshops with Tom Spanbauer, the creator of the technique known as Dangerous Writing, in Portland, Oregon. In developing her craft, she found herself drawn to microfiction, citing Lydia Davis as a touchstone. “There’s something powerful in succinct details,” Gardiner says. Writing in short, interconnected fragments enabled her to revisit the year spent in Anacortes with a new sense of perspective. Little Wonder reads like a series of love notes to a former self, or a collection of Polaroids made golden with age. Gardiner’s characters navigate frustration, loss, and heartbreak, but they also come into new versions of themselves, a transformation they may not recognize in the moment. Through poignant vignettes furnished generously with detail, Gardiner looks into what it means to enter the world and realize that the world is not nearly as amenable to change as an optimistic young person might think. “It’s been liberating to make art out of both the painful and the joyous parts of that experience,” she says. With Little Wonder, she’s shed light on the idea that joy and pain are often two sides of the same coin — and that being alive in this world can necessitate embracing both.
