The What!? – Michigan Quarterly Review

The What!?

If a man loads his musket
and takes to the street
he is hilariously out of date
and dangerously outgunned

even if the street is unarmed.
Someone’s mouth is a musket
waiting for gunpowder whiskey
and the right word of a bullet.
The finger pressed to chest says bitch 
before the mouth has a chance to
and someone’s going to open up tonight.

I tell my friend that’s some primitive shit.  
He says I need to understand what? 
has been the last straw 
more often than any cuss word; bitch 
can be ignored, while the response to it:
WHAT? cannot. It’s a warning shot. 
What says I heard you,
I’ll fuck you up 
if you say it again, 
and you have no choice
but to say that shit again. 
What could be an honest question
but it probably is not. What
does that say about context?
When my man asks, 
What if I get my shotgun out the trunk?
No one means what they said
anymore. Bitch has been taken
suddenly out of context. 
What one meant to say 
was excuse me, my brother,
there is an issue that we, 
being civilized folk,
should calmly talk about
before the muskets come back out. 

Head Home Already (HHA)

We are an organization founded for the purpose of aiding white nationalists in preserving European culture. Our primary aim is the mass deportation of Anglo Immigrants and their descendants back to their European countries of origin. Originally a colonialism-focused historical society, our private meetings, reading groups, and discussions led to a realization that pan-European nationalist groups like the Identarians of Europe and Proud Boys of the United States might be on to something. European culture is a rich pool of diverse art and science but has been diluted by the misguided attempts of first nation peoples and descendants of slaves to host colonists and keep them alive. We think they should have encouraged the ships to turn around. Surely, these adventurers could have made their fortunes and built their new world back in the lands they came from just as easily as they have done here. 

Election Year

And so it was decided, 
The old kings would become 
The new kings. Rebuild their castles 
After burning them down.

A singer will tune his lute to the pitch
Of a gate opening, sing of rebellion, 
As the new laws are inked on the back 
Of the old and the new priests, who were 
The old priests, spark their braziers of dust 
And dazzle with blue flame in the temple 

Of the old gods. And the old gods 
Will be pulled from their plinths and burned 
And erected. The temple will gleam
White on its hill. The whinny 
Of destriers, hooves tearing soil, peasants 
In the streets—always the peasants 
Choking off the streets and chanting 
For bread! and bread! —

But the new kings,
Much like the old kings, will only hear 
The sound of their own names 
Rising above the clamor. 

Something Had To Be Done

And it worked. The box held the wings 
And the girl barely noticed the nubs rising 
From where her shoulder blades curved in. 

Placed under a bed, the box caused
Hardly any dreams, though the clatter of it 
Against the floor was described as unbearable 

For a time. The burden passed
From one generation to another
Until eventually all forgot what was inside.

But what matters is that it worked. 
The clasp held, and no one noticed
How empty the sky had become.

For more from the Fall 2022 special issue of MQR, “Fractured Union: American Democracy on the Brink,” you can purchase the issue here.

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