Join us for a 45-minute interdisciplinary musical performance that highlights the turning points in the history of physics.
The show combines fragments (excerpts from writings by some of the most prominent physicists in history) read and interpreted by a narrator (a role played by Lynnae Lehfeldt in the premiere), with original songs, based on each fragment, composed by Alberto Rojo, and performed by Alberto Rojo (guitar and voice), Michael Gould (percussion), and Dave Haughey (cello). The project explores the intersection between the arts and the sciences, and postulates that art and science are not antagonistic alternatives in the search for truth; rather, there is a broad territory of coexistence.
The movements are as follows Galileo (The Book of the Universe); Isaac Newton (From the Principia); Pierre Maupertuis (Least Action); Rudolf Clausius (The Limiting Condition); Ludwig Boltzmann (Atomic movements); James Clerk Maxwell (From letters to Faraday); Marie Curie (Radioactivity); Albert Einstein (From the 1905 paper); Max Planck (The quantum of action); Werner Heisenberg (Analogies); J. S. Bell (Remote Instruments); Richard Feynman (Trees are made of air); Vera Rubin (Dark Matter)
Missed “Millennials Are Killing” earlier this summer? Fabulous news! These murderous buds are bringing you two extra performances – same cast, same place, at Riverside Arts Center’s “Off Center” studio! Please note that we will be starting one half hour earlier than our previous performances, at 7:30 PM!
Five directionless twenty-somethings – high-maintenance free spirit Jess, impish heartbreaker Joshua, timid gossip Amanda, softhearted activist Nick, and strange newcomer Michael – are content to pass their evenings together in listless, alcoholic stupors. Surely they can have nothing to do with the series of terrible disappearances and deaths happening around their college town?
“Millennials Are Killing” is the newest play to be workshopped by Ann Arbor playwright and director Skyler Tarnas. Tickets will be $10 at the door, $7 for students. The “Off Center” studio can be accessed directly off of Huron Street in Ypsilanti, and is directly under the marquee! There will be a sign on the door and a chalkboard out front!
Show Dates and Times:
Friday, September 13th – 7:30 PM
Saturday, September 14th – 7:30 PM
Jessica: Laurie Perrin
Joshua: Kyle Stefek
Amanda: Allison Burley
Nicholas: Sebastien Butler
Michael: Mitchell Salley
Mom: Grey Hendry
Shachar Pinsker, professor, Judaic Studies and Middle East Studies, University of Michigan discusses his book A Rich Brew: How Cafes Created Modern Jewish Culture. The book explores the ways in which cafes provide a window into understanding modern Jewish culture and modernity. Through its focus on Jewish cafe culture in six cities: Odessa, Warsaw, Vienna, Berlin, New York, and Tel Aviv, we see how Jews who migrated to cities gravitated towards cafes as important spaces and sites for producing Jewish culture. It is a story of the global aspects of Jewish modernity, what it means to be part of the public sphere, and the ways in which cafes present an important backdrop to the changes and challenges of modernity.
This event includes a book signing and books will be for sale. This event is in partnership with the Culinary Historians of Ann Arbor (CHAA), an organization of scholars, cooks, food writers, nutritionists, collectors, students, and others interested in the study of culinary history and gastronomy. Their mission is to promote the study of culinary history through regular programs open to members and guests, through the quarterly newsletter Repast, and through exchanges of information with other such organizations.
We welcome University of Michigan professor Alexandra Minna Stern to discuss her new book, Proud Boys and the White Ethnostate: How the Alt-Right is Warping the American Imagination, which Kirkus calls “An important study that extends the knowledge from other recent books that have demonstrated a stubbornly pervasive network of white nationalists.”
About the book: What is the alt-right? What do they believe, and how did they take center stage in the American social and political consciousness?
From a loose movement that lurked in the shadows in the early 2000s, the alt-right has achieved a level of visibility that has allowed it to expand significantly throughout America’s cultural, political, and digital landscapes. Racist, sexist, and homophobic beliefs that were previously unspeakable have become commonplace, normalized, and accepted—endangering American democracy and society as a whole. Yet in order to dismantle the destructive movement that has invaded our public consciousness, we must first understand the core beliefs that drive the alt-right.
To help guide us through the contemporary moment, historian Alexandra Minna Stern excavates the alt-right memes and tropes that have erupted online and explores the alt-right’s central texts, narratives, constructs, and insider language. She digs to the root of the alt-right’s motivations: their deep-seated fear of an oncoming “white genocide” that can only be remedied through swift and aggressive action to reclaim white power. As the group makes concerted efforts to cast off the vestiges of neo-Nazism and normalize their appearance and their beliefs, the alt-right and their ideas can be hard to recognize. Through careful analysis, Stern brings awareness to the underlying concepts that guide the alt-right and animate its overlapping forms of racism, xenophobia, transphobia, and anti-egalitarianism. She explains the key ideas of “red-pilling,” strategic trolling, gender essentialism, and the alt-right’s ultimate fantasy: a future where minorities have been removed and “cleansed” from the body politic and a white ethnostate is established in the United States. By unearthing the hidden mechanisms that power white nationalism, Stern reveals just how pervasive this movement truly is.
Professor Stern is the author of the prize-winning book Eugenic Nation: Faults and Frontiers of Better Breeding in Modern America, (University of California Press, 2005) and Telling Genes: The Story of Genetic Counseling in America (Johns Hopkins University Press, 2012) is a Choice 2013 Outstanding Academic Title in Health Sciences.
We welcome University of Michigan Professor Susan J. Douglas in support of her new book, Celebrity: A History of Fame. Free and open to the public, book signing to follow.
About the book: Today, celebrity culture is an inescapable part of our media landscape and our everyday lives. This was not always the case. Over the past century, media technologies have increasingly expanded the production and proliferation of fame. Celebrity explores this revolution and its often under-estimated impact on American culture. Using numerous precedent-setting examples spanning more than one hundred years of media history, Douglas and McDonnell trace the dynamic relationship between celebrity and the technologies of mass communication that have shaped the nature of fame in the United States.
Susan J. Douglas is the Catherine Neafie Kellogg Professor of Communication Studies at The University of Michigan. She is the author of five books, including The Rise of Enlightened Sexism (2010), Listening In: Radio and the American Imagination (1999) and Where The Girls Are: Growing Up Female with the Mass Media (1994).
Open-mic storytelling competitions. Open to anyone with a five-minute story to share on the night’s theme. Come tell a story, or just enjoy the show!
6:30pm Doors Open | 7:30pm Stories Begin
*Tickets for this event are available one week before the show, at 3pm ET.
*Seating is not guaranteed and is available on a first-come, first-served basis. Please be sure to arrive at least 10 minutes before the show. Admission is not guaranteed for late arrivals. All sales final.
Media Sponsor: Michigan Radio.
CARS: Prepare a five-minute story about the most American way of getting from point A to point B. Tell us about drag-racing on empty neighborhood streets, dropping keys down a sewer, getting away just in the nick of time. Driving though, driving in, turning around, turning back, circling around and around. Tells us about riding in your precious hunk of metal.
Ann Arbor Natives Polly Rosenwaike and Cody Walker are joining us in conversation around their most recent works. Polly will be sharing her beautifully written series of stories about… conception and Cody, he will share his brilliantly written comedic poetry.
Author: Polly Rosenwaike
Title: Look How Happy I’m Making You
A candid, ultimately buoyant debut story collection about the realities of the “baby years,” whether you’re having one or not.
The women in Polly Rosenwaike’s Look How Happy I’m Making You want to be mothers, or aren’t sure they want to be mothers, or—having recently given birth—are overwhelmed by what they’ve wrought. Sharp and unsettling, wry and moving in its portrayal of love, friendship, and family, this collection expands the conversation about some of women’s most intimate experiences.
Author: Cody Walker
Title: The Trumpiad
The new U.S. president doesn’t read books, but for everyone else, there’s Cody Walker’s The Trumpiad, a blistering and hilarious take on America’s political collapse. Key Difference: I wouldn’t lump / Trump / in with Hitler and Mussolini. / Trump’s hands are littler. (They’re teeny.) The Trumpiad will be published on April 29th 2017, which, if no one manages to stop him, will mark Trump’s 100th day in office.
About the Authors
Polly Rosenwaike’s story collection, Look How Happy I’m Making You, was a featured book pick in O Magazine, Ms., People, and New York Magazine. Her stories, reviews, and essays have been published in The O. Henry Prize Stories, Glimmer Train, New England Review, The Cut, the New York Times Book Review, the San Francisco Chronicle, Lit Hub, and The Millions. She is the fiction editor of the Michigan Quarterly Review.
Cody Walker directs the Creative Writing Sub-concentration at the University of Michigan in Ann Arbor. He’s the author of two full-length poetry collections—The Self-Styled No-Child and Shuffle and Breakdown—and a chapbook, The Trumpiad. (The chapbook doubles as a fundraiser for the ACLU.) His work appears in The New York Times Magazine, Slate, and The Best American Poetry. He’s the co-director of the Bear River Writers’ Conference and the co-editor of Alive at the Center: Contemporary Poems from the Pacific Northwest.
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
Meet Saline author Debbie Gonzales as she presents her new book, Girls with Guts: The Road to Breaking Barriers and Bashing Records, an engaging picture book about women in sports through the ages. Hear about the background to writing this book. Recommended for 1st graders through adults. Registration requested.