Blake Atwood – Michigan Quarterly Review

Blake Atwood

“Both a Poem and a Microcosm:” An Interview with Roja Chamankar

Roja Chamankar’s Dying in a Mother Tongue is a poetry collection on the brink of loss, violence, coming into language, adulthood, and emigration. First written in 2009 (in Persian), when Chamankar was about to leave Tehran for France, Dying in a Mother Tongue is first a diegesis of a relationship’s destruction. The poem moves from […]

“Both a Poem and a Microcosm:” An Interview with Roja Chamankar Read More »

Roja Chamankar’s Dying in a Mother Tongue is a poetry collection on the brink of loss, violence, coming into language, adulthood, and emigration. First written in 2009 (in Persian), when Chamankar was about to leave Tehran for France, Dying in a Mother Tongue is first a diegesis of a relationship’s destruction. The poem moves from

Iranian Cinema, Then and Now: An Interview with Blake Atwood and Pedram Partovi

Over the weekend of February 15–17, 2019, a symposium of about a dozen scholars convened at the University of Michigan to talk about the changes and challenges facing the field of Iranian Studies forty years after the Revolution of 1978–79. In addition to art, literature, historiography, and anthropology, the topic of cinema and media studies

Iranian Cinema, Then and Now: An Interview with Blake Atwood and Pedram Partovi Read More »

Over the weekend of February 15–17, 2019, a symposium of about a dozen scholars convened at the University of Michigan to talk about the changes and challenges facing the field of Iranian Studies forty years after the Revolution of 1978–79. In addition to art, literature, historiography, and anthropology, the topic of cinema and media studies

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