Ann Arborite Paul Dimond discusses his experiences doing research for his historical novel set in Ann Arbor and northern Michigan in the 1st half of the 20th century. He is joined by his wife, Marty, who wrote the poems by the titular character that appear in the novel. Signing.
7-8:30 p.m., AADL multipurpose room (lower level), 343 S. Fifth Ave. Free. 327-4555.[
Native Detroiter Jessica Care Moore discusses her visual art installation and collection of poems that honors the life of Sandra Bland, a black woman who was found hanged in a jail cell in Texas in 2015, 3 days after being arrested during a traffic stop.
5:10 p.m., Michigan Theater. Free. 668-8463.
Join us for this multi-media presentation about theater of the absurd including a theatrical performance by the actors performing “The Lesson” at the Yellow Barn. (Tickets for that performance available at the link below.)
Nicola’s Books will have copies of the play and also books about theater of the absurd on hand for purchase.
Theatre of the Absurd
Eugene Ionesco was born in Romania in 1912, but spent much of his life in France. “La Lecon” (“The Lesson”,) his second play, was written in 1950. Other playwrights whose plays are also considered to belong to the Theatre of the Absurd include Samuel Beckett, Edward Albee, and Harold Pinter. There have been many different interpretations of “Absurdist” theatre. One thought is that these playwrights wished to rebel against traditional theatre, and to comment on certain aspects of society and the human condition by writing these “anti-plays.” “The Lesson” has been interpreted to demonstrate “the impossibility of communication” between the professor and his pupil, and the use of language as an instrument of power. Other explanations are that the professor represents dominance and even political dictatorship, and the maid represents a mother figure, or perhaps the professor’s subconscious mind.
The Play is the longest continuously running performance in the world. It has been performed seven days a week at Paris’s’Theatre de la Huchette’ for sixty years, always to a full house of theatre goers.
Tickets for the Yellow Barn performance available at https://www.artful.ly/store/events/12966
Open mike storytelling competition sponsored by The Moth, the NYC-based nonprofit storytelling organization that also produces a weekly public radio show. Each night 10 storytellers are selected at random from among those who sign up to tell a 3-5 minute story on the monthly theme. The 3 judges are recruited from the audience. Monthly winners compete in a semiannual Grand Slam. Space limited, so it’s smart to arrive early.
7:30-9 p.m. (doors open and sign-up begins at 6:30 p.m.), Greyline (except as noted), 100 N. Ashley. $10. 764-5118.
Sweetwaters and Toastmaster community members are creating a new Toastmasters Club at Sweetwaters! We will have 1 or 2 prepared speeches, showcase some of our (kind, encouraging and gentle) evaluations of the speeches, and some opportunities for people to have impromptu speaking fun. There will also be a chance for Q & A during the meeting too.
Come a little early and pick-up a beverage or snack from the cafe and have fun making new friendships with encouraging and supportive people!
Sweetwaters Washington St., 123 W. Washington St. Ann Arbor, MI 48104. Free.joshs@sweetwaterscafe.com https://www.facebook.com/events/1053675414768433/
Heather Ann Thompson (U-M Professor of Afroamerican and African Studies, and History) reads from her Pulitzer Prize-winning book Blood in the Water, followed by a conversation with Angela Dillard (U-M Professor of Afroamerican and African Studies) and then audience Q & A and book sale & signing.
About the book:
On September 9, 1971, nearly 1,300 prisoners took over the Attica Correctional Facility in upstate New York to protest years of mistreatment. Holding guards and civilian employees hostage, the prisoners negotiated with officials for improved conditions during the four long days and nights that followed.
On September 13, the state abruptly sent hundreds of heavily armed troopers and correction officers to retake the prison by force. Their gunfire killed thirty-nine men—hostages as well as prisoners—and severely wounded more than one hundred others. In the ensuing hours, weeks, and months, troopers and officers brutally retaliated against the prisoners. And, ultimately, New York State authorities prosecuted only the prisoners, never once bringing charges against the officials involved in the retaking and its aftermath and neglecting to provide support to the survivors and the families of the men who had been killed.
Drawing from more than a decade of extensive research, historian Heather Ann Thompson sheds new light on every aspect of the uprising and its legacy, giving voice to all those who took part in this forty-five-year fight for justice: prisoners, former hostages, families of the victims, lawyers and judges, and state officials and members of law enforcement. Blood in the Water is the searing and indelible account of one of the most important civil rights stories of the last century.
Sept. 28-30. A showcase of 7 short plays performed by local actors. Lili Bishop directs Alban’s Garden, Rich Espey’s drama about 2 neighbors in the aftermath of a murder in a gated community. Megan Wright directs The Creative Process, Dana Clark-Brock’s comedy about a writer struggling to find inspiration. David Galido directs Misfortune,Mark Harvey Levine’s dark comedy about a man who receives distressing news while at a Chinese restaurant with his wife. Michelle Weiss directs The Law Makers, Danielle Wirsansky’s drama that imagines a 1912 meeting of Emmeline Pankhurst and Millicent Garrett, the leaders of the British suffragette movement. Susan Morris directs Somewhere Between Lost and Found, Colby Halloran’s drama about the complex, fragile, and longstanding relationship between a well-intentioned woman and the homeless man she met on the street. Kelly Rose Voigt directs End Scene, Megan Baschak’s spirited comedy where the action is controlled by the narrator, until the characters he creates fight back. Peter Knox directs 940 Feathers, Tim Brennan’s drama about a memoirist with early onset Alzheimer’s and her husband who wants to help but would rather forget parts of their history.
8 p.m., Riverside Arts Center, 76 N. Huron, Ypsilanti. $12 in advance by emailing pencilpointtheatre@gmail.com and at the door. pencilpoint.org, 480-2787.
Laz joins poet Jennifer Burd in support of the release of her new book, “Day’s Late Blue.” Jennifer is an award-winning poet whose haiku and lyric poems have been widely published in print and on-line journals, as well as in three previous books. Laz has set to music a number of her poems and will sing them at this event. In addition Jennifer and Laz will present haiku / flute improvisations on solo and jointly written haiku. Book signing to follow.
Local short story writer Alex Kourvo and young adult novelist Bethany Neal are joined by children’s nonfiction author Virginia Loh-Hagan, who has published children’s books on everything from extreme mountain biking to starting a dog-walking business. She shares insights into writing aimed at young writers. For adult and teen (grade 6 & up) fiction and nonfiction writers. Also, Kourvo and Neal host an open house for writers to connect with one another and/or work on their projects at 7 p.m. on Oct. 16.
AADL Westgate Branch West Side Room, Westgate shopping center, 2503 Jackson. Free. 327-8301.
Local journalist Micheline Maynard interviews Bakehouse managing partners Frank Carollo and Amy Emberling about their new cookbook, which features 65 of their most popular recipes. Bakehouse treats and drinks.
4:30-6:30 p.m., Zingerman’s Greyline, 100 N. Ashley. $75 (includes one autographed copy of the book). Reservations required. 663-3663.
