The camp took place in the bucolic township of Yongpyong, a three-hour bus ride east of Seoul. Twenty professors from top conservatories convened at Alpine Valley Hotel with their flocks of protégés numbering about a hundred in all, predominantly girls. Over the next two weeks, we were to learn from the venerated masters and perform in the concerts held every other evening in the hotel’s grand banquet hall.
Salar Abdoh’s essay, “Lies, Fame, Memory, Illness, and the Theater of Reza Abdoh,” first appeared in Michigan Quarterly Review‘s Spring 2019 Special Issue on Iran. My brother, Reza, was always pissed off at me, as he often had to bail me out of tough situations.
On some days, the news informs me of a school shooting, and I drive blind. My brain fixates on the violence like a new romance.
Former Curator of University of Michigan’s Museum of Art, Pam Reister, writes on the Cuban artist Emilio Sánchez, who is the cover artist of Michigan Quarterly Review’s current Summer 2019 issue. Emilio Sánchez was born into one of Cuba’s most prominent families. He lived in
WILLIAM BREWER is the author of I Know Your Kind, a winner of the National Poetry Series. His work has appeared or is forthcoming in American Poetry Review, The New Yorker, A Public Space, The Sewanee Review, and other publications. Formerly a Stegner Fellow, he
