Jill Dougherty (BA Russian ’70), former foreign affairs correspondent, CNN
Lots of countries lie.
Some call it “winning hearts and minds,” others call it “strategic communications,” still others call it “softening the battlefield.” However it’s described, propaganda is a key component of international relations, a tool employed both by diplomats and warriors. Russia has used propaganda since the 1917 Russian Revolution both to mold the minds of its own citizens and to spread the gospel of Marxism-Leninism around the world. Today’s Russia uses a well-honed media strategy to craft public opinion at home—and to promote the country’s public image abroad.
But the Kremlin also uses propaganda—now turbo-charged by digital advances like artificial intelligence, machine learning and big-data analytics—as a tool of war, a less-costly form of conflict than shedding blood, to undermine and weaken foes.
Jill Dougherty, former CNN Moscow Bureau Chief, examines how Russia uses information, and disinformation, to achieve its strategic objectives.
Jill Dougherty served as CNN correspondent for three decades, reporting from more than 50 countries. She is a Global Fellow at the Wilson Center in Washington, D.C. and a CNN Contributor who provides expert commentary on Russia and the post-Soviet region. Ms. Dougherty joined CNN in 1983, and was appointed Moscow Bureau Chief in 1997. During nearly a decade in that post, she covered the presidencies of Boris Yeltsin and Vladimir Putin, Russia’s post-Soviet economic transition, terrorist attacks, the conflict in Chechnya, Georgia’s Rose Revolution and Ukraine’s Orange Revolution. After a long career with CNN, Ms. Dougherty pursued academic interests, most recently as a Distinguished Visiting Practitioner at the University of Washington’s Evans School of Public Policy and Governance. An alumna of the University of Michigan, she has a B.A. in Slavic languages and literature, a certificate of language study from Leningrad State University, and a master’s degree from Georgetown University. In addition to writing for CNN.com, her articles on international issues have appeared in the “Washington Post,” “Huffington Post,” and “The Atlantic,” among other publications. Jill Dougherty is also a member of track-two diplomatic initiatives seeking to improve the U.S.-Russia relationship.
Join the Conversation
In October, 2017, The New Yorker published reporter Ronan Farrow’s exposé detailing the first on-the-record accounts of alleged assault and rape by Hollywood mogul Harvey Weinstein, followed by a series of pieces on the systems that enabled him. Farrow’s investigation helped spur a worldwide movement that redefined our cultural and institutional responses to sexual harassment and assault. Word of Weinstein’s abusive behavior had circulated among Hollywood and media circles for years. In 2002, the acclaimed author and New Yorker media writer Ken Auletta published a deeply reported profile detailing the powerful producer’s threats and intimidation tactics, but he could not get any of the women alleging sexual assault to go on the record. What changed—in Hollywood, in media, in society—to make 2017 such a turning point?
Join Wallace House Presents for an evening with reporters Ken Auletta and Ronan Farrow as they discuss their individual attempts to get to the truth about Harvey Weinstein and how reporters ultimately stood together in confronting one of the biggest stories in recent memory.
Questions for speakers? Tweet us using #WallaceHouse.
About the Speakers
Ronan Farrow is a contributing writer for The New Yorker and the author of “War and Peace: The End of Diplomacy and the Decline of American Influence.” His next book, “Catch and Kill,” about how Weinstein and other power brokers wield influence to suppress explosive stories, is forthcoming. In 2018, Farrow received a Livingston Award for his New Yorker investigation of Harvey Weinstein. A native of New York City, he is a lawyer and former government advisor. Farrow is a graduate of Bard College and Yale Law School.
Ken Auletta is an author and media writer who has written the “Annals of Communications” profiles and essays for The New Yorker since 1992. He joined the Livingston Awards national judging panel 37 years ago and is now the program’s longest serving judge. He recused himself from voting in the national reporting category in 2018. The author of twelve books, his most recent book, “Frenemies: The Epic Disruption of the Ad Business (and Everything Else),” was published in 2018. His writing and journalism has been recognized with numerous awards and honors including the 2002 National Magazine Award and a Lifetime Achievement Award by the Society of Silurians.
This event is co-sponsored by
U-M College of Literature, Arts and Science
Department of American Culture
Department of Women’s Studies
Department of English Language and Literature
This event is produced with support from the John S. and James L. Knight Foundation.
Literati is pleased to parnter with First United Methodist Church of Ann Arbor to welcome author and theologian Nadia Bolz-Weber who will be discussing her new book Shameless.
NADIA BOLZ-WEBER first hit the New York Times list with her 2013 memoir–the bitingly honest and inspiring Pastrix–followed by the critically acclaimed New York Times bestseller Accidental Saints in 2015. A former stand-up comic and a recovering alcoholic, Bolz-Weber is the founder and former pastor of a Lutheran congregation in Denver, House for All Sinners and Saints. She speaks at colleges and conferences around the globe.
Following the devastation resulting from the 1915 Armenian Genocide in the Ottoman Empire, the survivors of the massacres were dispersed across the Middle East, Europe and North and South America. Not content with watching World War I silently from the sidelines, a large number of Armenian volunteers joined the Légion d’Orient. They were trained in Cyprus and fought courageously in Palestine alongside Allied commander General Allenby, eventually playing a crucial role in defeating the German and Ottoman forces in Palestine at the Battle of Arara in September 1918. The Armenian legionnaires signed up on the understanding that they would be fighting in Syria and Turkey, and, should the Allies be successful, they would be part of an occupying army in their old homelands, laying the foundation for a self-governing Armenian state.
Susan Pattie describes the motivations and dreams of the Armenian Legionnaires and their ultimate betrayal as the French and the British shifted their priorities, leaving their ancestral homelands to the emerging Republic of Turkey. Complete with eyewitness accounts, letters and photographs, this book provides an insight into relations between the Great Powers through the lens of a small, vulnerable people caught in a war that was not their own, but which had already destroyed their known world.
Copies of “The Armenian Legionnaires” will be available for purchase (cash only) at the event.
Susan Pattie, former Director of the Armenian Institute in London is currently leader of the Pilot Project of the Armenian Diaspora Survey, funded by the Gulbenkian Foundation. She holds a PhD in Anthropology from the University of Michigan, Ann Arbor.
Christiane Gruber (history of art) and Juan Cole (history) discuss Gruber’s new book The Praiseworthy One: The Prophet Muhammad in Islamic Text and Images
About the book:
In the wake of controversies over printing or displaying images of the Prophet Muhammad, Christiane Gruber’s aim is to bring back into scholarly and public discussion the ‘lost’ history of imagining the Prophet in Islamic cultures. By studying the various verbal and visual constructions of the Prophet’s character and persona over the course of more than one thousand years, Gruber seeks to correct public misconceptions and restore to Islam its rich artistic heritage, illuminating the critical role Muhammad has played in Muslim constructions of self and community at different times and in various cultural contexts.
The Praiseworthy One is an exploration of the Prophet Muhammad’s significance in Muslim life and thought from the beginning of Islam to today. It pays particular attention to procedures of narration, veneration, and sacralization. Gruber stresses that a fruitful approach to extant textual and visual materials is one that emphasizes the harnessing of Muhammad’s persona as a larger metaphor to explain both past and present historical events, to build and delineate a sense of community, and to help individuals conceive of and communicate with the realm of the sacred. The Praiseworthy One shows that Muhammad has served as a polyvalent symbol rather than a historical figure with fixed significance.
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
A poet has the awe-inspiring power to immortalize a place within his audience’s mind with only their words. Join us as we explore the real locations behind many of the world’s most famous poems and their bards.
From the shores of the British Isles to the churchyard in Cambridge to the source of Lake Huron, we will visit the places that inspired some of the world’s most famous poets, including Oliver Wendell Holmes, Ralph Waldo Emerson, William Butler Yeats, Henry Wadsworth Longfellow, and many others. Bring a poem about your favorite place and take a journey with us.
Third Thursday is a monthly open house that showcases the highlights of the Clark Library’s vast collection. These fun, thematic events are open to everyone, offering the community a look at some of our favorite maps and other materials.
Harmful rhetoric towards journalists and the press casts doubt about the future of a free press and the safety of reporters. This was evident following the murders of five staff members at the Capital Gazette and Washington Post journalist Jamal Khashoggi. As democratic nations fall short in protecting press freedom, what are the implications for journalists of all nations? In an alarming numbers, reporters around the world are persecuted, jailed, exiled and even killed for exposing the truth.
Knight-Wallace international journalists Elena Milashina of Novaya Gazeta, Itai Anghel of Israeli TV, and Jawad Sukhanyar of The New York Times will discuss how threats and state censorship impact their work. In a discussion led by the University’s media law and First Amendment scholar Professor Leonard Niehoff, they will share their experiences reporting from Eastern Europe, the Middle East, South Asia and Africa and discuss what can be done to protect journalists and foster press freedom around the world.
The Eisendrath Symposium honors Charles R. Eisendrath, former director of Wallace House, and his lifelong commitment to international journalism.
About the Speakers
Elena Milashina was a 2010 Knight-Wallace Fellow and is an award winning investigative journalist for Russia’s independent newspaper Novaya Gazeta. After the killing of Anna Politkovskaya in 2006, Milashina became the key source of information about grave rights abuses in Chechnya. She investigates and brings to attention accounts of enforced disappearances, arbitrary detentions, extrajudicial executions, torture, and persecution of relatives of alleged insurgents, women’s rights in Chechnya and beyond. She also plays a key role in the independent investigation into the murder of Chechen human rights defender Natalia Estemirova. Milashina exposed a major crackdown on gay men in Chechnya in spring 2017, has investigated the catastrophe of the Kursk submarine, and hostage crises in Moscow (Nord–Ost) and Beslan. She has documented atrocities committed by both sides during the 2008 Russia-Georgia conflict and pressed for an end to impunity. She has repeatedly received death threats from the Chechen authorities.
Itai Anghel is a 2019 Knight-Wallace Fellow and a correspondent and documentary filmmaker for UVDA, a weekly investigative current affairs and documentary program on Israeli TV, Channel 2, where he also worked as a senior foreign affairs correspondent. Previously, he was a correspondent and chief editor of foreign affairs at Galatz (GLZ) Radio Station. He received the Sokolov Award, the highest award for outstanding journalism in Israel, in 2017, and he is a five-time recipient of the “Best TV Documentary in Israel” award from the Israeli Forum of Documentary Filmmakers.
Jawad Sukhanyar is a 2019 Knight-Wallace Fellow and a reporter for The New York Times in Afghanistan. He joined the Times in 2011 and is now the longest serving reporter in the paper’s Kabul bureau. Sukhanyar covers human rights and women’s issues and also covered the 2014 disputed Afghan presidential election. He worked as a researcher on a book about a couple who escaped an Afghan honor killing for the author Rod Nordland. Until 2011, he was a freelance reporter and researcher for various foreign news organizations. He also served as interpreter and researcher on a biography of former Afghan president Hamid Karzai for the author Bette Dam.
About the Moderator
Leonard Niehoff is a professor at the University of Michigan Law School, where he teaches courses in Media Law, First Amendment, and the history of banned books, among other things. He is the author of more than one-hundred articles, many in the field of free speech, and is currently at work on a book about the First Amendment. He has also practiced media and First Amendment law for over thirty years, representing numerous print publications, broadcasters, online media, and journalists. He is a graduate of the University of Michigan Law School.
Free and open to the public.
For questions about the event email: WallaceHouseEvents@umich.edu
This event is produced with support from the John S. and James L. Knight Foundation.
Michigan Radio and the Center for Russian, East European & Eurasian Studies are co-sponsors of the event.
Due to a fortunate confluence of water, geography and entrepreneurial vision, Detroit at the end of the 19th century was poised to experience unprecedented growth. Even before the Ford Motor Company was established in 1903, Detroit was a major industrial center and transportation hub. All this commercial activity and prosperity led to a building boom of incredible proportions at a time when the most popular architectural styles were Beaux Arts, Gothic Revival, Classical Revival, and Art Deco. Each of these styles typically required extensive ornamentation and because of this, Detroit became a treasure trove of architectural sculpture.
Jeff Morrison’s new book Guardians of Detroit: Architectural Sculpture in the Motor City documents these incredible features in a city that began as a small frontier fort and quickly grew to become a major metropolis and industrial titan. For this AADL presentation, Jeff will share more than 100 spectacular close-up pictures of architectural sculpture from throughout the city of Detroit. You will also learn about the symbolism behind the ornamentation and hear some of the untold stories of the artists, artisans, and architects involved in its creation, all drawn from the book.
Jeff Morrison is a historian and photographer who has been taking pictures since his parents gave him his first camera at age nine. He has a bachelor’s degree in history and art from Eastern Michigan University and over thirty years’ experience as a graphic artist. Jeff lives in Oxford, Michigan, with his lovely wife, Susie, and their wonder dog, Manfred.
This event includes a book signing and books will be on sale.
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
