Oct. 7 & 8. RC students direct and perform this popular semiannual 90-minute program of short scenes on a variety of topics and in a variety of styles, many written by RC students.
Oct. 7 & 8. RC students direct and perform this popular semiannual 90-minute program of short scenes on a variety of topics and in a variety of styles, many written by RC students.
Brutally Honest Storytelling Open Mic is a live storytelling event where the audience is free to be real as they want to be. No experience necessary. New storytellers or experienced storytellers – everyone has stories. OR just come to listen, that’s okay too!
Stories have a 5 minute time limits. Notes are okay!
Hosted by Shannon Cason (The Moth, Snap Judgment, RISK!, WBEZ’s Homemade Stories). Shannon is a host, MainStage storyteller and GrandSlam champion with The Moth. He is a regular on RISK! and NPR’s Snap Judgment. Shannon also hosts his own storytelling podcast with WBEZ Chicago called Shannon Cason’s Homemade Stories. He is a husband, father, and from Detroit.
The Blind Pig, 208 N. First St. Ann Arbor, MI 48104. $7 (age 20 & under, $10). patriciarwheeler@gmail.com http://www.shannoncason.com/
Oct. 12: All invited to read and discuss their poetry or short stories. Bring about 6 copies of your work to share. Hosted by local poets and former college English teachers Joe Kelty and Ed Morin.
Monthly open mike storytelling competition sponsored by The Moth, the NYC-based nonprofit storytelling organization that also produces a weekly public radio show. Each month 10 storytellers are selected at random from among those who sign up to tell a 3-5 minute story on the monthly theme. The 3 judges are recruited from the audience. Monthly winners compete in a semiannual Grand Slam. Space limited, so it’s smart to arrive early.
Note: Beginning in August, the Storyslam is held twice a month, on the 1st & 3rd Tuesdays.
7:30-9 p.m. (doors open and sign-up begins at 6 p.m.), The Circus, 210 S. First. $10. 764-5118.
• Panel discussion about the present and future of research in bipolar disorder
• Reception
The signed book will be available for purchase at the event.
This event is free and open to the public, but we kindly ask you to pre-register:http://www.prechterfund.org/lecture/
“Baird’s lonely, angry, grief-stricken, and occasionally grandiose account of his illness and its shattering costs is the reason we can’t put [this book] down. His sharply detailed recollections are sometimes sane and sometimes not, but his writing is lucid even when his thinking isn’t. His manuscript is a plea to understand his experience and, by extension, others.” – The Boston Globe
University of Michigan, Kahn Auditorium, A. Alfred Taubman Biomedical Science Research Building, 109 Zina Pitcher Place. Free. kbergman@umich.edu http://www.prechterfund.org/lecture/ [map]
Historian and author, Andy Robertshaw will examine the nature of trench warfare on the Western Front using the example of the trenches around Ypres, Belgium, in early 1917. His research is based on a reconstruction of trenches near Railway Wood which he built in 2012 as research for his book 24 Hour Trench. Andy will begin the evening with a meet and greet, which will then segway into his presentation on trench warfare, followed by a book signing. During the book signing you’ll be able to spend more time getting to know the author.
This event begins at 7:00pm, doors open at 6:30pm.
Admission: Members are $5/Non-members $10
Tickets are on sale now!
Yankee Air Museum, 47884 D Street, Belleville. $5. 734-483-4030.megan.dziekan@yankeeairmuseum.org http://yankeeairmuseum.org/events/ [map]
RC students present an original play that has been conceived, written, and rehearsed within the past 24 hours.
Literati is pleased to be the bookseller for Susan Stellin and Graham MacIndoe’s visit to Ann Arbor. Susan and Graham will discuss their book Chancers: Addiction, Prison, Recovery, Love at the University of Michigan, sponsored by the Crime and Justice Minor Program.
In this powerful dual memoir, a reporter and a photographer tell their gripping story of falling in love, the heroin habit that drove them apart, and the unlikely way a criminal conviction brought them back together.
From their harrowing portrayal of the ravages of addiction to the stunning chain of events that led to Graham’s arrest and imprisonment at Rikers Island, Chancersunfolds in alternating chapters that offer two perspectives on a relationship that ultimately endures against long odds. Susan, a tenacious reporter, follows Graham down the rabbit hole of the American criminal justice system, determined to keep him from becoming another casualty of the war on drugs. Graham gives a stark, riveting description of his slide from brownstone Brooklyn to a prison cell, his gut-wrenching efforts to get clean, and his fight to avoid getting exiled far away from his son and the life he built over twenty years.
Beautifully written, brutally honest, yet filled with suspense and hope, Chancerswill resonate with anyone who has been touched by the heartache of addiction, the nightmare of incarceration, or the tough choice of leaving or staying with someone who is struggling on the road to recovery.
Literati is pleased to be the bookseller for the Author’s Forum’s presentationof “Contemporary Korean Art: Tansaekhwa and the Urgency of Method,” a conversation with Joan Kee and David Chung.
A crucial artistic movement of twentieth-century Korea, Tansaekhwa (monochromatic painting) also became one of its most famous and successful. In this full-color, richly illustrated account—the first of its kind in English—Joan Kee provides a fresh interpretation of the movement’s emergence and meaning that sheds new light on the history of abstraction, twentieth-century Asian art, and contemporary art in general. This book provides a comprehensive overview of the most controversial and influential artistic movement in contemporary Korean art. With detailed formal analysis on the important artworks and locating them within the broader historical and intellectual framework, Joan Kee vividly portrays how Korean artists responded to the international art world and positioned Tansaekhwa as an alternative to Euro-American art. Contemporary Korean Art makes essential reading for anyone interested in the non-Western artists’ negotiations to global art in the twentieth century.
