In Black Opera: History, Power, Engagement (published May 4, 2018), Naomi André draws on the experiences of performers and audiences to explore this music’s resonance with today’s listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate.
In Dance Me a Song: Astaire, Balanchine, Kelly, and the American Film Musical (published June 27, 2018), Beth Genné traces Astaire’s, Balanchine’s, and Kelly’s collaborations with composers and film-makers, crossing stylistic and class boundaries to develop a truly modern dance style and genres for the film musical. She contextualizes their work within the history of dance, music, and film and its roots in the diverse dance and music cultures of jazz age America’s nation of immigrants. She demonstrates how concepts and visual-musical devices derived from dance-making would give entire films, both musical and non-musical, the rhythmic flow and feeling of dance.
Naomi André is Associate Professor in the Department of Afroamerican and African Studies, Women’s Studies, and the Associate Director for Faculty at the Residential College at the University of Michigan. Her earlier books, Voicing Gender: Castrati, Travesti, and the Second Woman in Early Nineteenth-Century Italian Opera (2006) and Blackness in Opera (2012, co-edited collection) focus on opera from the nineteenth to the mid-twentieth centuries and explore constructions of gender, race and identity.
Beth Genné is Professor of Dance History and Art History in the Dance Department and the Arts and Ideas concentration of the Residential College. She has written numerous book chapters on British ballet and dance in film (including Gene Kelly and Vincente Minnelli) and articles in such journals as Dance Research, Dance Chronicle, and Art Journal. Her first book, The Making of a Choreographer, was on the early training and choreographic development of Ninette de Valois, founder of the Royal Ballet.
Nov. 10 & 17. All adults and teens in grade 9 & up invited to work on their novel for this nonprofit promotion (also known as National Novel Writing Month) challenging teens and adults to write a 50,000-word novel by the end of November.
1-3 p.m., AADL Westgate. Free. 327-4200.
Marlin M. Jenkins was born and raised in Detroit. His poetry and fiction have been given homes by Indiana Review, Waxwing, Iowa Review, and Forward: 21st Century Flash Fiction, among others. He has worked as a teaching artist with Inside Out Literary Arts teaching poetry to middle schoolers in Detroit Public Schools, and is the Short Story Advisor at the Neutral Zone. He teaches writing and literature at University of Michigan, where he earned his MFA in poetry.
Local short story writer Alex Kourvo and young adult novelist Bethany Neal host an open house for writers to connect with one another and/or work on their projects.
7-8:45 p.m., AADL Westgate. Free. 327-4200.
Nov. 6 & 20. Open mike storytelling competition sponsored by The Moth, the NYC-based nonprofit storytelling organization that also produces a weekly public radio show. Each month 10 storytellers are selected at random from among those who sign up to tell a 3-5 minute story on themes of “Distance” (Nov. 6) & “Fear” (Nov. 20). The 3-person judging teams are recruited from the audience. Monthly winners compete in a semiannual Grand Slam. Seating limited, so it’s smart to arrive early.
7:30-9 p.m. (doors open and sign-up begins at 6 p.m.), Greyline, 100 N. Ashley. General admission tickets $10 in advance only at themoth.org beginning a week before each event. 764-5118.
Literati Bookstore is thrilled to welcome Pete Souza to Ann Arbor for a visual presentation of his latest book, Shade: A Tale of Two Presidents.
Tickets are general admission and include a hardcover copy of Shade to be picked up at the venue the evening of the event. Books will be pre-signed.
PLEASE NOTE: Due to Rackham’s unique seating chart and as this event entails a photo presentation, we have restricted available seating in the venue to improve sightlines. Seating is general admission, so we encourage arriving early.
About Shade: From Pete Souza, the #1 New York Timesbestselling author of Obama: An Intimate Portrait, comes a powerful tribute to a bygone era of integrity in politics.
As Chief Official White House Photographer, Pete Souza spent more time alongside President Barack Obama than almost anyone else. His years photographing the President gave him an intimate behind-the-scenes view of the unique gravity of the Office of the Presidency–and the tremendous responsibility that comes with it.
Now, as a concerned citizen observing the Trump administration, he is standing up and speaking out.
Shade is a portrait in Presidential contrasts, telling the tale of the Obama and Trump administrations through a series of visual juxtapositions. Here, more than one hundred of Souza’s unforgettable images of President Obama deliver new power and meaning when framed by the tweets, news headlines, and quotes that defined the first 500 days of the Trump White House.
What began with Souza’s Instagram posts soon after President Trump’s inauguration in January 2017 has become a potent commentary on the state of the Presidency, and our country. Some call this “throwing shade.” Souza calls it telling the truth.
In Shade, Souza’s photographs are more than a rejoinder to the chaos, abuses of power, and destructive policies that now define our nation’s highest office. They are a reminder of a President we could believe in, and a courageous defense of American values.
About Pete Souza: Pete Souza was the Chief Official White House Photographer for President Obama and the Director of the White House Photo Office. Previously Souza was an Assistant Professor of Photojournalism at Ohio University, the national photographer for the Chicago Tribune, a freelancer for National Geographic, and an Official White House Photographer for President Reagan. His books include the New York Times bestsellers Obama: An Intimate Portraitand The Rise of Barack Obama. Souza is currently a freelance photographer based in Washington, D.C., and a Professor Emeritus at Ohio University’s School of Visual Communication.
Reading by this award-winning local poet whose work often frames dark themes in plainspoken, imaginatively whimsical language. Preceded by an open mike.
7-8:30 p.m. Sweetwaters Coffee & Tea, 123 W. Washington. Free. 994-6663.
Literati is pleased to partner with the University of Michigan’s Sweetland Center for Writing and WCBN Radio for the latest installment of Writer to Writer, a series which puts a UM professor and member of the Sweetland faculty in conversation about writing.
This month, Writer to Writer welcomes Heather Ann Thompson, author of the Pulitzer Prize winning book Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy
About Blood in the Water:
THE FIRST DEFINITIVE HISTORY OF THE INFAMOUS 1971 ATTICA PRISON UPRISING, THE STATE’S VIOLENT RESPONSE, AND THE VICTIMS’ DECADES-LONG QUEST FOR JUSTICE
On September 9, 1971, nearly 1,300 prisoners took over the Attica Correctional Facility in upstate New York to protest years of mistreatment. Holding guards and civilian employees hostage, the prisoners negotiated with officials for improved conditions during the four long days and nights that followed.
On September 13, the state abruptly sent hundreds of heavily armed troopers and correction officers to retake the prison by force. Their gunfire killed thirty-nine men–hostages as well as prisoners–and severely wounded more than one hundred others. In the ensuing hours, weeks, and months, troopers and officers brutally retaliated against the prisoners. And, ultimately, New York State authorities prosecuted only the prisoners, never once bringing charges against the officials involved in the retaking and its aftermath and neglecting to provide support to the survivors and the families of the men who had been killed.
Drawing from more than a decade of extensive research, historian Heather Ann Thompson sheds new light on every aspect of the uprising and its legacy, giving voice to all those who took part in this forty-five-year fight for justice: prisoners, former hostages, families of the victims, lawyers and judges, and state officials and members of law enforcement. Blood in the Water is the searing and indelible account of one of the most important civil rights stories of the last century.
HEATHER ANN THOMPSON is an award-winning historian at the University of Michigan. Her most recent book, Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy, won the Pulitzer Prize in History, the Bancroft Prize, the Ridenhour Book Prize, and the J. Willard Hurst Prize, and was a finalist for the National Book Award and the Los Angeles Times Book Prize, among other accolades. She is also the author of Whose Detroit?: Politics, Labor, and Race in a Modern American City and the editor of Speaking Out: Activism and Protest in the 1960s and 1970s. She served on a National Academy of Sciences blue-ribbon panel that studied the causes and consequences of mass incarceration in the United States and has given congressional staff briefings on the subject. She has written on the history of mass incarceration and its current impact for The New York Times, Time, The Atlantic, Salon, Newsweek, NBC, Dissent, New Labor Forum, and The Huffington Post, as well as for various top scholarly publications.
Literati is thrilled to partner with the Institute of Humanitites at the University of Michigan to have copies of Shachar Pinsker’s new book Rich Brew: How Cafes Created Modern Jewish Culture available for purchase.
About Rich Brew:
A fascinating glimpse into the world of the coffeehouse and its role in shaping modern Jewish culture Unlike the synagogue, the house of study, the community center, or the Jewish deli, the café is rarely considered a Jewish space. Yet, coffeehouses profoundly influenced the creation of modern Jewish culture from the mid-nineteenth to mid-twentieth centuries. With roots stemming from the Ottoman Empire, the coffeehouse and its drinks gained increasing popularity in Europe. The “otherness,” and the mix of the national and transnational characteristics of the coffeehouse perhaps explains why many of these cafés were owned by Jews, why Jews became their most devoted habitués, and how cafés acquired associations with Jewishness. Examining the convergence of cafés, their urban milieu, and Jewish creativity, Shachar M. Pinsker argues that cafés anchored a silk road of modern Jewish culture. He uncovers a network of interconnected cafés that were central to the modern Jewish experience in a time of migration and urbanization, from Odessa, Warsaw, Vienna, and Berlin to New York City and Tel Aviv. A Rich Brew explores the Jewish culture created in these social spaces, drawing on a vivid collection of newspaper articles, memoirs, archival documents, photographs, caricatures, and artwork, as well as stories, novels, and poems in many languages set in cafés. Pinsker shows how Jewish modernity was born in the café, nourished, and sent out into the world by way of print, politics, literature, art, and theater. What was experienced and created in the space of the coffeehouse touched thousands who read, saw, and imbibed a modern culture that redefined what it meant to be a Jew in the world.
Shachar M. Pinsker is Associate Professor of Hebrew Literature and Culture at the University of Michigan. He is the author of Literary Passports: The Making of Modernist Hebrew Fiction in Europe
Retired U.S. Navy admiral Michael Giorgione discusses his 2017 book based on interviews with commanders and his own experience as the commanding officer at Camp David from 1999-2001. Book sale, signing, & reception follow.
7 p.m., Ford Library, 1000 Beal. Free. 205-0555.
