January 2015 – Michigan Quarterly Review

January 2015

In Her Own Words: An Interview with Chelsea Hodson

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by Nathan Go

Over coffee and pan de guava, I talked to Chelsea about her chapbook, the writing process, art and porn, living in Brooklyn, and direct sentences. I transcribed the interview, and—for a little bit of creative fun—allowed her to rearrange the answers, edit them in her writing style, and omit my questions, with the condition that the result should be closer to the heart of our discussion rather than further from it.

In Her Own Words: An Interview with Chelsea Hodson Read More »

by Nathan Go

Over coffee and pan de guava, I talked to Chelsea about her chapbook, the writing process, art and porn, living in Brooklyn, and direct sentences. I transcribed the interview, and—for a little bit of creative fun—allowed her to rearrange the answers, edit them in her writing style, and omit my questions, with the condition that the result should be closer to the heart of our discussion rather than further from it.

Dreaming Evacuation: A Review of “Wunderkammer,” by Cynthia Cruz

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The idea of a “gloomarium” could not be more perfect to describe Wunderkammer. It evokes a sense of darkness as something to be collected, archived, catalogued. Each poem is itself a little wunderkammer, a strange miniature, of this inevitable doom.

Dreaming Evacuation: A Review of “Wunderkammer,” by Cynthia Cruz Read More »

The idea of a “gloomarium” could not be more perfect to describe Wunderkammer. It evokes a sense of darkness as something to be collected, archived, catalogued. Each poem is itself a little wunderkammer, a strange miniature, of this inevitable doom.

Dreaming Evacuation: A Review of “Wunderkammer” by Cynthia Cruz

Leave a Comment /

The idea of a “gloomarium” could not be more perfect to describe Wunderkammer. It evokes a sense of darkness as something to be collected, archived, catalogued. Each poem is itself a little wunderkammer, a strange miniature, of this inevitable doom.

Dreaming Evacuation: A Review of “Wunderkammer” by Cynthia Cruz Read More »

The idea of a “gloomarium” could not be more perfect to describe Wunderkammer. It evokes a sense of darkness as something to be collected, archived, catalogued. Each poem is itself a little wunderkammer, a strange miniature, of this inevitable doom.

Car Haunt

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by Elizabeth Dickey

In 2012, Tom and Ray Magliozzi—also known as Click and Clack, the Tappet Brothers—stopped recording new episodes of Car Talk. But by recording things, the past can play forever on loop, its actions or words unfurling as though for the first time, even when they are well past their original expiration dates.

Car Haunt Read More »

by Elizabeth Dickey

In 2012, Tom and Ray Magliozzi—also known as Click and Clack, the Tappet Brothers—stopped recording new episodes of Car Talk. But by recording things, the past can play forever on loop, its actions or words unfurling as though for the first time, even when they are well past their original expiration dates.

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