Participants write, direct, and perform their show in 24 hours from scratch), Performance. Free, but pay what you can.
Literati is thrilled to welcome poets Phillip Crymble and Sarah Messer who will be sharing with us some of their latest work.
About Not Even Laughter:
A clearance bin of corner-cut records, remaindered paperbacks, and canisters of faded film, Phillip Crymble’s first full-length collection strives to rescue, celebrate, and preserve the works and sensibilities of those whose ideas and visions and have been long overlooked by posterity. Crymble’s technical acumen, ear for music, and emotional sincerity are the adhesive agents that bring the vernacular ethnographies, high-brow ekphrastics, tender elegies, forlorn love lyrics, and acutely observed accounts of plain and seemingly unremarkable domestic experience together in this formidable debut.
Phillip Crymble is a disabled writer and scholar living in Atlantic Canada. A SSHRC doctoral fellow at UNB Fredericton, he holds a MFA from the University of Michigan and has published poems in The New York Quarterly, Michigan Quarterly Review, The Hollins Critic, The Literary Review of Canada, Poetry Ireland Review, The Forward Book of Poetry 2017, and elsewhere. In 2016, Not Even Laughter, his first full-length collection, was a finalist for both the New Brunswick Book Award and the Writer’s Federation of Nova Scotia’s J.M. Abraham Prize.
Poet and Nonfiction writer, Sarah Messer, has received fellowships and grants from the Provincetown Fine Arts Work Center, the Wisconsin Institute for Creative Writing, the NEA, the Michigan Council for Arts and Cultural Affairs, and the Mellon Foundation. In 2008-2009 she was a fellow in poetry at the Radcliffe Institute for Advanced Study (Bunting) at Harvard. She is the author of four books: a hybrid history/memoir, Red House (Viking), a book of translations, Having Once Paused: Poems of Zen Master Ikkyu (University of Michigan Press) and two poetry books, Bandit Letters (New Issues), and Dress Made of Mice (Black Lawrence Press). Her work has appeared in the Paris Review, the Kenyon Review, Gulf Coast, and Ploughshares, among others. For many years she taught as an Associate Professor in the MFA/BFA program at the University of North Carolina at Wilmington. In 2010, Messer co-founded One Pause Poetry, an on-line audio archive and reading series in Ann Arbor, Michigan. Currently she teaches Creative Writing in the Residential College at the University of Michigan, and is a cheese maker at White Lotus Farms.
All adults and teens in grade 6 & up invited to learn about this nonprofit (also known as NaNoWriMo) encouraging teens and adults to write a 50,000-word novel by the end of November. Refreshments.
4-5 p.m., AADL Westgate. Free. 327-4200.
Irina Khutsieva is RC Artist in Residence.
The theater world in Russia is lively as ever, with a range of styles and interests represented by innovative and original work. But that world is also under significant threat as the Russian state puts increasing pressure on theaters and especially directors. The substance of the great art of theater is communication, respect, reverence, and an unflagging belief in humanity. Theater thrives on humanity the way flowers feed on soil, sun, and water. It in turn produces the conditions for humanity to grow. Theater produces and nurtures community and brings people together. In her lecture, Irina Khutsieva will expound on the relationship between theater, state and society in today’s Russia.
Irina Khutsieva is a stage director and acting instructor in Moscow, Russia. Trained at “GITIS,” the Russian Academy of Theatrical Art, she has more than 30 years of experience in Russian theater. She now directs her own studio theater, the Chamber Theater, Moscow, founded in 2004. Khutsieva has staged more than 50 plays in Russia, Germany, and the U.S. She has worked at one of Russia’s most distinguished theater academies – the Shchepkin Higher Theatre Institute, associated with the State Academic Maly Theatre of Russia. She also has extensive experience teaching college drama majors. A specialist and practitioner of the Stanislavski Method, she incorporates the principles and traditions of Russian psychological theater and has also developed her own staging and teaching methods. In recent years, she has directed a major gala performance shown on Russian national TV and has run workshops for professional actors in regional towns throughout Russia.
U-M Program in Creativity and Consciousness Studies Consciousness Next! Series presents Dr. Julia Mossbridge, whose recent book The Premonition Code: The Science of Precognition, How Sensing the Future Can Change Your Life (with Theresa Cheung) was published on October 16.
The presentation will feature examples of precognitive experiences—where an individual has knowledge about the future that s/he could not have obtained via “normal” channels—and will cover what makes a precognition something other than coincidence. Dr. Julia Mossbridge, who contends that receiving accurate information about future events is neither unscientific nor uncommon, will explain how the scientific evidence for precognition, combined with what we know about consciousness and the nature of time, makes precognition a reasonable phenomenon to investigate further through research and application.
Mossbridge is a fellow at the Institute of Noetic Sciences and a visiting scholar at Northwestern University in the Department of Psychology. Her book Transcendent Mind, published by the American Psychological Association in 2017, is one of the first academic books to examine paranormal experiences (nonlocal, physically transcendent dimensions of consciousness). Her research focus is precognition and its ramifications for creativity and healing, the time-consciousness relationship, and further capacities of consciousness that are coherent with an emergent, more integral conception of mind.
The U-M Program in Creativity and Consciousness Studies (PCCS) is directed by music professor and consciousness theorist Ed Sarath. It brings together colleagues from a wide range of fields to explore creativity and its underpinnings in consciousness and ramifications thereof for emergent models of education, spirituality, sustainability, social justice, and peace.
The PCCS Consciousness Next! series examines a range of phenomena and ideas that unite cutting-edge scientific research and age-old spiritual wisdom.
Storytelling by Michigan veterans. Also, live entertainment by the Concordia University Choir & Band and others TBA.
7 p.m., Hill Auditorium. Free, but tickets required in advance at eventbrite.com (search for “Stories of Service”). (518) 481-0552.
Author Julia Mossbridge will be in town from San Francisco to talk about her new book, written with Teresa Cheung, called The Premonition Code. Julia is a Fellow at the Institute for Noetic Sciences and a Visiting Scholar at Northwestern University. Her previous book, with Imants Baruss, was Transcendent Mind, one of the first academic books to examine paranormal experiences. One of her primary interests is the nature of time, including precognition and premonitions.
Richard Mann is Psychology Professor Emeritus at the University of Michigan and has strong and similar interests in the nature of time and intention. For more than 5 decades, he has been a leading light in Ann Arbor’s consciousness community.
This Salon will be moderated by Sandy Wiener, who has organized six previous salons on varied subjects.
For additional information, contact Sandy Wiener at: sandy@swiener.com
“Comics” is finally coming of age as an artistic and literary form. Now this once-maligned medium of expression is poised for new opportunities, thanks to a mutating media environment and a potential revolution in visual education. Author and comics artist Scott McCloud shines a light on these and other fascinating trends-and demonstrates why every visual choice we make matters-in a fast-moving cascade of images and ideas.
Scott McCloud is an American cartoonist and comics theorist. He is best known for his non-fiction books about comics, Understanding Comics (1993), Reinventing Comics (2000), and Making Comics (2006). And he is the cartoonist/writer behind Zot (1984-1990) and The Sculptor (2015).
Seating is limited! Please register!
Join us for a reception with Scott McCloud at 6:00, prior to the 7:00 presentation in the Duderstadt Center Gallery.
Duderstadt Center, Video Studio, 2281 Bonisteel Blvd. Free. kreister@umich.edu http://bit.ly/comicswithscott
Literati Bookstore is thrilled to welcome Lindsay-Jean Hard who will be sharing her new cookbook Cooking with Scraps: Turn Your Peels, Cores, Rinds, and Stems Into Delicious Meals
About Cooking with Scraps:
“A whole new way to celebrate ingredients that have long been wasted. Lindsay-Jean is a master of efficiency and we’re inspired to follow her lead!” –Amanda Hesser and Merrill Stubbs, cofounders of Food52
In 85 innovative recipes, Lindsay-Jean Hard shows just how delicious and surprising the all-too-often-discarded parts of food can be, transforming what might be considered trash into culinary treasure.
Here’s how to put those seeds, stems, tops, rinds to good use for more delicious (and more frugal) cooking: Carrot greens–bright, fresh, and packed with flavor–make a zesty pesto. Water from canned beans behaves just like egg whites, perfect for vegan mayonnaise that even non-vegans will love. And serve broccoli stems olive-oil poached on lemony ricotta toast. It’s pure food genius, all the while critically reducing waste one dish at a time.
“I love this book because the recipes matter…show[ing] us how to utilize the whole plant, to the betterment of our palate, our pocketbook, and our place.” –Eugenia Bone, author of The Kitchen Ecosystem
“Packed with smart, approachable recipes for beautiful food made with ingredients that you used to throw in the compost bin!” –Cara Mangini, author of The Vegetable Butcher
Lindsay-Jean Hard received her Master’s in Urban Planning from the University of Michigan. Her education and passion for sustainability went on to inform and inspire her work in the garden, home, and community. The seeds of this book were planted in her Food52 column of the same name. Today she works to share her passion for great food and great communities as a marketer at Zingerman’s Bakehouse. She lives, writes, loves, and creates in Ann Arbor, Michigan.
Writers who have published their books through the AADL discuss the imprint and how to submit a manuscript.
7-8:30 p.m., AADL Downtown 4th fl. meeting rm. Free. 327-4200
