Literati is pleased to be partnering with the Ann Arbor Downtown Library to host graphic novelist Box Brown who will be discussing his new book Cannabis: The Legalization of Weed in America.
About Cannabis:
Mexico, 1519 CE.
During the Spanish conquests Cortés introduced hemp farming as part of his violent colonial campaign. In secret, locals began cultivating the plant for consumption. It eventually made its way to the United States through the immigrant labor force where it was shared with black laborers. It doesn’t take long for American lawmakers to decry cannabis as the vice of “inferior races.”
Enter an era of propaganda designed to feed a moral panic about the dangers of a plant that had been used by humanity for thousands of years. Cannabis was given a schedule I classification, which it shared with drugs like heroin. This opened the door for a so-called “war on drugs” that disproportionately targeted young black men, leaving hundreds of thousands in prison, many for minor infractions. With its roots in “reefer madness” and misleading studies into the effects of cannabis, America’s complicated and racialized relationship with marijuana continues to this day.
Author Box Brown delves deep into this troubling history and offers a rich, entertaining, and thoroughly researched graphic essay on the legacy of cannabis legislation in America.
Box Brown is an Ignatz Award–winning cartoonist, illustrator, and comic publisher from Philadelphia. His books include the New York Times–bestselling Andre the Giant: Life and Legend and Tetris. Box Brown’s independent comics publishing house, Retrofit Comics, was launched in 2011.
Like the original Blue Beard, Heinrich Blaubart brings death to women he meets. Unlike the original Blue Beard, though, he doesn’t seek to do so; in fact, his fear of relationships makes him try to avoid women. Presented in German by students enrolled in RCHUMS 334: From the Page to the Stage. Surtitles will make it possible for even non-German speakers to follow the action on stage. April 6, 8pm-10pm and April 7, 2pm-4pm, Keene Theater. Non-perishable food items or donation at the door.
By Euripides, in a new translation by Jaclyn Dudek.
The God Dionysus and his followers, the Bacchae, take revenge on the conservative and militaristic ruler of Thebes.
This is the end of term performance of RC Hums 481, the Play Production Seminar course, directed by Kate Mendeloff, and staged environmentally in the Conservatory space.
Also Sunday at 7:30 pm.
Since its creation in 1999, Mock Rock seeks to invest in a community that relentlessly supports Michigan Athletics while showcasing student-athlete talents. U of M Athletics teams put on skits, songs, and other merriment for an audience and panel of judges. Tickets available at the title link. April 7, doors open at 4pm, show starts at 4:30pm, Cliff Keen Arena.
By Euripides, in a new translation by Jaclyn Dudek.
The God Dionysus and his followers, the Bacchae, take revenge on the conservative and militaristic ruler of Thebes.
This is the end of term performance of RC Hums 481, the Play Production Seminar course, directed by Kate Mendeloff, and staged environmentally in the Conservatory space.
With the young republic in crisis, President Washington chose as general an aging brigadier whose private life was mired in scandal. Follow the story of General Anthony Wayne, drawn from his own passionate letters where he vividly confessed his deepest thoughts. Writer and historian Mary Stockwell was an Earhart Foundation Fellow at the Clements Library. Her book “Unlikely General: ‘Mad’ Anthony Wayne and the Battle for America” was published by Yale University Press in 2018. She has a B.A. in history from Mary Manse College and holds an M.A. and Ph.D. in history from the University of Toledo. Register online.
Join the Bailey Library and Entrepreneurship Center for an inspirational talk on entrepreneurship by Lisa Ludwinski, founder of Sister Pie, and author of Sister Pie, The Recipes and Stories of a Big-Hearted Bakery in Detroit
Born and raised in Michigan, Lisa trained at New York’s Milk Bar and Brooklyn’s Four and Twenty Blackbirds. Sister Pie started as a home-based business out of her parents’ kitchen, and has been featured in Bon Appetit and the New York Times, among other publications. Lisa will showcase her book which pays homage to Motor City ingenuity and all-American spirit.
Part of the Carceral State Project, a year of dialogue about criminal justice, policing, imprisonment, inequality, and what we can do about it. Presented by the U-M Carceral State Project with support from the Department of Afroamerican and African Studies, the Department of History, the Residential College, the Crime and Justice Minor, the Social Theory and Practice Major, the Prison Creative Arts Project, the Eisenberg Institute for Historical Studies, the Institute for the Humanities, the Department of Political Science, and the Department of Sociology.
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
RCHUMS 352 Found Instruments “Maps and Movements” final performance, directed by Mike Gould. Found instruments are everyday objects that are utilized or repurposed as musical instruments. This class identifies not only these everyday objects with which to perform and reconstruct, but also seeks hybrid instruments that combine found objects with instruments of old.
