Calendar

This local poet reads from Love Dream with Television, her debut collection, written in Tucson, Arizona, that “wonders through the ways in which television, film, advertising, sporting events, and celebrity culture weave their ways into our lived experiences,” says Ensor. “Tucson and its queers have pushed me to be more in my body, more in conversation with place and spirit and alchemy.” Signing.
7 p.m., Literati, 124 E. Washington. Free. 585-5567

Literati is proud to welcome authors and faculty members at the University of Michigan Shachar Pinsker and Sara Blair who will be sharing and discussing their new books A Rich Brew: How Cafes Created Modern Jewish Culture and How the Other Half Looks: The Lower East Side and the Afterlives of Images.

About A Rich Brew:
A fascinating glimpse into the world of the coffeehouse and its role in shaping modern Jewish culture. Unlike the synagogue, the house of study, the community center, or the Jewish deli, the café is rarely considered a Jewish space. Yet, coffeehouses profoundly influenced the creation of modern Jewish culture from the mid-nineteenth to mid-twentieth centuries. With roots stemming from the Ottoman Empire, the coffeehouse and its drinks gained increasing popularity in Europe. The “otherness,” and the mix of the national and transnational characteristics of the coffeehouse perhaps explains why many of these cafés were owned by Jews, why Jews became their most devoted habitués, and how cafés acquired associations with Jewishness. Examining the convergence of cafés, their urban milieu, and Jewish creativity, Shachar M. Pinsker argues that cafés anchored a silk road of modern Jewish culture. He uncovers a network of interconnected cafés that were central to the modern Jewish experience in a time of migration and urbanization, from Odessa, Warsaw, Vienna, and Berlin to New York City and Tel Aviv. A Rich Brew explores the Jewish culture created in these social spaces, drawing on a vivid collection of newspaper articles, memoirs, archival documents, photographs, caricatures, and artwork, as well as stories, novels, and poems in many languages set in cafés. Pinsker shows how Jewish modernity was born in the café, nourished, and sent out into the world by way of print, politics, literature, art, and theater. What was experienced and created in the space of the coffeehouse touched thousands who read, saw, and imbibed a modern culture that redefined what it meant to be a Jew in the world.

About How the Other Half Looks:
How New York’s Lower East Side inspired new ways of seeing America

New York City’s Lower East Side, long viewed as the space of what Jacob Riis notoriously called the “other half,” was also a crucible for experimentation in photography, film, literature, and visual technologies. This book takes an unprecedented look at the practices of observation that emerged from this critical site of encounter, showing how they have informed literary and everyday narratives of America, its citizens, and its possible futures.

Taking readers from the mid-nineteenth century to the present, Sara Blair traces the career of the Lower East Side as a place where image-makers, writers, and social reformers tested new techniques for apprehending America–and their subjects looked back, confronting the means used to represent them. This dynamic shaped the birth of American photojournalism, the writings of Stephen Crane and Abraham Cahan, and the forms of early cinema. During the 1930s, the emptying ghetto opened contested views of the modern city, animating the work of such writers and photographers as Henry Roth, Walker Evans, and Ben Shahn. After World War II, the Lower East Side became a key resource for imagining poetic revolution, as in the work of Allen Ginsberg and LeRoi Jones, and exploring dystopian futures, from Cold War atomic strikes to the death of print culture and the threat of climate change.

How the Other Half Looks reveals how the Lower East Side has inspired new ways of looking–and looking back–that have shaped literary and popular expression as well as American modernity.

Shachar M. Pinsker is Associate Professor of Hebrew Literature and Culture at the University of Michigan. He is the author of Literary Passports: The Making of Modernist Hebrew Fiction in Europe.

Sara Blair is the Patricia S. Yaeger Collegiate Professor of English and a faculty associate in the Department of American Culture and the Frankel Center for Judaic Studies at the University of Michigan. Her books includeHarlem Crossroads: Black Writers and the Photograph in the Twentieth Century (Princeton) and Trauma and Documentary Photography of the FSA.

Join us for an exciting evening of conversation and live musical performances from the multi-Award-winning team behind the musical, “Dear Evan Hansen.” University of Michigan School of Music, Theatre & Dance alumni Benj Pasek and Justin Paul will present Dear Evan Hansen: The Novel, an expansion of the characters and story popularized by the musical that has been praised as “one of the most remarkable shows in musical theater history” by The Washington Post. This is a general admission, ticketed event and a purchase of Dear Evan Hansen: The Novel is necessary for entry. The book is included with the ticket purchase, and books will be picked up at the venue the evening of the event. Your book will be pre-signed.

At the event, fans will additionally receive a raffle ticket inside of their book. Raffle tickets enter fans into a drawing for an exclusive meet & greet with the authors immediately following the event. The authors will choose 5 lucky readers (+1 guest each) to meet them after to snap photos and have their books personalized. Fans have the option to donate one of their purchased copies to University of Michigan’s Counseling and Psychological Services at a table near the entrance.

Click here to purchase tickets!

About Dear Evan Hansen (The Novel):

From the show’s creators comes the groundbreaking novel inspired by the hit Broadway show Dear Evan Hansen.

When a letter that was never meant to be seen by anyone draws high school senior Evan Hansen into a family’s grief over the loss of their son, he is given the chance of a lifetime: to belong. He just has to stick to a lie he never meant to tell, that the notoriously troubled Connor Murphy was his secret best friend. Suddenly, Evan isn’t invisible anymore–even to the girl of his dreams. And Connor Murphy’s parents, with their beautiful home on the other side of town, have taken him in like he was their own, desperate to know more about their enigmatic son from his closest friend. As Evan gets pulled deeper into their swirl of anger, regret, and confusion, he knows that what he’s doing can’t be right, but if he’s helping people, how wrong can it be? No longer tangled in his once-incapacitating anxiety, this new Evan has a purpose. And a website. He’s confident. He’s a viral phenomenon. Every day is amazing. Until everything is in danger of unraveling and he comes face to face with his greatest obstacle: himself. A simple lie leads to complicated truths in this big-hearted coming-of-age story of grief, authenticity and the struggle to belong in an age of instant connectivity and profound isolation.

About Pasek and Paul:

Benj Pasek and Justin Paul are the Tony, Oscar® and Golden Globe–winning songwriting team behind the Broadway musicals Dear Evan Hansen (Tony Award, Drama Desk Award, Obie Award, Outer Critics Circle Award, Helen Hayes Award) and A Christmas Story, The Musical (Tony, Drama Desk, Outer Critics Circle Award nominations). Other musicals include Dogfight, (Lucille Lortel Award winner, Drama League, Outer Critics Circle, London Evening Standard Awards nominations), James and the Giant Peach, and Edges. Film projects include: La La Land (Lionsgate); Trolls (Dreamworks Animation); The Greatest Showman (FOX). Upcoming film projects include Snow White (Walt Disney Pictures); Medusa(Sony Pictures Animation); Aladdin (Walt Disney Pictures). TV credits include Smash, Sesame Street, The Flash and Johnny and the Sprites, and Fox’s A Christmas Story live musical. Additional honors: Richard Rodgers Award for Musical Theatre (American Academy of Arts and Letters); ASCAP Foundation Richard Rodgers New Horizons Award; Jonathan Larson Award. Both are graduates of the University of Michigan Musical Theatre program and members of the Dramatists Guild of America, Inc.

Literati is thrilled to welcome poets Megan Levad and Franny Choi for a special reading from their latest collections What Have I to Say to You and Death by Sex Machine.

Selected as Tavern Books’ 2014 Wrolstad Contemporary Poetry Series poet, Levad is the author of WHY WE LIVE IN THE DARK AGES (Tavern Books, 2015). Her poems have appeared in journals such as Denver Quarterly, Fence, Mantis, and Tin House, among others, and in the Everyman’s Library anthology Killer Verse. She also writes lyrics for composers Tucker Fuller and Kristin Kuster. Her debut libretto Kept: A Ghost Story premiered at the Virginia Arts Festival in May 2017. Levad lives in San Francisco.

Franny Choi is a writer, performer, and educator. She is the author of Floating, Brilliant, Gone (Write Bloody, 2014) and the chapbook Death by Sex Machine (Sibling Rivalry Press, 2017). She has been a finalist for multiple national poetry slams, and her poems have appeared in Poetry Magazine, American Poetry Review, the New England Review, and elsewhere. She is a Kundiman Fellow, Senior News Editor for Hyphen,  co-host of the podcast VS, and member of the Dark Noise Collective. Her second collection, Soft Science, is forthcoming from Alice James Books.

Literati is thrilled to welcome poets Phillip Crymble and Sarah Messer who will be sharing with us some of their latest work.

About Not Even Laughter:
A clearance bin of corner-cut records, remaindered paperbacks, and canisters of faded film, Phillip Crymble’s first full-length collection strives to rescue, celebrate, and preserve the works and sensibilities of those whose ideas and visions and have been long overlooked by posterity. Crymble’s technical acumen, ear for music, and emotional sincerity are the adhesive agents that bring the vernacular ethnographies, high-brow ekphrastics, tender elegies, forlorn love lyrics, and acutely observed accounts of plain and seemingly unremarkable domestic experience together in this formidable debut.

Phillip Crymble is a disabled writer and scholar living in Atlantic Canada. A SSHRC doctoral fellow at UNB Fredericton, he holds a MFA from the University of Michigan and has published poems in The New York Quarterly, Michigan Quarterly Review, The Hollins Critic, The Literary Review of Canada, Poetry Ireland Review, The Forward Book of Poetry 2017, and elsewhere. In 2016, Not Even Laughter, his first full-length collection, was a finalist for both the New Brunswick Book Award and the Writer’s Federation of Nova Scotia’s J.M. Abraham Prize.

Poet and Nonfiction writer, Sarah Messer, has received fellowships and grants from the Provincetown Fine Arts Work Center, the Wisconsin Institute for Creative Writing, the NEA, the Michigan Council for Arts and Cultural Affairs, and the Mellon Foundation. In 2008-2009 she was a fellow in poetry at the Radcliffe Institute for Advanced Study (Bunting) at Harvard. She is the author of four books: a hybrid history/memoir, Red House (Viking), a book of translations, Having Once Paused: Poems of Zen Master Ikkyu (University of Michigan Press) and two poetry books, Bandit Letters (New Issues), and Dress Made of Mice (Black Lawrence Press). Her work has appeared in the Paris Review, the Kenyon Review, Gulf Coast, and Ploughshares, among others. For many years she taught as an Associate Professor in the MFA/BFA program at the University of North Carolina at Wilmington.  In 2010, Messer co-founded One Pause Poetry, an on-line audio archive and reading series in Ann Arbor, Michigan. Currently she teaches Creative Writing in the Residential College at the University of Michigan, and is a cheese maker at White Lotus Farms.

Literati is thrilled to welcome author Meghan O’Gieblyn who will sharing her new essay collection Interior States. She will joined for a discussion about her work by writer and Literati bookseller Young Eun Yook.

About Interior States:
A fresh, acute, and even profound collection that centers around two core (and related) issues of American identity: faith, in general and the specific forms Christianity takes in particular; and the challenges of living in the Midwest when culture is felt to be elsewhere.

What does it mean to be a believing Christian and a Midwesterner in an increasingly secular America where the cultural capital is retreating to both coasts? The critic and essayist Meghan O’Gieblyn was born into an evangelical family, attended the famed Moody Bible Institute in Chicago for a time before she had a crisis of belief, and still lives in the Midwest, aka “Flyover Country.” She writes of her “existential dizziness, a sense that the rest of the world is moving while you remain still,” and that rich sense of ambivalence and internal division inform the fifteen superbly thoughtful and ironic essays in this collection. The subjects of these essays range from the rebranding (as it were) of Hell in contemporary Christian culture (“Hell”), a theme park devoted to the concept of intelligent design (“Species of Origin”), the paradoxes of Christian Rock (“Sniffing Glue”), Henry Ford’s reconstructed pioneer town of Greenfield Village and its mixed messages (“Midwest World”), and the strange convergences of Christian eschatology and the digital so-called Singularity (“Ghosts in the Cloud”). Meghan O’Gieblyn stands in relation to her native Midwest as Joan Didion stands in relation to California – which is to say a whole-hearted lover, albeit one riven with ambivalence at the same time.

MEGHAN O’GIEBLYN is a writer who was raised and still lives in the Midwest. Her essays have appeared in Harper’s Magazine, n+1, The Point, The New York Times, The Guardian, The New Yorker, Best American Essays 2017, and the Pushcart Prize anthology. She received a B.A. in English from Loyola University, Chicago and an MFA in Fiction from the University of Wisconsin-Madison. She lives in Madison, Wisconsin with her husband.

Young Eun Yook is a singer/writer born in Korea and New Jersey. She is a recipient of the Lucille Clifton memorial scholarship from Community of Writers at Squaw Valley and The Paul Mariani Fellowship at The Glen Workshop. You can find her work in the anthology, Goodbye Mexico: Poems of Remembrance and elsewhere. Young Eun received her MFA from the University of Michigan where she won The Meader Family Award and the Se-AH Haiam Scholarship. She is a Kundiman fellow.