Please join us as we celebrate the fall winners of the 2018-19 Hopwood Underclassmen awards, which includes RC writing students and U-M students taking RC writing classes.
Following the announcement of the awards, there will be a reading from former U.S. Poet Laureate Natasha Trethewey and a light reception. Free to attend and open to all!
This event is presented in collaboration with the UM branch of Phi Beta Kappa.
Natasha Trethewey served two terms as the 19th Poet Laureate of the United States (2012-2014). She is the author of five collections of poetry, Monument (2018), which was longlisted for the 2018 National Book Award; Thrall (2012); Native Guard (2006), for which she was awarded the Pulitzer Prize, Bellocq’s Ophelia (2002); and Domestic Work (2000) which was selected by Rita Dove as the winner of the inaugural Cave Canem Poetry Prize for the best first book by an African American poet and won both the 2001 Mississippi Institute of Arts and Letters Book Prize and the 2001 Lillian Smith Award for Poetry. Her book of nonfiction, Beyond Katrina: A Meditation on the Mississippi Gulf Coast, appeared in 2010. She is the recipient of fellowships from the National Endowment for the Arts, the Guggenheim Foundation, the Rockefeller Foundation, the Beinecke Library at Yale, and the Bunting Fellowship Program of the Radcliffe Institute for Advanced Study at Harvard. At Northwestern University she is a Board of Trustees Professor of English in the Weinberg College of Arts and Sciences. In 2012 she was named Poet Laureate of the State of Mississippi and and in 2013 she was inducted into the American Academy of Arts and Sciences.
Hosted by the RC Student Union, the event features RC creative writing head Laura Thomas, local author Michael Ferro, and LSA creative writing major Necko Fanning.
Open mike storytelling competition sponsored by The Moth, the NYC-based nonprofit that also produces a weekly public radio show. Ten storytellers are selected at random to tell a 3-5 minute story–this month’s themes are “Delusions” (Feb. 5) & “Flight” (Feb 19)–judged by a 3-person team recruited from the audience. Monthly winners compete in a semiannual Grand Slam. Seating limited, so arrive early.
7:30-9 p.m. (doors open and sign-up begins at 6 p.m.), Greyline, 100 N. Ashley. General admission tickets $10 in advance only at themoth.org beginning a week before each event. 764-5118.
Feb. 11, 12, 18, 19, & 21.
U-M students, nominated by their instructors, read their poems and short stories. Today includes RC writing student Jenna Vallina. Light refreshments.
7-8:30 p.m., U-M Shapiro Undergrad Library Lobby, 919 South University. Free. 764-7493.
Feb. 11, 12, 18, 19, & 21.
U-M students, nominated by their instructors, read their poems and short stories. Today includes RC writing student Kelly Christensen. Light refreshments.
7-8:30 p.m., U-M Shapiro Undergrad Library Lobby, 919 South University. Free. 764-7493.
James and Grace Lee Boggs left a remarkable legacy through their shared activism, writing, and mentoring. To mark what would be James Boggs’s 100th birthday Spring 2019, the James and Grace Lee Boggs Center in Detroit revisits his writings and activism, exploring the ways his and Grace’s efforts to bring about revolutionary change continue through a powerful lineage of thought and activism in contemporary community work in Detroit.
Stephen Ward is a historian at the University of Michigan who teaches in the Department of Afroamerican and African Studies (DAAS) and the Residential College, and he is the faculty director of the Semester in Detroit program. He is also a board member of the James and Grace Lee Boggs Center to Nurture Community Leadership. He is the author of In Love and Struggle: The Revolutionary Lives of James and Grace Lee Boggs.
$20. 7pm.
Feb. 14, 16, 22, & 23 (different programs). U-M students and faculty perform staged readings of works by this acclaimed English playwright in honor of her 80th birthday. Today: The 2006 play Drunk Enough to Say I Love You?, an allegory about U.S. foreign policy and international relations told through the story of a relationship between 2 men. Here We Go (2015) is a 3-part meditation on death, beginning with a funeral and continuing into the afterlife.
7:30 p.m., East Quad Keene Theater, 701 East University. Free. 647-4354
Feb. 14, 16, 22, & 23 (different programs). U-M students and faculty perform staged readings of works by this acclaimed English playwright in honor of her 80th birthday. Today: U-M drama students in 2 different Residential College drama classes direct and perform Love and Information, Churchill’s 2012 play about relationships in the digital age presented as an evolving mosaic of more than 50 fragmented and superficially unconnected scenes. The U-M theater department also performs Love and Information(see 21 Thursday listing).
7:30 p.m., Keene Theatre, East Quad, 701 East University. Free. 647-4354.
German actor Margit Stra�burger sings cabaret songs set to poetry by German Jewish poet Mascha Kaleko that longs for pre 1933-Berlin. In German with piano accompaniment by Toledo-based pianist Michelle Papenfuss. Q&A follows.
5-7 p.m., Keene Theatre, East Quad, 701 East University. Free. 647-4354
Scholar, poet and playwright Dr. Carolyn Dunn will lecture on the aesthetics of Native and Indigenous Theater. Dunn was born in Southern California and is of Cherokee, Muscogee Creek, Seminole, Cajun, French Creole, and Tunica-Biloxi descent. She earned a BA from Humboldt State University, an MA from UCLA, and a PhD from the University of Southern California. Her collections of poetry include Outfoxing Coyote (2001) and Echolocation: Poems and Stories from Indian Country L.A. (2013). She has edited the anthologies Through the Eye of the Deer (1999) and, with Paula Gunn Allen, Hozho: Walking in Beauty: Native American Stories of Inspiration, Humor, and Life (2001). Dunn is the coauthor, with Ari Berk, of the nonfiction book Coyote Speaks: Wonders of the Native American World (2008). Her play The Frybread Queen was produced by the Montana Repertory Theater in Missoula, Montana, and Native Voices at the Autry in Los Angeles.
Dunn’s scholarly work focuses on American Indian women’s literature and American Indian identity. She has taught at Humboldt State University, Four Winds Indian School, and California Polytechnic State University. A founding director of the American Indian Theatre Collective, she is also a member of the female Native American drum group the Mankillers. She is director of the American Indian Resource Center at UC Santa Cruz.
All events are free and open to the public. Visit www.lsa.umich.edu/world-performance for more info.
If you are a person with a disability who requires an accommodation to participate in this event, please contact Center for World Performance Studies, at 734-936-2777, at least one week in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the University to arrange.
This residency is co-sponsored by the U-M Residential College, CEW+, Institute for Research on Women & Gender, SMTD Department of Theatre & Drama, Institute for Humanities, SMTD Office of Diversity, Equity & Inclusion and Department of American Culture.
