فرنگی (Farangi)

Categorized as Terms

فرنگی (Farangi)

نگار حبيبی

:واژه های مرتبط

:ویدئوهای مرتبط

Negar Habibi, “The Depiction of European Women in Late Safavid Paintings,” Khamseen: Islamic Art History Online, published 9 February 2021.

:ارجاعات

Habibi, Negar. “Farangi-Sazi.” Encyclopaedia Iranica Online (2021).

Habibi, Negar. “Zan-i Farangi, a Symbol of Occident: The European Women in Farangi Sazi Paintings (1666-94).” In Iran and the West: Cultural Perceptions from the Sasanian Empire to the Islamic Republic, edited by Margaux Whiskin and David Bagot, 225–40. London: I.B. Tauris, 2018.

Langer, Axel. “European Influence on Seventeenth-Century Persian Painting: Of Handsome Europeans, Naked Ladies, and Parisian Timepieces.” In The Fascination of Persia: Persian-European Dialogue in Seventeenth-Century Art & and Contemporary Art of Tehran, edited by Axel Langer, 170–237. Zurich: Museum Rietberg, Scheidegger and Spiess AG, 2013.

Porter, Yves. “From the ‘Theory of Two Qalams’ to the ‘Seven Principles of Painting’”: Theory, Terminology and Practice in Persian Classical Paintings.” Muqarnas 17 (2000): 109–118.

Sefatgol, Mansur. “Farang, Farangi and Farangestan: Safavid Historiography and the West (907-1148/1501-1736).” In Iran and the World in the Safavid Age, edited by Willem Floor and Edmund Herzig, 357–364. London: I.B. Tauris, 2012.

:نقل و ارجاع