Features Essays on arts and culture from around Michigan and around the world MQR’s 2024 Pushcart Prize Nominees February 21, 2024 Sun Gets Enemy January 26, 2024 On Perspective: Mary Jo Bang’s A Film in Which I Play Everyone, the Barbie movie, & Noor Naga’s If an Egyptian Cannot Speak English January 19, 2024 Ananda Lima on Books she is looking forward to in 2024 January 12, 2024 On Arab American Women’s Anti-War Poetry December 29, 2023 In with the Old: Boris Dralyuk’s My Hollywood and Other Poems December 22, 2023 Serena Alagappan’s Sensitivity to (Cultural) Temperature December 7, 2023 Ubiquitous Violence November 24, 2023 Where the Music Plays: On “Tori Amos Bootleg Webring” by Megan Milks and Locating Queer and Trans Identity in Online Fandom’s Archives October 24, 2023 Loving March 15, 2023 American Dreams / Wake Up Call October 19, 2022 The Torrential Blood May 18, 2022 We Are All In Terrible Danger: Reflections Six Weeks into Russia’s Assault on Ukraine April 8, 2022 Poison In The Air April 6, 2022 Rodin’s L’Adieu March 24, 2022 The Iron Grasshopper: A Childhood Autobiography March 23, 2022 Two Guests at the Camp: The Story of An Involuntary Journey March 18, 2022 Pigeon-holing, Tastemaking, False Categories or: Sally Rooney and the Aesthetics of Alienation February 10, 2022 The Laying of Hands: Tom Sleigh’s The King’s Touch January 26, 2022 “Talking Back”: Teaching Feminist Writing with bell hooks December 28, 2021 1 2 3 4 5 … 7 8 9 10 Next » Please consider donating to MQR to support our work. Donate
On Perspective: Mary Jo Bang’s A Film in Which I Play Everyone, the Barbie movie, & Noor Naga’s If an Egyptian Cannot Speak English January 19, 2024
Where the Music Plays: On “Tori Amos Bootleg Webring” by Megan Milks and Locating Queer and Trans Identity in Online Fandom’s Archives October 24, 2023
Pigeon-holing, Tastemaking, False Categories or: Sally Rooney and the Aesthetics of Alienation February 10, 2022