Featuring 3 RC alumni. This alumni panel will showcase and celebrate the university’s rich history of contributions made by International Studies alumni, while providing valuable insight for current students as they start to develop their own career paths. The panel will include a student Q&A portion; a networking reception with light appetizers will follow.
5-6:30 p.m., 555 Weiser Hall, 500 Church. Free.
During our 2018-19 Year of Humanities and Environments, we’ve organized faculty panels to explore contributions of humanistic inquiry around specific environmental subjects. Today: “Criminal Justice and the Built Environment” with: Claire Zimmerman (Architecture, History of Art), Heather Thompson (History, Residential College), and David Thatcher (Architecture, Public Policy).
Join the Conversation
In October, 2017, The New Yorker published reporter Ronan Farrow’s exposé detailing the first on-the-record accounts of alleged assault and rape by Hollywood mogul Harvey Weinstein, followed by a series of pieces on the systems that enabled him. Farrow’s investigation helped spur a worldwide movement that redefined our cultural and institutional responses to sexual harassment and assault. Word of Weinstein’s abusive behavior had circulated among Hollywood and media circles for years. In 2002, the acclaimed author and New Yorker media writer Ken Auletta published a deeply reported profile detailing the powerful producer’s threats and intimidation tactics, but he could not get any of the women alleging sexual assault to go on the record. What changed—in Hollywood, in media, in society—to make 2017 such a turning point?
Join Wallace House Presents for an evening with reporters Ken Auletta and Ronan Farrow as they discuss their individual attempts to get to the truth about Harvey Weinstein and how reporters ultimately stood together in confronting one of the biggest stories in recent memory.
Questions for speakers? Tweet us using #WallaceHouse.
About the Speakers
Ronan Farrow is a contributing writer for The New Yorker and the author of “War and Peace: The End of Diplomacy and the Decline of American Influence.” His next book, “Catch and Kill,” about how Weinstein and other power brokers wield influence to suppress explosive stories, is forthcoming. In 2018, Farrow received a Livingston Award for his New Yorker investigation of Harvey Weinstein. A native of New York City, he is a lawyer and former government advisor. Farrow is a graduate of Bard College and Yale Law School.
Ken Auletta is an author and media writer who has written the “Annals of Communications” profiles and essays for The New Yorker since 1992. He joined the Livingston Awards national judging panel 37 years ago and is now the program’s longest serving judge. He recused himself from voting in the national reporting category in 2018. The author of twelve books, his most recent book, “Frenemies: The Epic Disruption of the Ad Business (and Everything Else),” was published in 2018. His writing and journalism has been recognized with numerous awards and honors including the 2002 National Magazine Award and a Lifetime Achievement Award by the Society of Silurians.
This event is co-sponsored by
U-M College of Literature, Arts and Science
Department of American Culture
Department of Women’s Studies
Department of English Language and Literature
This event is produced with support from the John S. and James L. Knight Foundation.
Literati is pleased to parnter with First United Methodist Church of Ann Arbor to welcome author and theologian Nadia Bolz-Weber who will be discussing her new book Shameless.
NADIA BOLZ-WEBER first hit the New York Times list with her 2013 memoir–the bitingly honest and inspiring Pastrix–followed by the critically acclaimed New York Times bestseller Accidental Saints in 2015. A former stand-up comic and a recovering alcoholic, Bolz-Weber is the founder and former pastor of a Lutheran congregation in Denver, House for All Sinners and Saints. She speaks at colleges and conferences around the globe.
Open mike storytelling competition sponsored by The Moth, the NYC-based nonprofit that also produces a weekly public radio show. Ten storytellers are selected at random to tell a 3-5 minute story–this month’s themes are “Envy” (Mar. 5) & “Ruse” (Mar 19)–judged by a 3-person team recruited from the audience. Monthly winners compete in a semiannual Grand Slam. Seating limited, so arrive early.
7:30-9 p.m. (doors open and sign-up begins at 6 p.m.), Greyline, 100 N. Ashley. General admission tickets $10 in advance only at themoth.org beginning a week before each event. 764-5118.
Christiane Gruber (history of art) and Juan Cole (history) discuss Gruber’s new book The Praiseworthy One: The Prophet Muhammad in Islamic Text and Images
About the book:
In the wake of controversies over printing or displaying images of the Prophet Muhammad, Christiane Gruber’s aim is to bring back into scholarly and public discussion the ‘lost’ history of imagining the Prophet in Islamic cultures. By studying the various verbal and visual constructions of the Prophet’s character and persona over the course of more than one thousand years, Gruber seeks to correct public misconceptions and restore to Islam its rich artistic heritage, illuminating the critical role Muhammad has played in Muslim constructions of self and community at different times and in various cultural contexts.
The Praiseworthy One is an exploration of the Prophet Muhammad’s significance in Muslim life and thought from the beginning of Islam to today. It pays particular attention to procedures of narration, veneration, and sacralization. Gruber stresses that a fruitful approach to extant textual and visual materials is one that emphasizes the harnessing of Muhammad’s persona as a larger metaphor to explain both past and present historical events, to build and delineate a sense of community, and to help individuals conceive of and communicate with the realm of the sacred. The Praiseworthy One shows that Muhammad has served as a polyvalent symbol rather than a historical figure with fixed significance.
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
A poet has the awe-inspiring power to immortalize a place within his audience’s mind with only their words. Join us as we explore the real locations behind many of the world’s most famous poems and their bards.
From the shores of the British Isles to the churchyard in Cambridge to the source of Lake Huron, we will visit the places that inspired some of the world’s most famous poets, including Oliver Wendell Holmes, Ralph Waldo Emerson, William Butler Yeats, Henry Wadsworth Longfellow, and many others. Bring a poem about your favorite place and take a journey with us.
Third Thursday is a monthly open house that showcases the highlights of the Clark Library’s vast collection. These fun, thematic events are open to everyone, offering the community a look at some of our favorite maps and other materials.
Containment & Surveillance: Shifting Borders and Boundaries will explore how policing and surveillance are being utilized to define and defend new borders and boundaries in a changing city. Topics will include Project Greenlight, the jurisdictions and powers of various law enforcement agencies in Detroit, and the role of policing in the shifting landscape of public and private space in the city.
Each week will feature different Detroit-based speakers and guests who will explore the given topic and engage the students through a combination of formal remarks, presentations, and public discussion. Light dinner provided; free transportation from Ann Arbor to Detroit; public welcome and encouraged to attend.
*Please note that the recommended readings list is subject to be added to and/or edited*
Recommended Readings:
- Policing Home Spaces
- Detroit’s New Policing Strategy Is Stop-And-Frisk on a Massive Scale
- Does Detroit’s Project Green Light really make the city safer?
- Group fighting police brutality has questions for Wayne State University
- Dislocation Without Relocation
- “A War within Our Own Boundaries”: Lyndon Johnson’s Great Society and the Rise of the Carceral State
- Inside the Real Time Crime Center, DPD’s 24-hour monitoring station
- My Own Private Detroit
- Organizing to End the School-to-Prison Pipeline: An Analysis of Grassroots Organizing Campaigns and Policy Solutions
- The Dismantling of an Urban School System: Detroit, 1980-2014
- Project Green Light faces scrutiny as Detroit eyes mandate for thousands of businesses
- Watching Dan Gilbert’s watchmen
- Wayne State facing $127,000 fine for faulty crime reporting
- Spatial Stigma, Sexuality, and Neoliberal Decline in Detroit, Michigan
Film screening and discussion with writer, director & producer, Marcos Colón
Winner of several awards, including:
>> “Best-Awareness Raising Documentary,” World Wildlife Fund, International Environmental Film Festival [FICMA-Barcelona], November 2017.
>> “Best Feature Documentary,” Cabo Verde International Film Festival, October 2017.
>>”Award of Excellence, Documentary Feature,” Impact DOCS Awards, July 2017.
MARCOS COLÓN is a dissertator in the Department of Spanish and Portuguese and a Graduate Student Associate of the Center for Culture, History, and Environment (CHE) of UW-Madison’s Nelson Institute for Environmental Studies. His research focuses on the representation of the Amazon in 20th-Century Brazilian literature from an environmental studies perspective. In particular, he is examining a variety of viewpoints from the post-rubber era Amazon through written texts, oral reports, and films; observing changes in the region, its nature and its people.
“Beyond Fordlandia” will be shown at 4pm. Discussion with filmmaker Marcos Colón will follow.
Refreshments will be served.
Presented by RC faculty member, Jane Lynch, and the Residential College Program in Social Theory and Practice.
