This local poet reads from Love Dream with Television, her debut collection, written in Tucson, Arizona, that “wonders through the ways in which television, film, advertising, sporting events, and celebrity culture weave their ways into our lived experiences,” says Ensor. “Tucson and its queers have pushed me to be more in my body, more in conversation with place and spirit and alchemy.” Signing.
7 p.m., Literati, 124 E. Washington. Free. 585-5567
ToastMasters at SweetWaters is an opportunity to practice your personal and/or professional speaking as well as Leadership in a fun friendly atmosphere.
The club is open to everyone. Attendees have the opportunity to speak, give and receive feedback about speaking, presentations and current events.
We typically have 2-4 prepared speeches followed by (Kind and constructive evaluations) to provide feedback and growth. Attendees will have an opportunity for impromptu speaking as well.
Sweetwaters Cafe, 123 W Washington. Free. chrisjriley@hotmail.com
Oct. 2 & 16. Open mike storytelling competition sponsored by The Moth, the NYC-based nonprofit storytelling organization that also produces a weekly public radio show. 10 storytellers are selected at random from among those who sign up to tell a 3-5 minute story on “Scandal” (Oct. 2) and “Disguises” (Oct. 16). The 3-person judging teams are recruited from the audience. Monthly winners compete in a semiannual Grand Slam. Space limited, so it’s smart to arrive early.
7:30-9 p.m. (doors open and sign-up begins at 6 p.m.), Greyline, 100 N. Ashley. $10. 764-5118. [map]
Participants write, direct, and perform their show in 24 hours from scratch), Performance. Free, but pay what you can.
Literati is thrilled to welcome poets Phillip Crymble and Sarah Messer who will be sharing with us some of their latest work.
About Not Even Laughter:
A clearance bin of corner-cut records, remaindered paperbacks, and canisters of faded film, Phillip Crymble’s first full-length collection strives to rescue, celebrate, and preserve the works and sensibilities of those whose ideas and visions and have been long overlooked by posterity. Crymble’s technical acumen, ear for music, and emotional sincerity are the adhesive agents that bring the vernacular ethnographies, high-brow ekphrastics, tender elegies, forlorn love lyrics, and acutely observed accounts of plain and seemingly unremarkable domestic experience together in this formidable debut.
Phillip Crymble is a disabled writer and scholar living in Atlantic Canada. A SSHRC doctoral fellow at UNB Fredericton, he holds a MFA from the University of Michigan and has published poems in The New York Quarterly, Michigan Quarterly Review, The Hollins Critic, The Literary Review of Canada, Poetry Ireland Review, The Forward Book of Poetry 2017, and elsewhere. In 2016, Not Even Laughter, his first full-length collection, was a finalist for both the New Brunswick Book Award and the Writer’s Federation of Nova Scotia’s J.M. Abraham Prize.
Poet and Nonfiction writer, Sarah Messer, has received fellowships and grants from the Provincetown Fine Arts Work Center, the Wisconsin Institute for Creative Writing, the NEA, the Michigan Council for Arts and Cultural Affairs, and the Mellon Foundation. In 2008-2009 she was a fellow in poetry at the Radcliffe Institute for Advanced Study (Bunting) at Harvard. She is the author of four books: a hybrid history/memoir, Red House (Viking), a book of translations, Having Once Paused: Poems of Zen Master Ikkyu (University of Michigan Press) and two poetry books, Bandit Letters (New Issues), and Dress Made of Mice (Black Lawrence Press). Her work has appeared in the Paris Review, the Kenyon Review, Gulf Coast, and Ploughshares, among others. For many years she taught as an Associate Professor in the MFA/BFA program at the University of North Carolina at Wilmington. In 2010, Messer co-founded One Pause Poetry, an on-line audio archive and reading series in Ann Arbor, Michigan. Currently she teaches Creative Writing in the Residential College at the University of Michigan, and is a cheese maker at White Lotus Farms.
ToastMasters at SweetWaters is an opportunity to practice your personal and/or professional speaking as well as Leadership in a fun friendly atmosphere.
The club is open to everyone. Attendees have the opportunity to speak, give and receive feedback about speaking, presentations and current events.
We typically have 2-4 prepared speeches followed by (Kind and constructive evaluations) to provide feedback and growth. Attendees will have an opportunity for impromptu speaking as well.
Sweetwaters Cafe, 123 W Washington. Free. chrisjriley@hotmail.com
Halloween-themed storytelling program by Ann Arbor Storytellers Guild members.
6-8 p.m., Serendipity Books, 113 Middle, Chelsea. Free. 475-7148.
Irina Khutsieva is RC Artist in Residence.
The theater world in Russia is lively as ever, with a range of styles and interests represented by innovative and original work. But that world is also under significant threat as the Russian state puts increasing pressure on theaters and especially directors. The substance of the great art of theater is communication, respect, reverence, and an unflagging belief in humanity. Theater thrives on humanity the way flowers feed on soil, sun, and water. It in turn produces the conditions for humanity to grow. Theater produces and nurtures community and brings people together. In her lecture, Irina Khutsieva will expound on the relationship between theater, state and society in today’s Russia.
Irina Khutsieva is a stage director and acting instructor in Moscow, Russia. Trained at “GITIS,” the Russian Academy of Theatrical Art, she has more than 30 years of experience in Russian theater. She now directs her own studio theater, the Chamber Theater, Moscow, founded in 2004. Khutsieva has staged more than 50 plays in Russia, Germany, and the U.S. She has worked at one of Russia’s most distinguished theater academies – the Shchepkin Higher Theatre Institute, associated with the State Academic Maly Theatre of Russia. She also has extensive experience teaching college drama majors. A specialist and practitioner of the Stanislavski Method, she incorporates the principles and traditions of Russian psychological theater and has also developed her own staging and teaching methods. In recent years, she has directed a major gala performance shown on Russian national TV and has run workshops for professional actors in regional towns throughout Russia.
Storytelling by Michigan veterans. Also, live entertainment by the Concordia University Choir & Band and others TBA.
7 p.m., Hill Auditorium. Free, but tickets required in advance at eventbrite.com (search for “Stories of Service”). (518) 481-0552.
Nov. 6 & 20. Open mike storytelling competition sponsored by The Moth, the NYC-based nonprofit storytelling organization that also produces a weekly public radio show. Each month 10 storytellers are selected at random from among those who sign up to tell a 3-5 minute story on themes of “Distance” (Nov. 6) & “Fear” (Nov. 20). The 3-person judging teams are recruited from the audience. Monthly winners compete in a semiannual Grand Slam. Seating limited, so it’s smart to arrive early.
7:30-9 p.m. (doors open and sign-up begins at 6 p.m.), Greyline, 100 N. Ashley. General admission tickets $10 in advance only at themoth.org beginning a week before each event. 764-5118.
