From the Archive – Page 24 – Michigan Quarterly Review

From the Archive

“Festoon,” by Catie Rosemurgy

Every two feet, a pair of calla lilies
covers a tack pinning a cream satin ribbon
to the church wall. Every now and then

over the past twelve years, the groom has
backed me up against a wall.

“Festoon,” by Catie Rosemurgy Read More »

Every two feet, a pair of calla lilies
covers a tack pinning a cream satin ribbon
to the church wall. Every now and then

over the past twelve years, the groom has
backed me up against a wall.

“On Becoming a Tiger,” by Lorna Goodison

The day that they stole her tiger’s-eye ring
was the day that she became a tiger.
She was inspired by advice received from Rilke

who recommended that, if the business of drinking
should become too bitter,
that one should change oneself into wine.

“On Becoming a Tiger,” by Lorna Goodison Read More »

The day that they stole her tiger’s-eye ring
was the day that she became a tiger.
She was inspired by advice received from Rilke

who recommended that, if the business of drinking
should become too bitter,
that one should change oneself into wine.

“Donor Organs,” by Joyce Carol Oates

Must’ve been a time of contagion somehow he’d picked up like hepatitis C this morbid fear of dying young and his “organs” being “harvested” ribcage opened up, pried open with giant jaws you’d hear the cracking of the bones deftly with surgical instruments the organs spooned out blood vessels, nerves “snipped” and “tied” your organs packed in dry ice, in waterproof containers to be carried by messenger to the “donor recipient” this sick-slipping-helpless sensation in his gut like skidding his car, his parents’ new Audi they’d trusted him with, on black ice approaching the Tappan Zee bridge deep in the gut, a knowledge of the futility of all human wishes, volition

“Donor Organs,” by Joyce Carol Oates Read More »

Must’ve been a time of contagion somehow he’d picked up like hepatitis C this morbid fear of dying young and his “organs” being “harvested” ribcage opened up, pried open with giant jaws you’d hear the cracking of the bones deftly with surgical instruments the organs spooned out blood vessels, nerves “snipped” and “tied” your organs packed in dry ice, in waterproof containers to be carried by messenger to the “donor recipient” this sick-slipping-helpless sensation in his gut like skidding his car, his parents’ new Audi they’d trusted him with, on black ice approaching the Tappan Zee bridge deep in the gut, a knowledge of the futility of all human wishes, volition

“Return to the Land of the Golden Apples,” by Carl Phillips

“Blue wash. The winged horses look
like horses—artless, free
of connotation. They hide

just now their wings,
or they forget, or do not
think to make

much more of a gift
for flight than
of the water viewable

behind them–“

“Return to the Land of the Golden Apples,” by Carl Phillips Read More »

“Blue wash. The winged horses look
like horses—artless, free
of connotation. They hide

just now their wings,
or they forget, or do not
think to make

much more of a gift
for flight than
of the water viewable

behind them–“

“Betty Brown Calling,” by Michael Byers

But the job, like the others, had its pleasures. When a voice did answer to the name on the list it seemed to Caroline a piece of luck, and to use a false identity was a wonderful novelty. She was Betty Brown. She had heard of actors who were nervous stammering people while offstage but who became fluid and confident once concealed behind the mask of a character. Now she knew how they felt.

“Betty Brown Calling,” by Michael Byers Read More »

But the job, like the others, had its pleasures. When a voice did answer to the name on the list it seemed to Caroline a piece of luck, and to use a false identity was a wonderful novelty. She was Betty Brown. She had heard of actors who were nervous stammering people while offstage but who became fluid and confident once concealed behind the mask of a character. Now she knew how they felt.

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