Bahamas – Michigan Quarterly Review

Bahamas

Inconsistent Voices

* A.L. Major *
In sophomore year of college, I tell my writing mentor I don’t know if I can write stories from the Bahamian perspective. I tell him, “I don’t trust myself to get the voices right.” He asks me what a Bahamian voice sounds like? A black voice? Aren’t you Bahamian? “I am,” I stutter. “I am Bahamian.”

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* A.L. Major *
In sophomore year of college, I tell my writing mentor I don’t know if I can write stories from the Bahamian perspective. I tell him, “I don’t trust myself to get the voices right.” He asks me what a Bahamian voice sounds like? A black voice? Aren’t you Bahamian? “I am,” I stutter. “I am Bahamian.”

Everybody Hates Tourists

by A.L. Major

I never want to seem like a tourist. I would rather ride the 3 train from 145th street in Manhattan down to Rockaway Avenue in Brooklyn before glancing at a subway map or asking for directions from a grim-faced New Yorker who wants nothing to do with me. The first time I went to New York city in twelfth grade, I blushed (as much as my dark skin would permit) when I noticed that my starch-pressed khaki skort and aqua-blue flip flops signaled to New Yorkers my obvious tourist status. I avoided Times Square because tourists congested the sidewalks and snapped photos of the brightly lit billboards. In Ireland, I was the worst tourist I could be: me and forty raucous Vassar College Rugby players. At all hours of the night, we squawked drunkenly, bellowed, jogged through Dublin side streets as if the city was our playground. When I say I dislike being a tourist, I don’t mean to suggest people shouldn’t travel. We should just travel better than we do.

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by A.L. Major

I never want to seem like a tourist. I would rather ride the 3 train from 145th street in Manhattan down to Rockaway Avenue in Brooklyn before glancing at a subway map or asking for directions from a grim-faced New Yorker who wants nothing to do with me. The first time I went to New York city in twelfth grade, I blushed (as much as my dark skin would permit) when I noticed that my starch-pressed khaki skort and aqua-blue flip flops signaled to New Yorkers my obvious tourist status. I avoided Times Square because tourists congested the sidewalks and snapped photos of the brightly lit billboards. In Ireland, I was the worst tourist I could be: me and forty raucous Vassar College Rugby players. At all hours of the night, we squawked drunkenly, bellowed, jogged through Dublin side streets as if the city was our playground. When I say I dislike being a tourist, I don’t mean to suggest people shouldn’t travel. We should just travel better than we do.

Going To Watch Junkanoo

by A.L. Major

Every year around Christmas time Bahamians are divided by the Junkanoo groups they support. I was born into a family of Valley Boy supporters, but in theory I could support any of the main competing groups—Valley Boys, One Family, Roots, Saxons, The Music Makers or The Prodigal Sons. These groups practice all year for the Boxing Day and New Year competitive parades. Those used to be the only mornings there were Junkanoo parades, but now there are performances called rush outs every week in Marina Village on Paradise Island and routinely throughout the summer at the Fish Fry, a once cultural landmark now overrun by restaurants that sell syrupy-sweet strawberry daiquiris and bland peas n’rice on Fiestaware. I do want to be, nor do I try to be a cultural snob, but sometimes I do wonder if anything can belong to a country that shares and bends its land and people so often for the benefit of others. I wonder at one point does the culture become something else entirely, simply a shadow of its former self.

Going To Watch Junkanoo Read More »

by A.L. Major

Every year around Christmas time Bahamians are divided by the Junkanoo groups they support. I was born into a family of Valley Boy supporters, but in theory I could support any of the main competing groups—Valley Boys, One Family, Roots, Saxons, The Music Makers or The Prodigal Sons. These groups practice all year for the Boxing Day and New Year competitive parades. Those used to be the only mornings there were Junkanoo parades, but now there are performances called rush outs every week in Marina Village on Paradise Island and routinely throughout the summer at the Fish Fry, a once cultural landmark now overrun by restaurants that sell syrupy-sweet strawberry daiquiris and bland peas n’rice on Fiestaware. I do want to be, nor do I try to be a cultural snob, but sometimes I do wonder if anything can belong to a country that shares and bends its land and people so often for the benefit of others. I wonder at one point does the culture become something else entirely, simply a shadow of its former self.

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