February 2015 – Page 2 – Michigan Quarterly Review

February 2015

A Rant on Writers Who Dislike Craft, or Why I Still Like Vermeer

Leave a Comment /

I don’t know what to say to writers who aren’t interested in craft. I don’t know what to say when they start invoking the primacy of the unconscious, of seeing the bigger picture, or of writing the plain damn Truth.

A Rant on Writers Who Dislike Craft, or Why I Still Like Vermeer Read More »

I don’t know what to say to writers who aren’t interested in craft. I don’t know what to say when they start invoking the primacy of the unconscious, of seeing the bigger picture, or of writing the plain damn Truth.

“To Dig In and Endure”: Remembering Philip Levine, 1928-2015

Leave a Comment /

Indeed, in light of economic downturns leading to greater divides between the privileged and working classes, Levine’s poetry only seems to increase in relevancy. Never has there been more urgency for, as Edward Hirsch noted in his essay “Naming the Lost: The Poetry of Philip Levine,” poetry that reflects “the stubborn will of the dispossessed to dig in and endure.”

“To Dig In and Endure”: Remembering Philip Levine, 1928-2015 Read More »

Indeed, in light of economic downturns leading to greater divides between the privileged and working classes, Levine’s poetry only seems to increase in relevancy. Never has there been more urgency for, as Edward Hirsch noted in his essay “Naming the Lost: The Poetry of Philip Levine,” poetry that reflects “the stubborn will of the dispossessed to dig in and endure.”

Ruben Östlund’s “Force Majeure”

Leave a Comment /

At the end of the day, however, the confidence of Force Majeure’s brilliant surfaces may distract us from the fact that its core is regrettably conventional, buying into harmful clichés about gender norms and family values.

Ruben Östlund’s “Force Majeure” Read More »

At the end of the day, however, the confidence of Force Majeure’s brilliant surfaces may distract us from the fact that its core is regrettably conventional, buying into harmful clichés about gender norms and family values.

Sonya Clark—Coiffed, Tangled: “The Hair Craft Project”

Leave a Comment /

“Hairdressers are my heroes. The poetry and politics of Black hair care specialists are central to my work as an artist and educator. Rooted in a rich legacy, their hands embody an ability to map a head with a comb and manipulate the fiber we grow into complex form. These artists have mastered a craft impossible for me to take for granted.”

Sonya Clark—Coiffed, Tangled: “The Hair Craft Project” Read More »

“Hairdressers are my heroes. The poetry and politics of Black hair care specialists are central to my work as an artist and educator. Rooted in a rich legacy, their hands embody an ability to map a head with a comb and manipulate the fiber we grow into complex form. These artists have mastered a craft impossible for me to take for granted.”

lsa logoum logoU-M Privacy StatementAccessibility at U-M