RC students present an original play that has been conceived, written, and rehearsed within the past 24 hours.
Mar. 17 & 18. RC students present the acclaimed contemporary NYC-based playwright David Adjmi’s award-winning 2012 tragicomic satire of the empty-headed narcissism of the congenitally rich in the guise of the daily life of the doomed queen on the eve of the French Revolution.
8 p.m., Keene Theater, East Quad, 701 East University. Free. 647-4354.
Coffee and (_______)
14409 Jefferson Ave E, Detroit, Michigan 48215
The Line Up:
Diana Dinverno
Keith Taylor
Kristin Lenz
Laura Hulthen Thomas
Sarah Rose Sharp
Aubri K. Adkins (host)
DIANA DINVERNO began her writing life by authoring essays and features for numerous Michigan publications. She was a finalist for the New Rivers Press 2015 Short Story Prize and the recipient of awards from Detroit Working Writers (fiction, creative nonfiction, and poetry), Rochester Writers (memoir), and the Poetry Society of Michigan. Her work appears in The MacGuffin, Peninsula Poets, and American Fiction, Volume 15, The Best Unpublished Stories by New and Emerging Writers. Recently, she completed a work of historical fiction set in Renaissance Florence. Diana, a graduate of the University of Michigan and the University of Detroit School of Law, lives and works in metro Detroit. www.dianadinverno.com
KEITH TAYLOR has authored or edited 16 books and chapbooks, including his most recent small collection, Fidelities (Alice Greene and Co., 2015). His most recent full length collection The Bird-while, was published by Wayne State University Press in February, 2017. His collection, If the World Becomes So Bright, was published in 2009. He has also co-edited several collections of fiction and non-fiction, including a recent collection of contemporary Michigan ghost stories. His poems, stories, reviews and translations have appeared widely in North America and in Europe. He has received Fellowships from the National Endowment for the Arts and the Michigan Council for Arts and Cultural Affairs. He teaches at the University of Michigan where he also serves as Associate Editor of Michigan Quarterly Review and director of the Bear River Writers Conference. He spends his summers teaching at the University of Michigan Biological Station near Pellston. http://www.keithtaylorannarbor.com/
KRISTIN BARTLEY LENZ is a social worker and writer who has lived in Michigan, Georgia, and California. She has a B.A. in psychology from the University of Michigan and a MSW from Wayne State University. She writes for Detroit non-profits including the Skillman Foundation and Gleaners Food Bank, and manages the Michigan Chapter blog for the Society of Children’s Book Writers and Illustrators. Her first novel, The Art of Holding On and Letting Go, was published in September 2016 and was the winner of the Helen Sheehan YA Book Prize and a Junior Library Guild Selection. http://www.kristinbartleylenz.com/
LAURA HULTHEN THOMAS’s short fiction and essays have appeared in a number of journals and anthologies, including The Cimarron Review, Nimrod International Journal, Epiphany and Witness. She received her MFA in fiction writing from Warren Wilson College. She currently heads the undergraduate creative writing program at the University of Michigan’s Residential College, where she teaches fiction and creative nonfiction. Her short story collection, States of Motion, is forthcoming this spring from Wayne State University Press.
SARAH ROSE SHARP is a Detroit-based writer, activist, photographer and multimedia artist. She writes about art and culture in Detroit for Hyperallergic, Art in America, and others. She has been to all 50 states and shown work in New York and Detroit. She is not a huge fan of bios.http://sarahrosesharp.com/
AUBRI K. ADKINS is a short story writer and memoirist. Her short story, Midday Tumbler, was published in the Tusculum Review. She has a B.A. in the Liberal Arts from Lawrence University in Appleton, WI and a M.A. in Industrial and Organizational Psyhology from the Chicago School of Professional Psychology in Chicago, IL. She is the host of the East Side Reading Series and would love to talk to you
Mar. 17 & 18. RC students present the acclaimed contemporary NYC-based playwright David Adjmi’s award-winning 2012 tragicomic satire of the empty-headed narcissism of the congenitally rich in the guise of the daily life of the doomed queen on the eve of the French Revolution.
8 p.m., Keene Theater, East Quad, 701 East University. Free. 647-4354.
RC drama instructors Martin Walsh and Kate Mendeloff’s students direct and perform 8 short plays by Ives, an acclaimed contemporary American playwright best known for his one-act comedies.
7:30 p.m., RC Keene Theater, East Quad, 701 East University. Free. 647-4359.
Conversation between Harvard social sciences professor Matthew Desmond, author of the bestseller Evicted: Poverty & Profit in an American City, and veteran journalist and nonfiction writer Alex Kotlowitz, author of There Are No Children Here, an award-winning 1991 best-seller about 2 young boys growing up in Chicago’s public housing. Q&A. Reception follows.
4-6 p.m., Rackham Amphitheatre. Free. 936-3518.
Literati is pleased to partner with the University of Michigan’s Sweetland Center for Writing and WCBN Radio for the latest installment of Word^2: Writer to Writer, a series which puts a UM professor and member of the Sweetland faculty in conversation about writing.
This month, Writer to Writer welcomes Clare Croft, a historian, theorist, and dramaturg working at the intersection of dance studies and performance studies. She specializes in 20th and 21st century American dance, cultural policy, feminist and queer theory, and critical race theory. In all of these areas, Croft considers how dance is a way of thinking and a mode for asking questions. What does it mean to acknowledge that people have bodies and that they use their bodies to make meaning, create community, and critique social structures?
Croft’s current book project, Funding Footprints: Dance and American Diplomacy (Oxford University Press), examines the history of U.S. State Department funding of international dance tours. Croft’s writing about dance has appeared in Dance Research Journal, Theatre Journal, and Theatre Topics, and is forthcoming in Dance Chronicle. From 2002-2005, Croft was a regular contributor to The Washington Post, and from 2005-2010, she covered dance, as well as theatre and musical theatre, for the Austin American-Statesman.
In 2010, Croft’s article, “Ballet Nations: The New York City Ballet’s 1962 U.S. State Department-Sponsored Tour of the Soviet Union,” received the American Society of Theatre Research’s Biennial Sally Banes Publication Prize, which recognizes the publication that best explores the intersections of theatre and dance/movement. Croft was also the 2007 recipient of the Society of Dance History Scholar’s Selma Jeanne Cohen Award. At the University of Michigan, Croft teaches courses in the BFA and MFA dance programs, as well as in the BFA interarts program.
Mar. 22: Readings by Jennifer Clark, a Kalamazoo poet who has a forthcoming 2nd collection Johnny Appleseed: The Slice and Times of John Chapman, and InsideOut Literary Arts Project (Detroit) interim director and Al-Mutanabbi Street Starts Here Detroit project coordinator Alise Alousi, whose work is featured in Inclined to Speak: An Anthology of Contemporary Arab American Poetry. Followed by a poetry and short fiction open mike.
.
7-9 p.m., Crazy Wisdom, 114 S. Main. Free. 665-2757
Literati is pleased to be the bookseller for Diana Butler Bass’s visit to Ann Arbor. Diana is the Lenten speaker at First United Methodist Church in downtown Ann Arbor, and will speak on the topic of “Relocating Faith: Finding God in the Horizons of Nature and Neighbor.” This event is free and open to all. For more information, and to RSVP, please click here.
Diana Butler Bass is an author, speaker, and independent scholar specializing in American religion and culture. She holds a Ph.D. in religious studies from Duke University. After a dozen years teaching undergraduates, she became a full-time writer, independent researcher, educator, and consultant. Her work has been cited in the national media, including TIME Magazine, USA TODAY, and the Washington Post, and she has appeared on CNN, FOX, PBS, and NPR. Diana is the author of nine books. Her most recent book is Grounded: Finding God in the World — A Spiritual Revolution. She comments on religion, politics, and culture in a variety of media.
Please join us for a not-be-missed evening of conversation about urban “renewal,” racial capitalism, and resistance in contemporary Detroit. To mark the Detroit launch of Kinney’s Beautiful Wasteland: The Rise of Detroit as America’s Postindustrial Frontier (2016), the author will be in conversation with Andrew Herscher, member of the We the People of Detroit Community Research Collective and Detroit Resists and author of The Unreal Estate Guide to Detroit (2012). Together they will discuss the logics of racism and capitalism that have structured Detroit throughout the 20th century and into the city’s current “renewal.” They will explore how the branding of “New Detroit” as an “exciting” and “amenity-driven” landscape relies upon a simultaneous representation and destruction of working-class black neighborhoods—the displacement of the very people and the destruction of the very spaces that the branding of New Detroit relies upon. In so doing, they will ask if and how the narrative of Detroit’s contemporary “renewal” ought to be troubled and what narratives might open onto a truly inclusive and democratic city.
Rebecca J. Kinney, who grew up in metropolitan Detroit, is assistant professor in the School of Cultural and Critical Studies and Popular Culture at Bowling Green State University.
