Celebrating our common humanity uniting us all.
On September 22, 29, and October 6, 7:00 pm, the theatre company, Apollo’s Troupe, will stage the theatre adaptation of the critically-acclaimed epic poem, The Parliament of Poets, written by Michigan poet Frederick Glaysher and published in 2012 by Earthrise Press. Fresh from performing in May at Wayne State University’s Studio Theatre, this stage adaptation of Mr. Glaysher’s epic work in verse keeps intact much of the beautiful poetry that exemplifies this spectacular book while seeking to reach a new audience with its message of how poetry and artistry from all times and cultures can elevate the world and redefine our lives for the better.
Glaysher studied with Robert Hayden during the last year of his life, worked for him as a secretary, and editing his Collected Prose for the University of Michigan Press and his Collected Poems for Liveright. Glaysher holds two degrees from U of M, the latter a Master’s in English. When it came time for writing his epic poem, Glaysher knew he had to include Robert Hayden to try to honor his former teacher, mentor, and friend.
The cast is comprised of the poet himself, as a persona, The Poet of the Moon, as well as five talented actors playing multiple roles including Don Quixote, Merlin the Magician, Jane Austen, Ann Arbor Poet Robert Hayden, Leo Tolstoy, the Biblical prophet-poet Job, the great Chinese poet Du Fu, the African Queen Sogolon, and many more. These actors are Dennis Kleinsmith as Don Quixote and Tolstoy (Theatre Nova, JET, Shakespeare in Detroit, etc.), Krystle Dellihue as Robert Hayden and Queen Sogolon from the Mali epic Sundiata (Shakespeare In Detroit, Matrix Theatre, Redbud, PTD), Alexander Sloan, also as Robert Hayden and Jorge Luis Borges (Open Book, Water Works, Hope College), Marley Boone, as the Fairy Queen and the Chinese Tang poet Du Fu (Williamston, St. Dunstan’s, several Philadelphia theatres), Patrick Grimes, as the African Flying Tortoise Mbeku, Merlin, Virgil, and William Blake (Redbud, Morris, Young People’s Theatre). The stage manager is Briana O’Neal, the new resident stage manager at Theatre Nova (Eastern MSU, Ann Arbor Civic Theatre).
In the canto with Robert Hayden, he invokes the passage from Stephen Vincent Benet’s John Brown’s Body about one day there would be an American black poet who would sing for his people. Hayden then calls forth the fairies and magical beings from around the world, throughout time, to carry him and his “charge,” the Poet of the Moon, heavenward to the Apollo 11 landing site.
Based on staging by Jeff Thomakos, of the Michigan Michael Chekhov Studio, the show is a unique blend of poetry reading, protest play, and performance art with a powerful message of peace, love, and humanity on the tiny, blue marble floating in space that we all share together.
“I am very honored to try to bring this critically-acclaimed work, from one of Michigan’s most talented poets to life. I think it will be a unique and moving experience,” says Mr. Thomakos.
The show will be a Guest Production at Theatre Nova, 410 West Huron Street. Performances will take place 7:00 – 9:00 pm on Sunday evenings September 22, 29, and October 6. Tickets are at the door and online under Guest Productions, https://www.theatrenova.org/guest-productions $22 general, $15 students. Go to TheatreNova.org or EarthrisePress.Net for more information. Or call 248-453-4220. The Parliament of Poets can be purchased at Crazy Wisdom Bookstore.
Celebrating our common humanity uniting us all.
Celebrating our common humanity uniting us all.
We welcome three incredible poets–Oliver Baez Bendorf, Suzi F. Garcia, & David Hornibrook–as part of our ongoing Poetry at Literati Series. A book signing will follow. The event is free and open to the public.
Oliver Baez Bendorf’s debut full-length collection, The Spectral Wilderness (Kent State U.) was selected by Mark Doty for the Stan & Tom Wick Poetry Prize. His second book, Advantages of Being Evergreen, won CSU Poetry Center’s Open Book Poetry Competition and will be published September 10, 2019. His poems have appeared in American Poetry Review, Poetry, BOMB, Academy of American Poets’ Poem-a-Day, Troubling the Line: Trans and Genderqueer Poetry and Poetics, and elsewhere. He has been a featured reader at New Orleans Poetry Festival, The White House, Smith College, and Woodland Pattern. A recipient of honors and fellowships from CantoMundo, Lambda Literary, Vermont Studio Center, and University of Wisconsin-Madison’s Institute for Creative Writing, he is an assistant professor of creative writing at Kalamazoo College in Michigan. https://www.oliverbaezbendorf.com/
Suzi F. Garcia is the author of the chapbook, Dear Dorothy: A Home Grown Fairytale, Skull + Wind Press, 2020. The daughter of a Peruvian immigrant, raised in Arkansas, she has an MFA in Creative Writing with minors in Screen Cultures and Gender Studies. Suzi is an Executive Editor at Noemi Press, where she has worked with authors such as the Blunt Research Group, Jennifer Tamayo, Roberto Tejada, Thirii Myint, and Vanessa Villarreal. Suzi is a CantoMundo Fellow, a Macondista, and participated in the first-ever Poetry Incubator at the Poetry Foundation. She is teaching a 2019 Telluride Association Summer Program seminar. Her writing has been featured or is forthcoming from the Offing, Vinyl, Fence Magazine, and more. She has presented at PCA/ACA, AWP, and Console-ing Passions, among other national conferences.
David Hornibrook grew up in the suburbs of Detroit where he worked for many years as a caregiver and non-profit administrator. His poems have won multiple awards, including a Pushcart Prize. Hornibrook holds an MFA from the Helen Zell Writer’s Program at the University of Michigan.
Skazat! is back, and have we got a season lined up for you! Join us at Sweetwaters Coffee & Tea Washington St. to celebrate with fabulous poetry and tasty treats. Whether you’re a page poet, slammer, performance artist or refuse a label, we want to hear your new stuff on our open mic. We look forward to sharing great poetry (and great coffee) with you and invite you to join this free open mic and monthly reading series!
Sign up! 7:00 p.m.
7:15 p.m. – Open mic
8:00 p.m. – Featured Reader
This month’s feature: David Hornibrook
We welcome former TIME correspondent, founder of the Knight-Wallace Fellowships and Livingston Awards at the University of Michigan, Charles R. Eisendrath, in support of his collection Downstream from Here: A Big Life in a Small Place. Book signing to follow. Free and open to the public.
About the book:
“Why not learn how to learn by doing? Why not go backwards and forwards at the same time, intro-prospecting what’s gone into our gene pool by letting it come out as the future unfolded? Each of us is a family album that few of us take the time to reference. The trick is learning how to read the pages while making new ones at the same time. The turning part happens by itself — you just need to pay attention.”
Charles R. Eisendrath, in this series of essays spanning four decades, explores the things that grow lives of their own when left undisturbed at a second home — things like an “ancestor room,” a storm-struck forest, a player piano and a childhood fear of wild dogs. These essays are about the loves of a place inhabited temporarily, but which shape a person permanently.
These essays range from Anatolia to Argentina, from FDR’s secret wartime fishing trip to a plane crash in Costa Rica. The margin notes of academic articles lead to a grill admired by James Beard and a Saudi prince. Tenure at the University of Michigan inspires a cherry orchard and bulldozers invite ghosts. Serious, hilarious, inquisitive, spontaneous, Eisendrath introduces us to the people and places, the life, death and afterlife that goes on nonstop, all around us, all by itself.
RC Creative Writing alumna Carmen Bugan is a poet and author of the critically acclaimed memoir Burying the Typewriter. She visits in support of her collection of new and selected poems, Lilies from America. Book signing to follow. Free and open to the public.
About the collection: This selection of Carmen Bugan’s poems offers readers an experience with all the surprise and continuity of a long, complex novel. Childhood, youth, the move from a traditional rural world, dominated by lovingly described grandparents, to exile, urban life, parents aging, children growing – all the private normalities which are so often the material of poetry are here. But, from the striking opening, where the poet’s parents work secretly on a typewriter, buried and dug up after the children are in bed, on Samizdat protests against the government of Romania, normality collides with history. A reality of state surveillance, abuse and incarceration fills the poems with urgency, even as memories are revisited and sometimes revised.
Carmen Bugan’s books include the memoir Burying the Typewriter: Childhood Under the Eye of the Secret Police (Picador), which has received international critical praise, the Bread Loaf Conference Bakeless Prize for Nonfiction, and was a finalist in the George Orwell Prize for Political Writing, and the Dayton Literary Peace Prize. Her collections of poems are Releasing the Porcelain Birds and The House of Straw (both with Shearsman Books), and Crossing the Carpathians(Carcanet Press). She is also the author of a critical study on Seamus Heaney and East European Poetry in Translation: Poetics of Exile. Her work has been translated into several languages and she is a regular reviewer for Harvard Review Online. Bugan was awarded a large grant from the Arts Council of England, was a Creative Arts Fellow in Literature at Wolfson College, Oxford University, was a Hawthornden Fellow, the 2018 Helen DeRoy Professor in Honors at the University of Michigan, and is a George Orwell Prize Fellow. She has a doctorate in English literature from Balliol College, Oxford University. She now lives in the USA with her husband and children.