African-American – Michigan Quarterly Review

African-American

Law Quad Photograph

Threads pulled though: University of Michigan 1960-1964 to Now

“The first time I participated in a sit-in in front of Woolworths, I ran, when the police appeared. As the activism continued, that fear and the importance of being counted changed proportions.”

Threads pulled though: University of Michigan 1960-1964 to Now Read More »

“The first time I participated in a sit-in in front of Woolworths, I ran, when the police appeared. As the activism continued, that fear and the importance of being counted changed proportions.”

“Arrow,” by Rita Dove

The eminent scholar “took the bull by the horns,”
substituting urban black speech for the voice
of an illiterate cop in Aristophanes’ Thesmophoriazusae.
And we sat there.
Dana’s purple eyes deepened, Becky
twitched to her hairtips
and Janice in her red shoes
scribbled he’s an arschlock; do you want
to leave? He’s a model product of his
education
, I scribbled back; we can learn from this.

“Arrow,” by Rita Dove Read More »

The eminent scholar “took the bull by the horns,”
substituting urban black speech for the voice
of an illiterate cop in Aristophanes’ Thesmophoriazusae.
And we sat there.
Dana’s purple eyes deepened, Becky
twitched to her hairtips
and Janice in her red shoes
scribbled he’s an arschlock; do you want
to leave? He’s a model product of his
education
, I scribbled back; we can learn from this.

“A History of Violence in the Hood,” by Danez Smith

could be a documentary or could be someone’s art school final

but basically we make a dope ass trailer with a hundred black children

smiling into the camera & the last shot is the wide mouth of a pistol.

“A History of Violence in the Hood,” by Danez Smith Read More »

could be a documentary or could be someone’s art school final

but basically we make a dope ass trailer with a hundred black children

smiling into the camera & the last shot is the wide mouth of a pistol.

Girl on a Bridge

In blending Cassie’s childlike fantasy with altruism and justice, Ringgold highlights not only one child’s ability to use play to prepare for the stresses of the adult world, but also the power fantasy maintains even for adults when it comes to seeking justice and defining freedom. Flight may be a typical childhood dream, but it’s also a deep motif of resistance in African-American folklore. (In 1985, author Virginia Hamilton packaged that motif expressly for young readers in her gorgeous collection The People Could Fly.) While Cassie’s dress changes color above the George Washington Bridge, the page is bordered with pieces of Ringgold’s story quilt–in which Cassie’s story originally appeared–a testament to the idea that the dream/memory is not only Cassie’s, but that of an entire community.

Girl on a Bridge Read More »

In blending Cassie’s childlike fantasy with altruism and justice, Ringgold highlights not only one child’s ability to use play to prepare for the stresses of the adult world, but also the power fantasy maintains even for adults when it comes to seeking justice and defining freedom. Flight may be a typical childhood dream, but it’s also a deep motif of resistance in African-American folklore. (In 1985, author Virginia Hamilton packaged that motif expressly for young readers in her gorgeous collection The People Could Fly.) While Cassie’s dress changes color above the George Washington Bridge, the page is bordered with pieces of Ringgold’s story quilt–in which Cassie’s story originally appeared–a testament to the idea that the dream/memory is not only Cassie’s, but that of an entire community.

“Wild Hundreds”: An Interview with Nate Marshall

“I think for me I don’t approach the page with some necessary truth that I’m aware of as I enter a poem. Often my poems start with a story or a fragment that I want to communicate or display for people and embedded in those things is a truth that reveals later.”

“Wild Hundreds”: An Interview with Nate Marshall Read More »

“I think for me I don’t approach the page with some necessary truth that I’m aware of as I enter a poem. Often my poems start with a story or a fragment that I want to communicate or display for people and embedded in those things is a truth that reveals later.”

lsa logoum logoU-M Privacy StatementAccessibility at U-M