Feb. 14, 16, 22, & 23 (different programs). U-M students and faculty perform staged readings of works by this acclaimed English playwright in honor of her 80th birthday. Today: The 2006 play Drunk Enough to Say I Love You?, an allegory about U.S. foreign policy and international relations told through the story of a relationship between 2 men. Here We Go (2015) is a 3-part meditation on death, beginning with a funeral and continuing into the afterlife.
7:30 p.m., East Quad Keene Theater, 701 East University. Free. 647-4354
Feb. 14, 16, 22, & 23 (different programs). U-M students and faculty perform staged readings of works by this acclaimed English playwright in honor of her 80th birthday. Today: U-M drama students in 2 different Residential College drama classes direct and perform Love and Information, Churchill’s 2012 play about relationships in the digital age presented as an evolving mosaic of more than 50 fragmented and superficially unconnected scenes. The U-M theater department also performs Love and Information(see 21 Thursday listing).
7:30 p.m., Keene Theatre, East Quad, 701 East University. Free. 647-4354.
German actor Margit Stra�burger sings cabaret songs set to poetry by German Jewish poet Mascha Kaleko that longs for pre 1933-Berlin. In German with piano accompaniment by Toledo-based pianist Michelle Papenfuss. Q&A follows.
5-7 p.m., Keene Theatre, East Quad, 701 East University. Free. 647-4354
Scholar, poet and playwright Dr. Carolyn Dunn will lecture on the aesthetics of Native and Indigenous Theater. Dunn was born in Southern California and is of Cherokee, Muscogee Creek, Seminole, Cajun, French Creole, and Tunica-Biloxi descent. She earned a BA from Humboldt State University, an MA from UCLA, and a PhD from the University of Southern California. Her collections of poetry include Outfoxing Coyote (2001) and Echolocation: Poems and Stories from Indian Country L.A. (2013). She has edited the anthologies Through the Eye of the Deer (1999) and, with Paula Gunn Allen, Hozho: Walking in Beauty: Native American Stories of Inspiration, Humor, and Life (2001). Dunn is the coauthor, with Ari Berk, of the nonfiction book Coyote Speaks: Wonders of the Native American World (2008). Her play The Frybread Queen was produced by the Montana Repertory Theater in Missoula, Montana, and Native Voices at the Autry in Los Angeles.
Dunn’s scholarly work focuses on American Indian women’s literature and American Indian identity. She has taught at Humboldt State University, Four Winds Indian School, and California Polytechnic State University. A founding director of the American Indian Theatre Collective, she is also a member of the female Native American drum group the Mankillers. She is director of the American Indian Resource Center at UC Santa Cruz.
All events are free and open to the public. Visit www.lsa.umich.edu/world-performance for more info.
If you are a person with a disability who requires an accommodation to participate in this event, please contact Center for World Performance Studies, at 734-936-2777, at least one week in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the University to arrange.
This residency is co-sponsored by the U-M Residential College, CEW+, Institute for Research on Women & Gender, SMTD Department of Theatre & Drama, Institute for Humanities, SMTD Office of Diversity, Equity & Inclusion and Department of American Culture.
This lecture is on Foster Care and Orphans of War with Mark Jonathan Harris, producer, known for Into the Arms of Strangers: Stories of the Kindertransport (2000), The Long Way Home (1997) and Breaking Point: The War for Democracy in Ukraine (2017).
Room 1423, East Quadrangle, 701 East University, Ann Arbor, MI 48109. Free. rc.communications@umich.edu https://lsa.umich.edu/rc/news-events/all-events.detail.html/59958-14803942.html
Using contemporary plays, together we’ll explore how to read drama and why it’s important. Plays are a powerful tool to ignite conversations about issues that are often challenging to discuss and they give voice to people and experiences that might otherwise be overlooked. We’ll even try our hand at writing them!
Kate Tucker Fahlsing is a Chicago-based playwright, screenwriter, educator and founder of WhizBang Writers Workshop. She holds an MFA in Writing for the Screen + Stage from Northwestern University. Her plays have been featured in Chicago and Off-Broadway in New York City. For more visit: www.whizbangwriters.com
$25. 7pm.
Feb. 11, 12, 18, 19, & 21.
U-M students, nominated by their instructors, read their poems and short stories. Light refreshments.
7-8:30 p.m., U-M Shapiro Undergrad Library Lobby, 919 South University. Free. 764-7493.
Feb. 11, 12, 18, 19, & 21.
U-M students, nominated by their instructors, read their poems and short stories. Light refreshments.
7-8:30 p.m., U-M Shapiro Undergrad Library Lobby, 919 South University. Free. 764-7493.
Every Wed. Members read and discuss poems around themes TBA. Followed by collaborative writing games and exercises. Attendees invited to read their poems. Snacks & socializing.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
Bénédicte Boisseron (Afro-American and African studies) and Aliyah Khan(English, Afro-American and African studies) discuss Boisseron’s new book Afro-Dog, which investigates the relationship between race and the animal in the history and culture of the Americas and the black Atlantic, exposing a hegemonic system that compulsively links and opposes blackness and animality to measure the value of life.
