李玥翎和克里斯蒂安娜·格鲁伯
李玥翎译 梁馨予校
摘要：
本次视频将介绍科威特伊斯兰珍宝馆收藏的一册精美《古兰经》手抄本。该作品由一位穆斯林女性书法家于公元1640年（伊历1050年）在中国北京抄写完成。视频重点探讨这部手稿中的泥金彩绘与卷末题记（colophon），以及它们对于研究中国穆斯林的历史与艺术所提供的启示。作品中阿拉伯书法与飞檐、牡丹、莲花等中国传统装饰元素的融合，展现了近代中国伊斯兰艺术的多元性、包容性与蓬勃的生命力。
课后练习单：
辅助此视频的练习单在此。
Khamseen的课后练习汇总页面在此。
参考文献：
Chiem, Kristen. “Painting, Peonies, and Ming Loyalism in Qing-Dynasty China, 1644–1795.” Archives of Asian Art 67, no. 1 (2017): 83–109. 
Curtis, Emily Byrne. Chinese-Islamic Works of Art, 1644-1912: A Study of Some Qing Dynasty Examples. London: Routledge, 2020.
Fraser, Marcus. “Beyond the Taklamakan: The Origins and Stylistic Development of Qur’an Manuscripts in China.” In Fruit of Knowledge, Wheel of Learning: Essays in Honour of Robert Hillenbrand, edited by Melanie Gibson, 180–199. London: Gingko, 2021.
Jaschok, Maria and Shui Jingjun. The History of Women’s Mosques in Chinese Islam: A Mosque of Their Own. London: Routledge, 2000.
Kadoi, Yuka. Islamic Chinoiserie: The Art of Mongol Iran. Edinburgh: Edinburgh University Press, 2009.
Stanley, Tim. “China. Qur’ans of the Ming Period.” In The Decorated Word: Qur’ans of the 17th to 19th centuries, edited by Manijeh Bayani, Anna Contadini, and Tim Stanley, 12–21. London and New York: Nour Foundation in association with Azimuth Editions and Oxford University Press, 1999.
引用:
Yueling Li and Christiane Gruber, “由她所书：一本中国风格的古兰经,” Khamseen: Islamic Art History Online, published 12 November 2025.
Yueling Li is a doctoral student in the History of Art Department at the University of Michigan. She studies the material and artistic dialogues between China and the Islamic world in the early modern period. Her research interests include the production and circulation of ceramics, traditions and developments of Sino-Islamic calligraphy and manuscripts, and the (trans)materiality of inscriptions. She has held research positions at the Dar al-Athar al-Islamiyyah and Tareq Rajab Museum in Kuwait as well as education positions at various institutions, including the Fine Arts Museums of San Francisco. At Khamseen, Yueling serves as Co-Coordinator of the Dunhuang Project, to which she also contributes scholarship and provides Chinese translation.
Christiane Gruber is Mehmet Ağa-Oğlu Collegiate Professor of Islamic Art History and Former Chair in the History of Art Department at the University of Michigan as well as Founding Director of Khamseen: Islamic Art History Online. Her scholarly work (available here) explores medieval to contemporary Islamic art, including figural representation, depictions of the Prophet Muhammad, manuscripts and book arts, architecture, and modern visual and material cultures. Her two most recent publications include The Praiseworthy One: The Prophet Muhammad in Islamic Texts and Images and The Image Debate: Figural Representation in Islam and Across the World, and her public-facing essays have appeared in Newsweek, The Conversation, New Lines, Jadaliyya, and Prospect Magazine, among others. Her current research projects include eco-Islamic art and architecture as well as the visual culture of the Nation of Islam.