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All posts by Nicholas Johnson

Black Square

* Nicholas Johnson * That I cannot remember the first time I saw Gillian Carnegie’s Black Square is a testament to its creeping, subtle complexity. It is a simple painting to describe: a monochrome black square of canvas just under two meters. Hidden in the black is a landscape delineated only by variations in brushwork, which means it is an extremely difficult painting to photograph. The first time I saw Black Square was in a photograph, a jpeg on the internet, and it wasn’t until this past summer that I was able to see it on a wall, in the flesh, at the Tate in London during their ‘Looking at the View’ exhibition (2013).

Future Dreaming: Mariko Mori Rebirth at the Royal Academy

by Nicholas Johnson

Mariko Mori’s multifaceted body of work stems from a yet more expansive imagination. Mori strives to show us a glimpse of a world that could have been transmitted from a distant future. Mori showed in London, 14 years ago and her vision aligned with video games, escapist manga culture and the digital aesthetic of an emerging generation. Today her work imagines a world where science and spirituality fuse with biology and technology. We get a rickety draft of future possibilities from an iridescent, alien world.

The Speed of Nature: Ben Rivers’ Two Years at Sea

by Nicholas Johnson

Ben Rivers’ Two Years at Sea is a portrait of Jake, a man who lives a lone subsistence lifestyle in the wilds of Scotland. Rivers’ film is a silent plotless meditation on life at a different pace and begs of the cinema goer a different kind of attention. A piece of contemporary romanticism, filmed on old equipment, removed from society, almost anthropological in its depiction of a human who moves at the speed of nature.

History as Art: Luke Fowler’s All Divided Selves

by Nicholas Johnson

Things are merging. New ideas and new art forms are arising out of the combination of elements. Video, sound, the past the present, documentary, biography, history, truth, opinion … In a time when so much more happens than one can possibly keep up with, an increasing number of artists are obsessed with looking back for something that we missed, records and documents of formative events that we missed out on.

Digital Artifacts

by Nicholas Johnson

Can you remember a time before the internet? is a London “based” online only gallery for a generation of artists who probably cannot. The work on display ranges from animated gifs and flash animations to creative use of html coding and embedded video. These artworks engage with the digital space and explore the possibilities of the internet as an artistic medium.