Editor’s Note | Place

Dear Reader,  Often, our encounters with place can be misconstrued simply as background or setting. This issue seeks to redefine place in multitudes. Place, in this issue, is a rich texture of landscapes. As you peruse this issue, you will find yourself in mosques, tea shops, rivers, wild fires, filipino supermarkets, classrooms, garden soil,  homelands,…

Editor’s Note | Punk

It’s rare to find writing that convincingly represents the world of punk—of show-going and show-playing; of earnest and eager youth; how formative and life-giving it can be to sing and dance in a room of crowded people—but the pieces published in this issue engage with music in a way that feels reliable, lived in. Jennifer…

Editor’s Note | Work

As Andrea Abi-Karam wrote in their book Villainy, “I WANT A BETTER APOCALYPSE THIS ONE SUCKS.” Everywhere there is the proliferation of work and labour (which are not the same) and their dissolution too; capital encroaches, demands, regurgitates. It offers little in return to most and too much to a few. How does it feel,…

Editor’s Note | On Pleasure

Dear Reader, When pleasure appears on the page, it is often simplified, sanitized, or centered on the experiences of straight cis men, while—off the page—pleasure is manifold: mundane, profound, individual, shared, sexual, platonic, messy, and moving. In this issue, you will find pleasure distilled in the tip of a pen as it grazes skin, in…