Elizabeth Schmuhl – Page 6 – Michigan Quarterly Review

Elizabeth Schmuhl

Elizabeth Schmuhl is a multidisciplinary artist whose work appears in The Rumpus, Gramma, Paper Darts, and elsewhere. Her book, Premonitions, is recently out from Wayne State University Press. Elizabeth has worked at various non-profits, including the John F. Kennedy Center for Performing Arts and the University of Michigan. She currently works as a Marketing Strategist and Campaign Manager for Shamel Pitts.

An Interview with Jordan Sullivan

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“I was an athlete growing up, and many people don’t associate athletics with art, but I found athletics to be a very visceral and emotional world that in many ways informed my art later on. There’s a certain intuition an athlete has and this intuition is invaluable to my creative process. Of course there’s a team in many sports and I always was drawn to more solitary endeavors, so naturally I was drawn to writing and art.”

An Interview with Jordan Sullivan Read More »

“I was an athlete growing up, and many people don’t associate athletics with art, but I found athletics to be a very visceral and emotional world that in many ways informed my art later on. There’s a certain intuition an athlete has and this intuition is invaluable to my creative process. Of course there’s a team in many sports and I always was drawn to more solitary endeavors, so naturally I was drawn to writing and art.”

David Bowie Is: An Experience

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Is: the third person, singular, present indicative conjugation of the verb to be. As I traveled through the exhibit David Bowie Is, which on display at Chicago’s Museum of Contemporary Art until January 4th – notably, the only US stop on the exhibit’s tour – I kept trying to figure out what it was about the title that felt unfinished to me.

David Bowie Is: An Experience Read More »

Is: the third person, singular, present indicative conjugation of the verb to be. As I traveled through the exhibit David Bowie Is, which on display at Chicago’s Museum of Contemporary Art until January 4th – notably, the only US stop on the exhibit’s tour – I kept trying to figure out what it was about the title that felt unfinished to me.

Operatic Magic: R.B Schlather’s Alcina at Whitebox Art Center

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* Elizabeth Schmuhl *

At the end of September, I was invited to attend a performance of R.B. Schlather’s direction of George Frideric Handels’s 1735 baroque opera Alcina at Whitebox Art Center in New York City. What I saw was mesmerizing.

Operatic Magic: R.B Schlather’s Alcina at Whitebox Art Center Read More »

* Elizabeth Schmuhl *

At the end of September, I was invited to attend a performance of R.B. Schlather’s direction of George Frideric Handels’s 1735 baroque opera Alcina at Whitebox Art Center in New York City. What I saw was mesmerizing.

Remaining Open: Iván Pérez

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* Elizabeth Schmuhl *

Spanish choreographer and former member of Netherlands Dans Theatre Iván Pérez will set his piece “Flesh” on eight dancers from River North Dance Chicago for their 25th Anniversary season, which takes place on October 10th and 11th at the Harris Theater. This will be his first time his work will be set and performed in the United States. Pérez graciously allowed me to interview him before he sets out on this important voyage.

Remaining Open: Iván Pérez Read More »

* Elizabeth Schmuhl *

Spanish choreographer and former member of Netherlands Dans Theatre Iván Pérez will set his piece “Flesh” on eight dancers from River North Dance Chicago for their 25th Anniversary season, which takes place on October 10th and 11th at the Harris Theater. This will be his first time his work will be set and performed in the United States. Pérez graciously allowed me to interview him before he sets out on this important voyage.

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