The Civil War began as a battle to save the union but it ended as a struggle to abolish slavery and usher in “a new birth of freedom.” No aspect of society was left unchanged by the years of war and its effects continue to resonate more than one hundred and fifty years later. Dr. Louis Masur is Distinguished Professor of American Studies and History at Rutgers University. A graduate of the University at Buffalo and Princeton University, he is a cultural historian who has written on a variety of topics. His most recent work is Lincoln’s Last Speech: Wartime Reconstruction & The Crisis of Reunion (2015), Lincoln’s Hundred Days: The Emancipation Proclamation and the War for the Union (2012), and The Civil War: A Concise History (2011). Register online.
Literati is excited to welcome author and physician Anthony DeBenedet to discuss his book Playful Intelligence.
About Playful Intelligence:
As adults, we have more responsibilities than we could have ever imagined growing up. Learning the work of marriage. Navigating the bumpy terrain of parenting. Maintaining social relationships. Facing grave hardship. Finding contentment in our career.
As the years pass by, we sense how the good things in life are so often eclipsed by stress. We find ourselves doing everything we can just to endure adulthood, all the while wondering whether we are actually enjoying it. This is exactly why Dr. Anthony T. DeBenedet decided to write Playful Intelligence: The Power of Living Lightly in a Serious World, to show readers how playfulness helps us counterbalance the seriousness of adulthood.
“Five years ago, my life was becoming more intense and stressful,” DeBenedet says. “My relationships, clinical work as a physician, and basic interactions with the world were blurring into a frazzled mosaic. Going through the motions became my norm, and every day brought busyness and exhaustion. I thought about whether I was depressed. I didn’t think I was. Anxious? Sure, but aren’t we all anxious on some level? I also thought about the lifestyle factors that could be making me feel this way. Was I getting enough sleep? Was I exercising regularly? Was I eating healthy? Was I playing and remembering to be playful?”
Today, we live in a taxing world. The endless pressure to keep up with our responsibilities and the daily headlines swarming around us can be overwhelming. DeBenedet’s work comes at a time when stress, uncertainty, and intensity levels are high. Playful Intelligence shows adults that there is a way to live lighter–and smarter–as we navigate the seriousness of adulthood. It’s not about taking life less seriously; it’s about taking ourselves less seriously.
The book’s core chapters are devoted to exploring the effects and benefits of five playful qualities: imagination, sociability, humor, spontaneity, and wonder. By examining playfulness as a sum of its parts, readers will gain a working awareness of its power and be able to apply playful principles to their own lives, bringing the magic of childhood back into their day-to-day existence. The book also offers practical suggestions on how to make life more playful in nature.
Anthony T. DeBenedet, M.D. is a practicing physician and behavioral-science enthusiast. His interviews and writings have run in various media outlets, including the New York Times, the Today show, the Washington Post, and TIME Ideas. He also co-authored The Art of Roughhousing: Good Old-Fashioned Horseplay and Why Every Kid Needs It (Quirk Books, 2011), a parenting book about the importance of parent-child physical play. DeBenedet has a Bachelor of Science Degree in Biomedical Engineering from the Duke University Pratt School of Engineering, a Master of Science Degree in Health and Healthcare Research from the University of Michigan Rackham Graduate School, and a Doctor of Medicine Degree from the University of Virginia School of Medicine. He completed his internal medicine residency and gastroenterology fellowship at the University of Michigan Health System. DeBenedet lives in Ann Arbor, Michigan, where he enjoys spending time with his family, connecting with friends, and playing a little basketball.
The Department of Slavic Languages and Literatures and the Center for Russian, East European, and Eurasian Studies (CREES) at the University of Michigan cordially invite you to join us for Dr. Assya Humesky’s talk about her and her family’s contributions to Ukrainian culture through published works, art, and teaching in higher education.
Light refreshments will be served.
Mezzo-soprano Joan Morris and U-M Professor Daniel Herwitz discuss Morris’ new book “Let Me Sing and I’m Happy: The Memoir and Handbook of a Singing Actress.” Followed by Q & A.
About the book:
Let Me Sing and I’m Happy: The Memoir and Handbook of a Singing Actress by Joan Morris is the history of an actress who sings popular songs. It is also a handbook detailing an approach to bringing the song to life. Author Morris writes “For forty years I’ve been privileged to sing the greatest songs from our American musical theater history – Kern, Berlin, Gershwin, Porter, and Rodgers and Hart. I was fortunate to find a musical partner, William Bolcom, who felt the same way, who helped me illuminate and bring to life the history and drama in each song. Our approach gained us entry into the serious-music concert world. It helped us, in Schiller’s words, to ‘…unite that which fashion had sternly parted.’”
Join us for a conversation with author, Andrew Reeves. Andrew Reeves is an award-winning environmental journalist. Andrew will be discussing the release of his new book, Overrun: Dispatches from the Asian Carp Crisis and will be joined by local organizations that will be taking a look at one of North America’s most voraciously invasive species, the Asian Carp.
Event Details
Seating at the event will be first-come first-served. This event will be a standing-room crowd, so if you require a seat for medical reasons, please contact us in advance to make arrangements.
About the Book
Intelligent investigative writing meets experiential journalism in this important look at one of North America’s most voraciously invasive species.
Politicians, ecologists, and government wildlife officials are fighting a desperate rearguard action to halt the onward reach of Asian Carp, four troublesome fish now within a handful of miles from entering Lake Michigan. From aquaculture farms in Arkansas to the bayous of Louisiana; from marshlands in Indiana to labs in Minnesota; and from the Illinois River to the streets of Chicago where the last line of defense has been laid to keep Asian carp from reaching the Great Lakes, Overrun takes us on a firsthand journey into the heart of a crisis. Along the way, environmental journalist Andrew Reeves discovers that saving the Great Lakes is only half the challenge. The other is a radical scientific and political shift to rethink how we can bring back our degraded and ignored rivers and waterways and reconsider how we create equilibrium in a shrinking world.
With writing that is both urgent and wildly entertaining, Andrew Reeves traces the carp’s explosive spread throughout North America from an unknown import meant to tackle invasive water weeds to a continental scourge that bulldozes through everything in its path.
About the Author
Andrew Reeves is an award-winning environmental journalist. His work has appeared in the Walrus, This Magazine, and the Globe and Mail. He received a master of fine arts in creative nonfiction from the University of King’s College in 2016. He lives in Toronto, Ontario, with his wife and daughter.
Professor Richard Mann has been a pivotal figure in consciousness-related coursework and research on the U-M campus and far beyond. A revered pedagogue and visionary, he has impacted hundreds of students from across fields as well as maintained national prominence through his writings and longtime position as editor of the cutting-edge SUNY series in Transpersonal Psychology. In conversation with PCCS Director Ed Sarath, this evening’s talk will commemorate Mann’s long and distinguished tenure at U-M and engage in far-reaching reflections about his personal work and what might lie ahead for the still-nascent field of consciousness studies. Topics will range from research and ideas pursued by organizations such as Society for Scientific Exploration, Institute for the Noetic Sciences, and the Integral Theory community that challenge materialist assumptions, to socio-political-environmental ramifications of consciousness understanding, to what a 21st century program in consciousness studies might look like.
For more information on the Program in Creativity and Consciousness Studies and its Consciousness Next Series, contact Ed Sarath, sarahara@umich.edu, and also go to https://smtd.umich.edu/current-students-3/pccs/
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
Literati is thrilled to welcome back poet Sarah Arvio who will reading and discussing her new translation of poems by Federico García Lorca
About Poet in Spain:
For the first time in a quarter century, a major new volume of translations of the beloved poetry of Federico García Lorca, presented in a beautiful bilingual edition
The fluid and mesmeric lines of these new translations by the award-winning poet Sarah Arvio bring us closer than ever to the talismanic perfection of the great García Lorca. Poet in Spain invokes the “wild, innate, local surrealism” of the Spanish voice, in moonlit poems of love and death set among poplars, rivers, low hills, and high sierras. Arvio’s ample and rhythmically rich offering includes, among other essential works, the folkloric yet modernist Gypsy Ballads, the plaintive flamenco Poem of the Cante Jondo, and the turbulent and beautiful Dark Love Sonnets —addressed to Lorca’s homosexual lover–which Lorca was revising at the time of his brutal political murder by Fascist forces in the early days of the Spanish Civil War. Here, too, are several lyrics translated into English for the first time and the play Blood Wedding–also a great tragic poem. Arvio has created a fresh voice for Lorca in English, full of urgency, pathos, and lyricism–showing the poet’s work has grown only more beautiful with the passage of time.
Sarah Arvio, the author of night thoughts: 70 dream poems & notes from an analysis, Sono: cantos, and Visits from the Seventh, is a recipient Rome Prize and the Bogliasco and Guggenheim fellowships, among other honors. For many years a translator for the United Nations in New York and Switzerland, she has also taught poetry at Princeton.
Federico García Lorca may be Spain’s most famous poet and dramatist of all time. Born in Andalusia in 1898, he grew up in a village on the Vega and in the city of Granada. His prolific works, known for their powerful lyricism and an obsession with love and death, include the Gypsy Ballads, which brought him far-reaching fame, and the homoerotic Dark Love Sonnets, which did not see print until almost fifty years after his death. His murder in 1936 by Fascist forces at the outset of the Spanish Civil War became a literary cause célébre; in Spain, his writings were banned. Lorca’s poems and plays are now read and revered in many languages throughout the world.
Please join us as we celebrate the winners of the 2018-19 Hopwood Awards.
Following the announcement of the awards, there will be a lecture from Pulitzer Prize-winning author Hilton Als and a light reception. Free to attend and open to all!
Hilton Als began contributing to The New Yorker in 1989, writing pieces for ‘The Talk of the Town,’ he became a staff writer in 1994, theatre critic in 2002, and lead theater critic in 2012. Week after week, he brings to the magazine a rigorous, sharp, and lyrical perspective on acting, playwriting, and directing. With his deep knowledge of the history of performance—not only in theatre but in dance, music, and visual art—he shows us how to view a production and how to place its director, its author, and its performers in the ongoing continuum of dramatic art. His reviews are not simply reviews; they are provocative contributions to the discourse on theatre, race, class, sexuality, and identity in America.
Before coming to The New Yorker, Als was a staff writer for the Village Voice and an editor-at-large at Vibe. Als edited the catalogue for the 1994-95 Whitney Museum of American Art exhibition “Black Male: Representations of Masculinity in Contemporary American Art.” His first book, The Women, was published in 1996. His book, White Girls, a finalist for the National Book Critics Circle Award in 2014 and winner of the 2014 Lambda Literary Award for Non-fiction, discusses various narratives of race and gender. He is author of the introduction to the Penguin Classics edition of The Early Stories of Truman Capote. He is also guest editor for the 2018 Best American Essays (Mariner Books, October 2, 2018). He also wrote Andy Warhol: The Series, a book containing two previously unpublished television scripts for a series on the life of Andy Warhol.
In 1997, the New York Association of Black Journalists awarded Als first prize in both Magazine Critique/Review and Magazine Arts and Entertainment. He was awarded a Guggenheim for creative writing in 2000 and the George Jean Nathan Award for Dramatic Criticism for 2002-03. In 2016, he received Lambda Literary’s Trustee Award for Excellence in Literature, in 2017 Als won the Pulitzer Prize for Criticism, and in 2018 the Langston Hughes Medal.
In 2009, Als worked with the performer Justin Bond on “Cold Water,” an exhibition of paintings, drawings, and videos by performers, at La MaMa Gallery. In 2010, he co-curated “Self-Consciousness,” at the VeneKlasen/Werner gallery, in Berlin, and published “Justin Bond/Jackie Curtis.” In 2015, he collaborated with the artist Celia Paul to create “Desdemona for Celia by Hilton,” an exhibition for the Metropolitan Opera’s Gallery Met. In 2016, his debut art show “One Man Show: Holly, Candy, Bobbie and the Rest” opened at the Artist’s Institute. In 2017 he curated “Alice Neel, Uptown” at the David Zwirner Gallery in New York City.
Als is an associate professor of writing at Columbia University’s School of the Arts and has taught at Yale University, Wesleyan, and Smith College. He lives in New York City.
Literati is excited to welcome poet Sue William Silverman in celebration of her new poetry collection If the Girl Never Learns: Poems. Sue will be joined by fellow poets Keith Taylor, Elizabeth Schumhl, and Marc Sheehan who will be reading from their own work.
About If the Girl Never Learns:
From the opening lines, it’s clear The Girl at the center of these poems is damaged–which is another way to say she’s a survivor. If the Girl Never Learns moves from the personal to the mythic to the apocalyptic, because The Girl would do anything, even go to hell, to save her soul. So, she resists, takes action to overturn society’s suffocating ideal of Good Girldom. The poems’ sense of breathlessness reflects The Girl’s absolute need to control her own destiny, to outrun her past, while at the same time chasing a future she alone has envisioned and embodied. Because The Girl is, above all else, a badass.
Sue William Silverman’s first poetry collection is Hieroglyphics in Neon. She is also the author of four books of creative nonfiction. Her most recent book, The Pat Boone Fan Club: My Life as a White Anglo-Saxon Jew, was a finalist in Foreword Reviews’ INDIEFAB Book of the Year Award. Her memoir, Because I Remember Terror, Father, I Remember You, won the AWP Award, and Love Sick: One Woman’s Journey through Sexual Addiction is also a Lifetime TV original movie. Her craft book is Fearless Confessions: A Writer’s Guide to Memoir, and she teaches in the MFA in Writing Program at Vermont College of Fine Arts.
The poet Marc Sheehan is a life-long Michigan resident. He has earned degrees from Western Michigan University, Central Michigan University and the University of Michigan, where he received a Major Hopwood Award in Poetry. His honors also include grants from the Michigan Council for the Arts and Humanities, and the National Endowment for the Arts. He has served as Writer Center Coordinator at the Urban Institute for Contemporary Art in Grand Rapids, and has reviewed books for both the Lansing Capital Times and On the Town.
Elizabeth Schmuhl is a multidisciplinary artist whose work appears in Michigan Quarterly Review, The Rumpus, Paper Darts, PANK, Hobart, Pinwheel, and elsewhere. She has worked at various nonprofits, including the John F. Kennedy Center for Performing Arts, and currently works at the University of Michigan, Ann Arbor.
Keith Taylor has published many books over the years: collections of poetry, a collection of very short stories, co-edited volumes of essays and fiction, and a volume of poetry translated from Modern Greek.
