Calendar

Literati is thrilled to welcome poets Megan Levad and Franny Choi for a special reading from their latest collections What Have I to Say to You and Death by Sex Machine.

Selected as Tavern Books’ 2014 Wrolstad Contemporary Poetry Series poet, Levad is the author of WHY WE LIVE IN THE DARK AGES (Tavern Books, 2015). Her poems have appeared in journals such as Denver Quarterly, Fence, Mantis, and Tin House, among others, and in the Everyman’s Library anthology Killer Verse. She also writes lyrics for composers Tucker Fuller and Kristin Kuster. Her debut libretto Kept: A Ghost Story premiered at the Virginia Arts Festival in May 2017. Levad lives in San Francisco.

Franny Choi is a writer, performer, and educator. She is the author of Floating, Brilliant, Gone (Write Bloody, 2014) and the chapbook Death by Sex Machine (Sibling Rivalry Press, 2017). She has been a finalist for multiple national poetry slams, and her poems have appeared in Poetry Magazine, American Poetry Review, the New England Review, and elsewhere. She is a Kundiman Fellow, Senior News Editor for Hyphen,  co-host of the podcast VS, and member of the Dark Noise Collective. Her second collection, Soft Science, is forthcoming from Alice James Books.

Literati is thrilled to welcome poets Phillip Crymble and Sarah Messer who will be sharing with us some of their latest work.

About Not Even Laughter:
A clearance bin of corner-cut records, remaindered paperbacks, and canisters of faded film, Phillip Crymble’s first full-length collection strives to rescue, celebrate, and preserve the works and sensibilities of those whose ideas and visions and have been long overlooked by posterity. Crymble’s technical acumen, ear for music, and emotional sincerity are the adhesive agents that bring the vernacular ethnographies, high-brow ekphrastics, tender elegies, forlorn love lyrics, and acutely observed accounts of plain and seemingly unremarkable domestic experience together in this formidable debut.

Phillip Crymble is a disabled writer and scholar living in Atlantic Canada. A SSHRC doctoral fellow at UNB Fredericton, he holds a MFA from the University of Michigan and has published poems in The New York Quarterly, Michigan Quarterly Review, The Hollins Critic, The Literary Review of Canada, Poetry Ireland Review, The Forward Book of Poetry 2017, and elsewhere. In 2016, Not Even Laughter, his first full-length collection, was a finalist for both the New Brunswick Book Award and the Writer’s Federation of Nova Scotia’s J.M. Abraham Prize.

Poet and Nonfiction writer, Sarah Messer, has received fellowships and grants from the Provincetown Fine Arts Work Center, the Wisconsin Institute for Creative Writing, the NEA, the Michigan Council for Arts and Cultural Affairs, and the Mellon Foundation. In 2008-2009 she was a fellow in poetry at the Radcliffe Institute for Advanced Study (Bunting) at Harvard. She is the author of four books: a hybrid history/memoir, Red House (Viking), a book of translations, Having Once Paused: Poems of Zen Master Ikkyu (University of Michigan Press) and two poetry books, Bandit Letters (New Issues), and Dress Made of Mice (Black Lawrence Press). Her work has appeared in the Paris Review, the Kenyon Review, Gulf Coast, and Ploughshares, among others. For many years she taught as an Associate Professor in the MFA/BFA program at the University of North Carolina at Wilmington.  In 2010, Messer co-founded One Pause Poetry, an on-line audio archive and reading series in Ann Arbor, Michigan. Currently she teaches Creative Writing in the Residential College at the University of Michigan, and is a cheese maker at White Lotus Farms.

Literati is thrilled to welcome author Meghan O’Gieblyn who will sharing her new essay collection Interior States. She will joined for a discussion about her work by writer and Literati bookseller Young Eun Yook.

About Interior States:
A fresh, acute, and even profound collection that centers around two core (and related) issues of American identity: faith, in general and the specific forms Christianity takes in particular; and the challenges of living in the Midwest when culture is felt to be elsewhere.

What does it mean to be a believing Christian and a Midwesterner in an increasingly secular America where the cultural capital is retreating to both coasts? The critic and essayist Meghan O’Gieblyn was born into an evangelical family, attended the famed Moody Bible Institute in Chicago for a time before she had a crisis of belief, and still lives in the Midwest, aka “Flyover Country.” She writes of her “existential dizziness, a sense that the rest of the world is moving while you remain still,” and that rich sense of ambivalence and internal division inform the fifteen superbly thoughtful and ironic essays in this collection. The subjects of these essays range from the rebranding (as it were) of Hell in contemporary Christian culture (“Hell”), a theme park devoted to the concept of intelligent design (“Species of Origin”), the paradoxes of Christian Rock (“Sniffing Glue”), Henry Ford’s reconstructed pioneer town of Greenfield Village and its mixed messages (“Midwest World”), and the strange convergences of Christian eschatology and the digital so-called Singularity (“Ghosts in the Cloud”). Meghan O’Gieblyn stands in relation to her native Midwest as Joan Didion stands in relation to California – which is to say a whole-hearted lover, albeit one riven with ambivalence at the same time.

MEGHAN O’GIEBLYN is a writer who was raised and still lives in the Midwest. Her essays have appeared in Harper’s Magazine, n+1, The Point, The New York Times, The Guardian, The New Yorker, Best American Essays 2017, and the Pushcart Prize anthology. She received a B.A. in English from Loyola University, Chicago and an MFA in Fiction from the University of Wisconsin-Madison. She lives in Madison, Wisconsin with her husband.

Young Eun Yook is a singer/writer born in Korea and New Jersey. She is a recipient of the Lucille Clifton memorial scholarship from Community of Writers at Squaw Valley and The Paul Mariani Fellowship at The Glen Workshop. You can find her work in the anthology, Goodbye Mexico: Poems of Remembrance and elsewhere. Young Eun received her MFA from the University of Michigan where she won The Meader Family Award and the Se-AH Haiam Scholarship. She is a Kundiman fellow.