Join us for a conversation with author, Andrew Reeves. Andrew Reeves is an award-winning environmental journalist. Andrew will be discussing the release of his new book, Overrun: Dispatches from the Asian Carp Crisis and will be joined by local organizations that will be taking a look at one of North America’s most voraciously invasive species, the Asian Carp.
Event Details
Seating at the event will be first-come first-served. This event will be a standing-room crowd, so if you require a seat for medical reasons, please contact us in advance to make arrangements.
About the Book
Intelligent investigative writing meets experiential journalism in this important look at one of North America’s most voraciously invasive species.
Politicians, ecologists, and government wildlife officials are fighting a desperate rearguard action to halt the onward reach of Asian Carp, four troublesome fish now within a handful of miles from entering Lake Michigan. From aquaculture farms in Arkansas to the bayous of Louisiana; from marshlands in Indiana to labs in Minnesota; and from the Illinois River to the streets of Chicago where the last line of defense has been laid to keep Asian carp from reaching the Great Lakes, Overrun takes us on a firsthand journey into the heart of a crisis. Along the way, environmental journalist Andrew Reeves discovers that saving the Great Lakes is only half the challenge. The other is a radical scientific and political shift to rethink how we can bring back our degraded and ignored rivers and waterways and reconsider how we create equilibrium in a shrinking world.
With writing that is both urgent and wildly entertaining, Andrew Reeves traces the carp’s explosive spread throughout North America from an unknown import meant to tackle invasive water weeds to a continental scourge that bulldozes through everything in its path.
About the Author
Andrew Reeves is an award-winning environmental journalist. His work has appeared in the Walrus, This Magazine, and the Globe and Mail. He received a master of fine arts in creative nonfiction from the University of King’s College in 2016. He lives in Toronto, Ontario, with his wife and daughter.
Join as we welcome poet Anders Carlson-Wee who will be reading from his new collection The Low Passions.
About The Low Passions:
Explosive and incantatory, The Low Passions traces the fringes of the American experiment through the eyes of a young drifter. Pathologically frugal, reckless, and vulnerable, the narrator of these viscerally compelling poems hops freight trains, hitchhikes, dumpster dives, and sleeps in the homes of total strangers, scavenging forgotten and hardscrabble places for tangible forms of faith. A range of strong-willed characters takes shape, amplified by a chorus of monologues from the strangers who shelter him and the family he’s left behind–each made manifest by the poet’s devoted ear and sensitive eye.
The Low Passions is an ode to America, the distances between place and people, the desire to quiet the self in order to better hear the world. Shaped through glimpses of a life in motion, these poems rattle along with energy and awe like the trains that fill these pages. If the work feels wild, there is also a feeling of tenderness as Anders Carlson-Wee reflects on childhood and brotherhood, what family means, and how a stranger can feel like family. The Low Passions reminds us to go out each day in wonder ready for the unknown to call to us.–Dorianne Laux, author of Only as the Day Is Long
Anders Carlson-Wee’s poems have appeared in The Virginia Quarterly Review, The Kenyon Review, Ploughshares, BuzzFeed, and many other publications. The recipient of a fellowship from the National Endowment for the Arts and winner of the 2017 Poetry International Prize, he lives in Minneapolis.
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
Literati is thrilled to welcome back poet Sarah Arvio who will reading and discussing her new translation of poems by Federico García Lorca
About Poet in Spain:
For the first time in a quarter century, a major new volume of translations of the beloved poetry of Federico García Lorca, presented in a beautiful bilingual edition
The fluid and mesmeric lines of these new translations by the award-winning poet Sarah Arvio bring us closer than ever to the talismanic perfection of the great García Lorca. Poet in Spain invokes the “wild, innate, local surrealism” of the Spanish voice, in moonlit poems of love and death set among poplars, rivers, low hills, and high sierras. Arvio’s ample and rhythmically rich offering includes, among other essential works, the folkloric yet modernist Gypsy Ballads, the plaintive flamenco Poem of the Cante Jondo, and the turbulent and beautiful Dark Love Sonnets —addressed to Lorca’s homosexual lover–which Lorca was revising at the time of his brutal political murder by Fascist forces in the early days of the Spanish Civil War. Here, too, are several lyrics translated into English for the first time and the play Blood Wedding–also a great tragic poem. Arvio has created a fresh voice for Lorca in English, full of urgency, pathos, and lyricism–showing the poet’s work has grown only more beautiful with the passage of time.
Sarah Arvio, the author of night thoughts: 70 dream poems & notes from an analysis, Sono: cantos, and Visits from the Seventh, is a recipient Rome Prize and the Bogliasco and Guggenheim fellowships, among other honors. For many years a translator for the United Nations in New York and Switzerland, she has also taught poetry at Princeton.
Federico García Lorca may be Spain’s most famous poet and dramatist of all time. Born in Andalusia in 1898, he grew up in a village on the Vega and in the city of Granada. His prolific works, known for their powerful lyricism and an obsession with love and death, include the Gypsy Ballads, which brought him far-reaching fame, and the homoerotic Dark Love Sonnets, which did not see print until almost fifty years after his death. His murder in 1936 by Fascist forces at the outset of the Spanish Civil War became a literary cause célébre; in Spain, his writings were banned. Lorca’s poems and plays are now read and revered in many languages throughout the world.
Please join us as we celebrate the winners of the 2018-19 Hopwood Awards.
Following the announcement of the awards, there will be a lecture from Pulitzer Prize-winning author Hilton Als and a light reception. Free to attend and open to all!
Hilton Als began contributing to The New Yorker in 1989, writing pieces for ‘The Talk of the Town,’ he became a staff writer in 1994, theatre critic in 2002, and lead theater critic in 2012. Week after week, he brings to the magazine a rigorous, sharp, and lyrical perspective on acting, playwriting, and directing. With his deep knowledge of the history of performance—not only in theatre but in dance, music, and visual art—he shows us how to view a production and how to place its director, its author, and its performers in the ongoing continuum of dramatic art. His reviews are not simply reviews; they are provocative contributions to the discourse on theatre, race, class, sexuality, and identity in America.
Before coming to The New Yorker, Als was a staff writer for the Village Voice and an editor-at-large at Vibe. Als edited the catalogue for the 1994-95 Whitney Museum of American Art exhibition “Black Male: Representations of Masculinity in Contemporary American Art.” His first book, The Women, was published in 1996. His book, White Girls, a finalist for the National Book Critics Circle Award in 2014 and winner of the 2014 Lambda Literary Award for Non-fiction, discusses various narratives of race and gender. He is author of the introduction to the Penguin Classics edition of The Early Stories of Truman Capote. He is also guest editor for the 2018 Best American Essays (Mariner Books, October 2, 2018). He also wrote Andy Warhol: The Series, a book containing two previously unpublished television scripts for a series on the life of Andy Warhol.
In 1997, the New York Association of Black Journalists awarded Als first prize in both Magazine Critique/Review and Magazine Arts and Entertainment. He was awarded a Guggenheim for creative writing in 2000 and the George Jean Nathan Award for Dramatic Criticism for 2002-03. In 2016, he received Lambda Literary’s Trustee Award for Excellence in Literature, in 2017 Als won the Pulitzer Prize for Criticism, and in 2018 the Langston Hughes Medal.
In 2009, Als worked with the performer Justin Bond on “Cold Water,” an exhibition of paintings, drawings, and videos by performers, at La MaMa Gallery. In 2010, he co-curated “Self-Consciousness,” at the VeneKlasen/Werner gallery, in Berlin, and published “Justin Bond/Jackie Curtis.” In 2015, he collaborated with the artist Celia Paul to create “Desdemona for Celia by Hilton,” an exhibition for the Metropolitan Opera’s Gallery Met. In 2016, his debut art show “One Man Show: Holly, Candy, Bobbie and the Rest” opened at the Artist’s Institute. In 2017 he curated “Alice Neel, Uptown” at the David Zwirner Gallery in New York City.
Als is an associate professor of writing at Columbia University’s School of the Arts and has taught at Yale University, Wesleyan, and Smith College. He lives in New York City.
Literati is excited to welcome poet Sue William Silverman in celebration of her new poetry collection If the Girl Never Learns: Poems. Sue will be joined by fellow poets Keith Taylor, Elizabeth Schumhl, and Marc Sheehan who will be reading from their own work.
About If the Girl Never Learns:
From the opening lines, it’s clear The Girl at the center of these poems is damaged–which is another way to say she’s a survivor. If the Girl Never Learns moves from the personal to the mythic to the apocalyptic, because The Girl would do anything, even go to hell, to save her soul. So, she resists, takes action to overturn society’s suffocating ideal of Good Girldom. The poems’ sense of breathlessness reflects The Girl’s absolute need to control her own destiny, to outrun her past, while at the same time chasing a future she alone has envisioned and embodied. Because The Girl is, above all else, a badass.
Sue William Silverman’s first poetry collection is Hieroglyphics in Neon. She is also the author of four books of creative nonfiction. Her most recent book, The Pat Boone Fan Club: My Life as a White Anglo-Saxon Jew, was a finalist in Foreword Reviews’ INDIEFAB Book of the Year Award. Her memoir, Because I Remember Terror, Father, I Remember You, won the AWP Award, and Love Sick: One Woman’s Journey through Sexual Addiction is also a Lifetime TV original movie. Her craft book is Fearless Confessions: A Writer’s Guide to Memoir, and she teaches in the MFA in Writing Program at Vermont College of Fine Arts.
The poet Marc Sheehan is a life-long Michigan resident. He has earned degrees from Western Michigan University, Central Michigan University and the University of Michigan, where he received a Major Hopwood Award in Poetry. His honors also include grants from the Michigan Council for the Arts and Humanities, and the National Endowment for the Arts. He has served as Writer Center Coordinator at the Urban Institute for Contemporary Art in Grand Rapids, and has reviewed books for both the Lansing Capital Times and On the Town.
Elizabeth Schmuhl is a multidisciplinary artist whose work appears in Michigan Quarterly Review, The Rumpus, Paper Darts, PANK, Hobart, Pinwheel, and elsewhere. She has worked at various nonprofits, including the John F. Kennedy Center for Performing Arts, and currently works at the University of Michigan, Ann Arbor.
Keith Taylor has published many books over the years: collections of poetry, a collection of very short stories, co-edited volumes of essays and fiction, and a volume of poetry translated from Modern Greek.
Literati is excited to welcome poets Phil Kaye and Jon Sands who will be reading from their latest collections Date & Time and The New Clean.
About Date & Time:
Phil Kaye’s debut collection is a stunning tribute to growing up, and all of the challenges and celebrations of the passing of time, as jagged as it may be. Kaye takes the reader on a journey from a complex but iridescent childhood, drawing them into adolescence, and finally on to adulthood. There are first kisses, lost friendships, hair blowing in the wind while driving the vastness of an empty road, and the author positioned in the middle, trying to make sense of it all. Readers will find joy and vulnerability, in equal measure. Date & Time is a welcoming story, which freezes the calendar and allows us all to live in our best moments.
About The New Clean:
Jon Sands has traveled into a ridiculous world, where nothing is too hilarious to not be honest, and nothing is too honest to not get you pregnant. Best of all, he’s packed us in his suitcase. He represents an ever-changing population of those raised elsewhere who find themselves beckoned by the history, mystique, and magic-makers of New York City. These poems inhabit their own contradictions, and exquisitely navigate the many complicated sides of what it means to be alive.
Phil Kaye is a Japanese-American poet. His work has been featured in settings ranging from The New Yorker to NPR to the Museum of Modern Art in New York City. He has performed his work in eighteen countries and was invited to open for His Holiness The Dalai Lama for the celebration of his 80th birthday. A former teacher of weekly poetry workshops in maximum security prisons, Phil was the head coordinator of Space in Prisons for the Arts and Creative Expression (SPACE). Phil is a National Poetry Slam finalist, and his book, Date & Time, was published in 2018 by Button Poetry.
Jon Sands is a poet and fiction writer. He was a winner of the 2019 National Poetry Series, selected for his second book, It’s Not Magic, forthcoming from Beacon Press in the fall of 2019. He is the author of The New Clean (Write Bloody Publishing, 2011), and the co-host of The Poetry Gods Podcast. His work has been featured in the New York Times, published widely, and anthologized in The Best American Poetry. He’s also represented New York City multiple times at the National Poetry Slam. He lives in Brooklyn.
Join us for the book signing of Naomi Stephen’s Shadow Among Sheaves out April 1st.
A Timeless, Beautiful Allegory of the Biblical Love Story of Ruth and Boaz
The Great Rebellion of 1857 was a remarkably bloody business. At a time when Britain’s imperial influence in India was sparking brutal clashes on both sides, no one could have expected Rena, an Indian woman, to marry a British officer—nor do they understand her decision to follow her mother-in-law to England after her husband’s tragic death.
Once the two widows are in Abbotsville, the stern yet compassionate Lord Barric attempts to help them despite his better judgment. Soon he is torn between the demands of reputation and his increasing desire to capture Rena’s heart for his own.
The Michigan Quarterly Review launches their Spring issue featuring poetry, fiction, and essays, from contemporary Iran. Featuring readings in Farsi and English from contributors Shahla Farghadani and Mason Jabbari, Guest Editor Kathryn Babyran, MQR Editor Khaled Mattawa, and MQR Staff Readers. Letterpress prints, specially designed for this issue by Wolverine Press, will also be available.
