Editor: Khaled Mattawa
Khaled Mattawa is the author of four books of poetry, Tocqueville (New Issues Press, 2010), Amorisco (Ausable Press, 2008), Zodiac of Echoes (Ausable Press, 2003), and Ismailia Eclipse(Sheep Meadow Press, 1996). He is also the author of Mahmoud Darwish: The Poet’s Art and His Nation, a critical study of the great Palestinian poet Mahmoud Darwish, published by Syracuse University Press. He has translated nine books of contemporary Arabic poetry by Adonis, Saadi Youssef, Fadhil Al-Azzawi, Hatif Janabi, Maram Al-Massri, Joumana Haddad, Amjad Nasser, and Iman Mersal. Mattawa has co-edited two anthologies of Arab American literature. Mattawa has been awarded the Academy of American Poet’s Fellowship Prize, the PEN-American Center award for poetry translation, a Guggenheim fellowship, the Alfred Hodder fellowship from Princeton University, an NEA translation grant, and three Pushcart prizes. His poems have appeared in Poetry, The Kenyon Review, Antioch Review, Best American Poetry, and many other journals and anthologies. Mattawa was born in Benghazi, Libya and immigrated to the United States in his teens.
Poetry Editor: Katie Willingham
Katie Willingham is the author of Unlikely Designs (University of Chicago Press, 2017). She earned her MFA from the Helen Zell Writers’ Program where she was the recipient of a Hopwood Award in Poetry, a Theodore Roethke Prize, and a Nicholas Delbanco Thesis Prize. You can find her poems in such journals as Kenyon Review, Bennington Review, Poem-A-Day, Third Coast, West Branch, Grist, and others. She has taught both composition and creative writing at the University of Michigan. She lives in Brooklyn, NY.
On what kind of submissions she’s looking for:I am seeking poems that make their own singular arguments for being poems—meditations, experiments, narratives, dialogues, and discoveries that leverage the tools of poetics to do their work. There are innumerable ways a poem can argue for its form and I want to showcase this variety. I believe the surest path to this is publishing truly diversely, that diverse aesthetics and identities are intertwined. This vision starts with you. The doors are wide open; I hope you’ll try me.
Fiction Editor: Polly Rosenwaike
Polly Rosenwaike’s story collection, Look How Happy I’m Making You, was published by Doubleday in 2019. Her fiction has appeared in the O. Henry Prize Stories, Glimmer Train, New York Magazine’s The Cut, Colorado Review, New England Review, and other journals. Book reviews and essays have appeared in the New York Times Book Review, the San Francisco Chronicle, The Millions, Lit Hub, and Dame Magazine. She currently works as a freelance editor in Ann Arbor.
On what kind of submissions she’s looking for:“Literature contains more intimacy than life,” Lorrie Moore said. I’m looking for stories and essays that draw the reader into an intimate relationship with a voice, a consciousness—that give us characters who feel particular and alive. I want to laugh, and cry, and marvel at how the writer has managed to capture truths big and small.
Nonfiction Editor: Bassam Sidiki
Bassam Sidiki is a doctoral student in English at the University of Michigan where he studies the intersection of health and politics in 20th/21st century global Anglophone literature, with a particular interest in “postcolonial illness narratives.” His creative and critical work has appeared in Papercuts, Jaggery, The Missing Slate, Synapsis, and The Iowa Review. He tweets @Bassidiki.
Online Editor: Suzi F. Garcia
Suzi F. Garcia is the author of the chapbook, Dear Dorothy: A Home Grown Fairytale (Skull + Wind Press, 2020). She holds an MFA in Creative Writing with minors in Screen Cultures and Gender Studies. Suzi is an Executive Editor at Noemi Press, and she currently serves as the CantoMundo Regional Chair for the Midwest. Her writing has been featured or is forthcoming from POETRY, Georgia Review, Fence Magazine, and more. You can find her on Twitter at @SuziG.
Managing Editor: H.R. Webster
H.R. Webster is a poet and educator from New England. She holds a BA from Vassar College and an MFA from the Helen Zell Writers’ Program at the University of Michigan. Webster has received fellowships from the Fine Arts Work Center in Provincetown, the Vermont Studio Center, Art Farm, and InsideOut Detroit Literary Arts. She has served as Assistant Editor of the Michigan Review of Prisoner Creative Writing and helped launch the Poetry Beyond Bars Summer Writing Intensive for Incarcerated Writers. She has taught writing in prisons, secondary schools, museums, and colleges around New England and the Midwest, and currently teaches at the University of Michigan. Her work has appeared in Massachusetts Review, Ecotone, Black Warrior Review, Seattle Review, Ninth Letter, and other journals.