Winter 2017 – Michigan Quarterly Review

Winter 2017

“The Music in Brooklyn,” by Molly McQuade

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In pursuit of that rough and ready insight, I’ve been listening to the right of wrong and to the wrong of right in Brooklyn music for a couple of years. Here follows a smidgeon of the music in Brooklyn and a little of the Brooklyn in music, overheard.

“The Music in Brooklyn,” by Molly McQuade Read More »

In pursuit of that rough and ready insight, I’ve been listening to the right of wrong and to the wrong of right in Brooklyn music for a couple of years. Here follows a smidgeon of the music in Brooklyn and a little of the Brooklyn in music, overheard.

“Library Island,” by Sergio Troncoso

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What little I understood was that the overseers of Library Island—our captors uttered so few words to us—were trying to tear you away from the Outer World. Every bit of you, the seen and the unseen you.

“Library Island,” by Sergio Troncoso Read More »

What little I understood was that the overseers of Library Island—our captors uttered so few words to us—were trying to tear you away from the Outer World. Every bit of you, the seen and the unseen you.

“Extreme Painting: Eyeballing,” by Craig McDaniel and Jean Robertson

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Eicher takes the microphone, and, in his lilting, wry way of talking, he gently invites us to take our places, in small groups of four people, centered on stations that have been painted (dusted would be more accurate) onto the grass.

“Extreme Painting: Eyeballing,” by Craig McDaniel and Jean Robertson Read More »

Eicher takes the microphone, and, in his lilting, wry way of talking, he gently invites us to take our places, in small groups of four people, centered on stations that have been painted (dusted would be more accurate) onto the grass.

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